The Scavengers Page #2

Synopsis: This low-budget Asian-set adventure concerns The reformed smuggler Stuart Allison finds his missing wife Marion in Hong Kong. Marion has fallen in with a bad crowd and is involved with narcotics and stolen government bonds, requiring Stuart to extricate her from her woes.
Director(s): John Cromwell
Production: Valiant Films
 
IMDB:
5.8
Year:
1959
79 min
49 Views


I am here on business, you know.

And there's some

important things

I have to attend to.

- I'm coming with you.

- No.

It's just something I

have to do by myself.

- You're not going anywhere

without me, Marion.

- Get out of my way.

- Now listen to me.

I just want to help you.

I know you're in

some kind of trouble.

- I don't want

any help from you.

Now let me go.

Please Stu,

I know I've never given

you any reason to trust me,

but it's important that

I leave here alone.

Please don't ask me why.

I'm not in any

trouble, I swear it.

- I don't believe you.

Last night when I found you

you were full of--

- It won't take me long.

I'll just go do

what I have to do.

Then I'll go back to the

place where I'm staying

and pick up some things.

I'll meet you there

tonight if you like.

- Where?

- 143 Alvero on the north side.

I'll be ready at ten.

Please Stu, it's just for today.

Tonight I'll be with you.

I'll go with you

wherever you'd like.

- And you won't tell

me anything now?

- Tonight I will.

I'll never ask you for

anything else again.

Please.

Thank you, Stu.

Ten o'clock.

- And she told you

nothing at all about

her business up here?

Not even indirectly?

- Not a thing.

All I know is she's in trouble.

You know what she's mixed up in,

don't you O'Hara?

- Trouble seems to be

her business, I think.

Some persons are born that way.

- O'Hara I have got to know.

- Keep your voice down please.

I hardly know you Mr. Allison,

but I wish you no ill.

Therefore, this is my advice.

Forget your wife.

Get out of Macao as

soon as possible.

Her illness is incurable.

I say this without malice.

Her addiction is only a symptom.

- I tell you what I'm gonna do.

I'm gonna meet her tonight,

and tomorrow I'm goin'

to Hong Kong with her.

- Then I can only

wish you good luck.

(church bells ringing)

(daunting orchestral music)

(knocking)

- Hello?

Anybody home?

Marion?

(daunting orchestral music)

- I'd stay right where

you are if I were you.

Dee, come into the front hall.

- [Stuart] Say look,

there's been a mistake.

And I'm quite sure.

- Put your hands on your head

and walk in there.

Slowly.

Straight ahead.

- [Stuart] Say look,

my name's Allison.

I can show you my

identification.

- Keep your hands

where they are.

- Now look, I can explain.

I was looking for my wife.

Your door was open.

- What might your

wife's name be?

- [Stuart] Marion A--

Marion Kramer.

- You'll have to do much

better than that ole boy.

I've never heard of either name.

- Look, I don't

care what you think.

I'm telling you it's a mistake.

Now if you don't believe

me, call the police.

- I'm afraid it won't be as

simple as that, Mr. Kramer

or whatever your name may be.

You see, the police in

this part of the world

are inclined to treat

Americans with kid gloves.

I rather fancy they think

the tourist rate will suffer

if they do otherwise.

I think he and I can take

care of this ourselves

very nicely, thank you.

Sit down.

- What is this a frame?

I suppose Marion's got

something to do with it?

(daunting, dramatic

orchestral music)

(smacking)

(dramatic orchestral music)

(boat horn blowing)

(baby grumbling)

- Good morning, Mr. Allison.

(man speaking in

foreign language)

Just something for your

headache, that is all.

You are fortunate.

You might have had a concussion.

Chew it.

- You found me?

- This is the home

of a cousin of mine

who works in the

Custom's Bureau.

- Did you know it was a trap?

- No, but you could call

it an educated guess.

Your wife returned to Hong

Kong on the ferry this morning.

Don't be foolish, my friend.

You are in no condition

to go anywhere.

I am sure Mrs. Allison

will remain in Hong Kong

for a little while yet.

In fact, I'm gambling on it.

I think I'd better tell

you my little story.

Have you ever heard of

a Chinese Nationalist

General named Wu Tra Lin?

- Wasn't he in command

of the Hunan Army

in the last days of

government on the mainland?

- You have a good memory.

(whining baby)

As you can imagine,

the atmosphere

prevailing at the time

was one of utter

confusion and panic.

All hopes of victory

were abandoned.

The only remaining hope was

to get out of the province,

out of the country all together.

Hong Kong.

Macao.

Singapore.

Taipei.

Manila.

The government of course

was moving to Formosa.

General Wu was given the task

of supervising the evacuation

of government and personnel

and property in his area.

And this matter, acquitted

himself brilliantly,

which is more than can be said

of his military activities.

Fortunately, several

months later in Formosa,

when the government auditors

had had sufficient time

to take stock of things,

it was discovered

that somewhere along the line,

General Wu or some

members of his staff

had mislaid some

highly negotiable

foreign government bonds

and treasury certificates

worth about three

million U.S. dollars.

Of course an

investigation was made,

several members of General

Wu's staff were imprisoned,

some were shot.

But the bonds were never found.

The General was permitted to

resign from his commission.

- What's all this got

to do with Marion?

- After he resigned,

he went and lived in Japan.

He met Mrs. Allison there

about two years ago.

They have been very

close friends ever since.

- That hardly proves

she had anything to do

with stealing the bonds

or getting 'em out

of the mainland.

- No one claims that.

As a matter of fact, it has

been satisfactorily established

that the bonds never

left the mainland.

- So?

- I have reason to

believe that the bonds

were smuggled to Macao from

the mainland very recently.

I have reason to believe

that Mrs. Allison

came here to pick the things up.

The General has disappeared

from his residence in Kobe.

And Mrs. Allison, a

woman known to be without

any visible means of support

has to Hong Kong and Macao

with no apparent

purpose than to purchase

some very expensive

articles of oriental art.

An old hobby of

hers, Mr. Allison?

- I never noticed particularly.

You seem to be pretty well

posted on this business.

- Not as well as I

would like it to be.

There are some very

puzzling questions.

Why did General Wu

wait for eight years

to get the bonds

out of the mainland?

It is now a much riskier affair

than it was eight years ago

when the People's

Government Secret Police

was not so well organized.

Another puzzle.

What caused Mrs.

Allison to throw in

her lot with General Wu?

- That's pretty obvious.

- The bonds?

I don't think so.

- What do you care O'Hara?

All you want to do is get

your hands on the bonds.

- You don't know

that for a fact.

I have told you all this

in the hope that I

might persuade you

to join forces with me.

- I'm not interested.

- But you are still determined

to get your wife out of this?

- Yes.

- Then you really

don't have any choice

in the matter, do you?

(upbeat, bouncy

Rate this script:0.0 / 0 votes

Eddie Romero

Edgar Sinco Romero (July 7, 1924 – May 28, 2013) was a Filipino film director, film producer and screenwriter. Romero was named National Artist of the Philippines in 2003, and his body of work delved into the history and politics of his country. His 1976 film Ganito Kami Noon…Paano Kayo Ngayon?, set at the turn of the 20th century during the revolution against the Spaniards and, later, the American colonizers, follows a naive peasant through his leap of faith to become a member of an imagined community. Aguila situated a family’s story against the backdrop of Filipino history, while Kamakalawa explored the folklore of prehistoric Philippines. Banta ng Kahapon, his "small" political film, was set against the turmoil of the late 1960s, tracing the connection of the underworld to the corrupt halls of politics. His 13-part series Noli Me Tangere brought Philippine national hero José Rizal's novel to a new generation of viewers. Romero directed some critically acclaimed war films in the early 1960s, such as Lost Battalion (1960), The Raiders of Leyte Gulf (1963) and The Walls of Hell (1964). Along with Filipino-language (Tagalog language) films, he made English-language films that became cult classics, like Black Mama, White Mama, Beast of the Yellow Night, The Woman Hunt, Beyond Atlantis and The Twilight People and worked with American actors like John Ashley and Pam Grier. Romero's films, the National Artist citation stated, "are delivered in an utterly simple style – minimalist, but never empty, always calculated, precise and functional, but never predictable." Quentin Tarantino drew on Twilight People as an inspiration for his "grindhouse" homages.Romero is especially known to horror film fans for his three "Blood Island" films from the late 1960s - Brides of Blood (1968), Mad Doctor of Blood Island (1969) and Beast of Blood (1970), which he directed and co-produced. Romero later called his American-financed “cult” films – including the “Blood Island” series – “the worst things I ever did”. When the kung fu craze started in the 1970s, Romero turned his back on the international market for Filipino films which he had virtually created. After 1976, he made smaller, more personal "art" films in Tagalog.Romero was born on July 7, 1924 to Jose E. Romero and his first wife, Pilar Guzman Sinco. Married to Carolina Gonzalez, Romero was also for a time the partner of actress Mila del Sol. He had three children: film director and MTRCB board member Joey Romero, Ancel Romero and Leo Romero. Eddie Romero was an alumnus of Silliman University. He died on May 28, 2013. He had been suffering from prostate cancer when he developed a blood clot in his brain more…

All Eddie Romero scripts | Eddie Romero Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Scavengers" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/the_scavengers_21249>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Scavengers

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "script doctor"?
    A A writer who directs the film
    B A writer hired to revise or rewrite parts of a screenplay
    C A writer who edits the final cut
    D A writer who creates original scripts