The Selfish Giant Page #3

Synopsis: An official selection at the Cannes Film Festival, The Selfish Giant is a contemporary fable about 13 year old Arbor (Conner Chapman) and his best friend Swifty (Shaun Thomas). Excluded from school and outsiders in their own neighborhood, the two boys meet Kitten (Sean Gilder), a local scrap dealer. Wandering their town with just a horse and a cart, they begin collecting scrap metal for him. Swifty has a natural gift with horses while Arbor emulates Kitten - keen to impress him and make some money. However, Kitten favors Swifty, leaving Arbor feeling hurt and excluded, driving a wedge between the boys. As Arbor becomes increasingly greedy and exploitative, tensions build, leading to a tragic event that transforms them all.
Genre: Drama
Director(s): Clio Barnard
Production: Sundance Selects
  12 wins & 18 nominations.
 
IMDB:
7.3
Metacritic:
83
Rotten Tomatoes:
97%
NOT RATED
Year:
2013
91 min
$12,189
Website
471 Views


- What the f***ing hell

were you doing, doing that?

Come on, Daniel.

Come round here, now.

Daniel. Daniel.

- Are you nervous?

You're sucking on that fag

well enough, aren't you?

Do you think you're up

to driving this horse or what?

Because if I don't think

you are,

I'm gonna have

another few quid on...

- I don't think he's gonna win.

- All right, do you not?

- Nah.

- 50 quid on Diesel.

50 f***ing quid.

- Anybody else want a bet

or what?

- Hey, Kitten,

he's sh*t himself.

- Finish line, this.

- Yeah!

- They go under here full go.

It's sick!

- Yeah!

- Come on! Come on! Come on!

- If Diesel wins,

Kitten'll be loaded.

- Come on!

- Get your money ready, Kitten!

- Go on! Go on!

- Come on!

- Go on, Diesel!

- Go on, lad!

Go on!

Go on, Diesel.

Good lad!

- Come on, Diesel!

Go on!

- Diesel's in the lead!

- Go on!

- Go on, Diesel.

Go on, lad.

- Come on, Daniel!

Get up there!

Get back, you!

- F*** off, man!

What are you doing?

- Keep up, Daniel.

He can't see the car!

He's got his blinders on!

- Get off me, man!

F***ing hell.

- Daniel, get up there!

- You're spooking him!

He's gonna get him hurt.

- Come on!

Get back, you f***ing a**hole!

- Stop pulling him back!

Give him his head.

Send him!

- F***ing hell, you!

Get back!

- Go on! Keep going!

You can do it!

Go on!

- Get up there!

Come on!

Come on!

- Yeah!

- F***ing bastard!

- F***! F***!

F***!

- What?

What? What?

- What the f***

were you playing at?

- Weren't my fault.

A car got too close.

- I'll have your balls off.

- It's that horse.

It's spooked.

- Don't blame it

on my f***ing horse!

- It's mental out there.

- Out of my sight.

- They're all laughing at you

behind your back.

Laughing at you playing

a hard man,

when all you are is

a f***ing wannabe Gypsy.

- All right, all right,

all right, all right.

Come on. Calm down.

Don't let me ever see you again

or I'll f***ing kill you!

- We'll work for you.

- Get my horse in that box.

- Let me drive him for you.

- Swifty,

we're gonna be scrap men, us.

- Ain't got no money.

- Well, if you haven't got

the money,

we have to take the settee,

love.

- Ain't got settee, neither.

- Well, where the f*** is it,

love?

- Where's this come from?

You've been grafting, ain't you?

I want better for you.

If you're to get on,

you've got to go to school.

- I'm excluded.

I'm not supposed

to go to school.

- You're breaking me heart,

love.

If you show 'em you're sorry,

they'll let you back in.

- How much did you get

for that scrap?

- Nowt.

- You must have got something

for it,

you lying bastard!

F***ing lying little bastard.

- Is he coming out?

- He's not here.

He's at school.

- School?

- He's better off there

than hanging round here

with you.

- I stuck up for him, though.

Stuck up for lot of you

when people were ripping you.

- What's he still doing here?

- He's been excluded,

but he comes anyway.

- All right, Cheech?

Where's Chong?

- Leave him alone.

Come here.

What are these?

- Oh, from yesterday.

You weren't here

and some good stuff came in.

- Yeah, well, it's still got

to be accounted for.

You know,

we've got to be careful.

The laws are tightening up.

- Should be out there

watching ports,

not wasting time on us.

What's that?

- Can I finish yoking up Tommy

and go out scrapping for you?

- Sod off.

Come on, give me a chance.

- Stop mithering us.

I said no.

- Then Tommy'll just sit there

all day.

I've seen a batch of cable.

I could get it for you.

- Keep it above board, love.

- Have to be processed.

You got 25 quid?

- I got 20.

- Would you like one, love?

Oh, no, not him.

Stop.

- You've been excluded, Fenton.

- Easy now.

- I'm calling security.

What are you doing sat here,

you daft twat?

Let's get out

and make some money.

Come on.

- You got that bridle too tight

on that horse.

- Let me come sort it out

for you.

- You're a bad influence,

Fenton!

- Go, go, go.

- Go, go, go.

Go! Go!

Giddyap, Tommy!

- I know where

we can get some cable.

Make this horse go faster,

will you, yeah?

- Yah!

- Put your backs into it.

- Thanks.

- There you go.

- Good work, boys.

- Pry that motor out now, then.

- All right, then.

There. It's out.

Worth quite a bit.

Copper wound, that.

Hey, come on, hurry up.

They haven't seen you.

Let's smash this on the cart.

Got to burn it off, ain't we,

'cause it's marked.

- Sound like Kitten, you.

- Piece of cable like that,

length and width of your arm,

probably about 500 quid.

- Don't even think about it,

Arbor.

- Steady.

- All right, lads,

where's your pushchair?

- F*** off.

- Much better load

than you had last time.

- Good scrap, this.

200 pound a ton.

- You reckon?

- Yeah.

- We'll have a look.

- I know.

- All right.

It's better than last load

anyway.

Do you just want to take it

round there?

- Here are.

We burnt all casing off

and removed all SmartWater dye.

- 37 on that?

- Yeah.

- All right, Arbor love?

- Yeah.

- 240 quid.

That's all right,

ain't it?

- Gonna go check on this horse.

- Yeah, whatever.

- 2, 3, 4, 5...

There you go.

- Ta.

- Hey, do you want your docket?

- Yeah, please.

- There you go.

- Thanks.

- Hey.

- What are you doing?

Get off.

- For tax.

You're under 16.

Got to tax you at source.

- Idiot.

- What you doing?

- Swifty!

110 quid there.

That'll sort

your mum's electric.

Buzzing.

- Sick, eh?

What are you gonna

spend yours on, then?

Buy a new settee and that?

Yeah.

- Here are, though, Swifty,

yeah?

Just don't let your dad

get his hands on it.

- No, I won't.

Oy.

- Hurry up, Swifty.

I want to get off.

Reckon we could get

that cable off that pylon?

- It's too risky.

- Think of money, though,

Swifty.

Oh, come on, man.

I can't do it on me own.

- Oy! Swifty.

- All right, Kitten?

- Meet me first thing, 6:00 a. m.

I want you to have a go

at driving Diesel on road.

See what you can do.

All right?

Get in.

- What's the point

in a trotting horse?

They can't pull a cart.

- It's well soft, this one.

- What? Shut up, Swifty.

You're soft, you daft bastard.

- Give us a footie on.

- God's sake.

You better not have sh*t

on your shoe.

Oh, your arse is on me head.

- Hurry up and stop

mucking about.

- Get off!

There, you're on now.

Right.

What the f***'s happening here,

then?

There you are.

- It's like a f***ing advert,

isn't it, eh?

- Summat worth nicking here.

That your new dosser, Kitten?

- What, are you gonna get him

to finish

that job Daniel couldn't do, eh?

- He'll not be able

to shift it either.

Lad told me cable chamber

is still isolated.

At least 4 grand of copper

down there.

- Make yourself useful.

Get cable and put it in fire.

Risk to reward ratio's

in our favor then.

- Not on that job it ain't.

What? 132,000 volts?

You'd have to be mad

or desperate or stupid

or summat to risk that.

- Where you off?

You're never up this early

to go scrapping.

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Clio Barnard

Clio Barnard is a British director of documentary and feature films. She won widespread critical acclaim and multiple awards for her debut, The Arbor, an experimental documentary about Bradford playwright Andrea Dunbar. In 2013 she was hailed as a significant new voice in British cinema for her film The Selfish Giant, which premiered in the Director's Fortnight section of the Cannes film festival. more…

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