The Selfish Giant Page #2

Synopsis: An official selection at the Cannes Film Festival, The Selfish Giant is a contemporary fable about 13 year old Arbor (Conner Chapman) and his best friend Swifty (Shaun Thomas). Excluded from school and outsiders in their own neighborhood, the two boys meet Kitten (Sean Gilder), a local scrap dealer. Wandering their town with just a horse and a cart, they begin collecting scrap metal for him. Swifty has a natural gift with horses while Arbor emulates Kitten - keen to impress him and make some money. However, Kitten favors Swifty, leaving Arbor feeling hurt and excluded, driving a wedge between the boys. As Arbor becomes increasingly greedy and exploitative, tensions build, leading to a tragic event that transforms them all.
Genre: Drama
Director(s): Clio Barnard
Production: Sundance Selects
  12 wins & 18 nominations.
 
IMDB:
7.3
Metacritic:
83
Rotten Tomatoes:
97%
NOT RATED
Year:
2013
91 min
$12,189
Website
471 Views


Come on.

- Back in your bush.

- Go on.

Come on, Diesel.

- Hey, look, it's Kitten.

Go on!

- Come on.

- Go on.

Go on.

- No, come on.

- Go on, Diesel.

Go on.

- Yeah, Kitten.

You want some more

of that cable?

- I'm busy.

You can handle him better

than that.

What are you doing?

- He's holding his reins

too tight.

- What?

- He's holding his reins

too tight.

He's pulling it back.

- Loosen reins.

Where'd you learn that?

- Taken to road races

when I were younger.

- He's mad for horses,

him, you know.

- Come on.

- Oy, wait here.

- Go on, off you go.

That's better.

Why didn't you do that

first time?

Go on.

- Go on again.

- Face forward and get on

with your work, mate.

- I can't be arsed

doing my work.

- Well,

that's your first warning.

Get another one,

I'll see you again tomorrow.

- Oy, f*ggot!

Did your mum get f***ed

by a horse, Swifty?

Is that what's got

bothering you?

- You're a f***ing tramp.

- Don't drink that, mate.

Seen the state of his lips?

You'll have something on that.

- Your mum's a mong.

- Your dad, yeah,

is an inbred retard.

Look at me.

Is an inbred retard, yeah?

And your family's gonna be

in debt

for the rest

of their f***ing lives.

- Oy, his psycho mate's coming.

- Go on, Swifty, hit him!

Go on, Swifty!

Don't let 'em bully you!

F***ing hit him!

- Fight! Fight! Fight!

Fight! Fight! Fight!

- F*** off me!

- Fenton, Swift,

Headmaster's office now.

- F*** off.

- Oh, yeah, big boy.

Go on.

- D*ckhead.

- Go on!

- His team leader

administered his medication.

- Why do you use

this stupid language?

To make me feel intimidated?

Well, I'll tell you something.

I don't feel intimidated by you.

I've had two kids

through this school,

and you've failed both of 'em.

- You have to look at

the bigger picture.

- Where's he gonna go now

now you've kicked him out?

'Cause nobody else

is gonna take him, are they?

- Mrs. Fenton, if we both speak

at the same time,

neither of us will hear

what each other is saying.

- Well, I've heard enough

from you.

- I don't think

mainstream school's

the right place for him.

I'm sorry.

Is there anything I can-

- No.

You've been excluded

permanently.

- Sick.

- Arbor!

- He's been excluded

for 10 days.

Lad's got concussion.

He had to go to hospital.

That's what he said.

You need to get an education.

- It's all right, Mum.

- Our Arbor were protecting him.

Arbor stood up for him.

- Didn't mean for him

to get into trouble, Mrs. Swift.

- I'm sorry, love.

- Brilliant, eh?

Don't have to go to school.

I can go out scrapping

and make some money.

You coming or what?

Guess what.

- Are you joking?

- No.

- We're like f***ing right divs

with that.

- We got to start somewhere.

Come on.

- Oh, my God.

- Come on, then.

- Smell you from round

the corner, Swifty.

- Go f*** off, you.

- F***ing stink, you.

- Oh, there's a pan there.

Watch that lot

so it don't get nicked.

- Oy, Swift.

Did you lose that baby

or did your dad sell it?

- They'll be worth something,

won't they, Swifty?

- Take that.

- Yeah.

- Leave these.

- Yeah, yeah, ain't it.

- Take these bits as well.

- Oy, what the f***

are you doing?

- What does it look like?

We're scrapping 'em.

- You're f***ing not

scrapping 'em.

I'm fixing 'em up

and selling 'em.

- Seriously,

you're fixing them up?

Don't f***ing think so.

- Who the f***ing hell

do you think you are, eh?

Coming round here

and thieving my f***ing stuff.

- Get away. He's me mate.

- Hey!

Now f*** off out me sight,

the pair of you.

- Shut the f*** up.

- Go on and take your f***ing

shitty pram with you.

You f***ing get in now.

- Fenton, you thieving bastard!

I'll break your f***ing legs!

It's your brother. Look.

- We look like f***ing

smackheads.

- Oh, well.

- We look stupid, Arbor.

- Doesn't matter

if we look stupid,

does it, though?

We're not stupid.

Just going out

to earn a bit of money.

Know what I mean?

Got about 3 quid there

or summat.

We'll bang halves.

That's sick, mate.

- Look at that.

- That is massive.

Bradford massive.

Bradford massive.

Wicked, wicked.

- F*** me!

Hey, come on.

Hurry up.

What?

- What's this crap?

- Aluminum, that.

Hang on.

And a bit of brass.

- Right, dump that over there

and help them lads get

bright wire out of that lot.

- All right.

- Steve.

- Swifty, get wire out of that.

- Hey, what time

do you call this?

You got to be back by 5:00

for weigh-in.

Hey, what's with the face?

Do you want to go round

with a pram like them two divs?

25 quid to hire

the horse and cart.

- I thought it were 20.

- Yeah, well, you thought wrong.

Price of copper's gone up.

My price has gone up too.

- Tight bastard.

- What did you say?

Pay up or f*** off!

If you haven't got the money,

you can't take him out.

Simple.

Now turn round

and see to f***ing Diesel.

What are you looking at?

Get on with what

I asked you to do!

- You lads working for Telecom?

Thought you worked for Railway.

- Right, what you got for me,

lads?

- We got bright wire,

legacy cables,

unmarked, untraceable.

- Poly-sheathed cable.

- Processed?

- Aye.

And 40 of these.

10 kilo copper bales.

- What are you giving?

- I reckon 21/2 grand,

tops.

- F*** off. 31/2.

- 21/2 grand.

- 31/2.

- If you took it in

and weighed it for 3,

it'd be no less.

Weigh it in then.

- F*** weighing it in.

- Hey, you two.

Get that barrow

and bring it over here.

21/2 grand.

- And put f***ing kettle on.

31/2.

- F***ing hell, Swifty.

- Come on.

Bring that barrow over.

- Ay, don't forget

your f***ing pan, kid.

- 49 armored.

Add it all up.

Take it to the back.

Give us your pan.

One of ali.

- And one of brass.

- Aye, he's a good trotter.

- The best.

- Yeah, well, everyone you ask

got best, haven't they?

I've had a lad training Diesel.

He's fast, very fast.

5.

That's for you.

- Ta.

- Hey.

And that's for you.

- Ta.

- Hiya, Mick.

You all right, lads?

- Bye-bye.

- Bye, darling.

2,960.

That's one...

Two...

2,960.

All right?

- Hey, ya.

How you lend a horse and cart

for me and Swifty

and we'll bring you back

some proper scrap?

- You've no experience.

F*** off.

- Hang on. Hang on.

His granddad used

to be a rag-and-bone man.

- You should be at school.

- I hate school.

I'm a f***ing scrap man, me.

- Nah, nah, nah,

listen to this, mate.

He's a proper grafter,

this one.

- Does he ever shut up?

- Are you up for it, then,

Kitten?

Chip 'n' Pin v. Diesel.

Sunday, A-65.

- Course.

- Let's have a look at him,

then.

- Who?

- Shergar.

Who do you f***ing think?

Diesel. Come on.

- All right.

- See you later.

- Come on.

Here he is.

- Whoa, here we go.

- Hey, hey. Hey. hey.

What are you doing,

you bloody idiot?

Come here.

Come here! Come here!

- Steady.

Steady. Steady. Steady.

Steady, lad.

Steady, lad.

Steady.

- Good lad.

- Steady.

- He's fast.

He's fast, you know.

- Going backwards.

- Oh, f*** off.

- Or with a rocket up its arse.

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Clio Barnard

Clio Barnard is a British director of documentary and feature films. She won widespread critical acclaim and multiple awards for her debut, The Arbor, an experimental documentary about Bradford playwright Andrea Dunbar. In 2013 she was hailed as a significant new voice in British cinema for her film The Selfish Giant, which premiered in the Director's Fortnight section of the Cannes film festival. more…

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Submitted on August 05, 2018

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