The Servant Page #5

Synopsis: The aristocratic Tony moves to London and hires the servant Hugo Barrett for all services at home. Barrett seems to be a loyal and competent employee, but Tony's girlfriend Susan does not like him and asks Tony to send him away. When Barrett brings his sister Vera to work and live in the house, Tony has a brief hidden affair with her. After traveling with Susan and spending a couple of days in a friend's house outside London, the couple unexpectedly returns and finds Barrett and Vera, who are actually lovers, in Tony's room. They are fired and Susan breaks with Tony. Later, Tony meets Barrett alone in a pub and hires him back, and Barrett imposes his real dark intentions in the house, turning the table and switching position with his master.
Genre: Drama
Director(s): Joseph Losey
Production: Rialto Pictures
  Won 3 BAFTA Film Awards. Another 5 wins & 8 nominations.
 
IMDB:
7.9
Metacritic:
93
Rotten Tomatoes:
89%
UNRATED
Year:
1963
116 min
$36,668
Website
1,846 Views


Must be quite nice out.

Watch it!

No, out of play,

out of play, out of play.

Right, got you.

Bit wild.

Nearly got you then, though.

13-10. Count it as that.

Well, I can't do it any more.

I have to bend all the time.

What about me? I'm in the inferior

position of playing uphill.

I need a drink.

That's half the point of the game,

the bending.

You're getting as fat as a pig.

You need the exercise.

Right, service. 14-12.

- That wasn't fair. I wasn't ready.

- I said "service", didn't I?

I'm not having that point counted.

That was a perfectly fair point.

What about the other night?

You did about six like that.

Don't take advantage.

You're sitting in the best position.

You ought to play

according to the rules.

You're just a little upset

because you're losing the game.

Take your ball.

- Take it yourself.

- Ow!

- Well, what's the matter?

- I... I'm going.

- It couldn't have hurt.

- Get out the way.

I'm not staying here in a place

where they chuck balls in your face.

Don't be a fool.

Come on, let's have a drop of brandy.

Tell you what,

we'll call that game a draw.

- Isn't that fair?

- Push your brandy!

- Don't talk to me like that.

- Push you!

Get back to your coal heap.

Look, Barrett,

don't you forget your place.

You're nothing but a servant

in this house.

A servant?

I'm nobody's servant.

Who finished the whole place for you?

Who painted it for you?

Who does the cooking?

Who washes your pants?

Who cleans the bath out? I do.

I run the place and

what do I get out of it? Nothing.

- Now, listen, Barrett...

- I know all about you, sonny.

I am grateful, honestly.

Don't be daft. You know I am.

Yeah, I believe you.

You know, I...

I don't know what I'd do without you.

Well, then, go and pour me

a glass of brandy.

- Well, that's what I suggested.

- Don't just stand there. Go and do it.

Fabulous.

Yes.

- It's not bad.

- It's fabulous.

It's a bit salty.

No, no, it's marvellous.

I don't know how you do it.

Oh.

It's nice to know it's appreciated.

It makes all the difference.

Oh, I do appreciate it.

You know, sometimes I get the feeling

that we're two old pals.

- That's funny.

- Why?

I got the same feeling myself.

I've only had that same feeling

once before.

Did you? When was that?

Once in the army.

Well, that's funny.

I had the same feeling myself

there too.

Once.

47, 48, 49 and 50.

I've got a tiny feeling

that you're not downstairs at all.

You're not downstairs at all.

I think you're up there.

Aren't you?

And now I'm on my way to get you.

Where's your little lair this time?

Puss, puss.

P*ssy, puss, puss.

Puss, puss, puss, puss.

I'm getting warm.

You're hiding.

You'll be caught.

I'm getting warmer.

You've got a guilty secret.

But you'll be caught.

I'm coming to get you.

I'm creeping up on you.

I can smell a rat.

I...

can...

smell...

a...

rat!

- What do you want?

- To speak to him.

- clear off out of it.

- I want to speak to him.

Come here. Quick.

clear off!

Come on, out.

- Come on.

- Look... I want... please.

I'll speak to her. Leave her.

Listen...

I... I got to go to hospital.

They're taking me in, you see.

Give us some money.

please, lend me a few quid.

Oh, go on. Well...

Just only a few.

What about what you did to me?

It was him.

He made me.

I loved you, though.

I... I still love you.

playing games

with little sis again, are we?

That won't get you anywhere, Tone.

Come on, little sister, out.

- Come on.

- It was him.

- Him. He done it. He did.

- Stinking out the place! Come on!

I love you.

- I...

- Come on!

Get back to your ponce.

Come on.

Soaking wet.

Slut.

I've got something for you

from a little man in Jermyn Street.

Not for me.

Oh, come on.

Have a sip, see what it tastes like.

I told you, I'm not drinking.

Oh, now, look.

Just have a little sip, that's all.

Just a sip. There you are.

You see?

I can still think of things

that will please you, can't I?

You won't get many

better than me, you know.

What do you want?

An old hag running round the house,

getting you up in the morning

at the crack of dawn,

telling you what to do?

My only ambition is to...

serve you.

You know that, don't you?

I'm sorry, I...

I've been a bit edgy lately.

Oh, well, I mean...

I mean, I...

I admit, I...

I make mistakes, but...

Well, after all,

I'm only human, aren't I?

You wouldn't like me

if I wasn't human, would you?

- The place could be cleaner.

- Oh, I know.

I know it could be a bit cleaner.

That's what

I've been going on about for days.

Listen.

Perhaps...

we...

cou... could both...

make...

an extra effort.

You're dead right there, Tony.

That's what we ought to do.

~ Can't love without you

~ Must love without you

~ Now while I love you alone

~ Now while I love you... ~

Hey!

Your other one's here.

What?

Your old flame.

One yesterday.

One tonight.

You are popular, aren't you?

She's waiting.

Did you tell her

we're expecting visitors?

Oh, yes. Yes, I did.

But I also took the liberty

of showing her into the drawing room.

After all, she's a lady, isn't she?

~ Leave it alone, it's all gone... ~

Hello.

Vera's been to see me.

She says you owe her some money.

Well, I think you owe her

some kind of compensation.

She's a liar.

They're all liars.

You didn't come here

because of Vera.

Leave it.

It's all gone. Leave it alone.

You don't want to come here.

But I love you.

Well, you're on time.

Who is it?

Friends.

Oh, look, that's Christine.

Isn't that Christine?

If it is,

it was ten years ago.

She's been doing it again.

- Don't you like me at all?

- Yes.

Where's that Tony?

What's wrong with me, then?

Hey, come on.

We're waiting for you.

There's nothing wrong with you.

Come and join the party.

~ Give me my death

~ Close my eyes

~ Give me my breath

~ Close my eyes

Where's my drink?

It's here.

Do you want one, love, eh?

~ Now while I love you

~ Can't love without you... ~

Do you know where we're going

in the morning?

We're going to Brazil in the morning.

Aren't we, Tone? Eh? Brazil.

Want a fag?

No?

I've loaded it.

Hold it there.

Smile.

Let go.

Come on.

~ Now while I love you alone

~ Now while I love you alone

~ Now while I love you

~ Can't love without you

~ Must love without you alone

~ Leave it alone, it's all gone

~ Leave it alone

~ It's all gone

~ Don't stay to see me

~ Turn from your arms

~ Leave it alone, it's all gone

~ Give me my death

~ Close my mouth

~ Give me my breath

~ Close my mouth... ~

Get out!

Get them all out!

All right, come on.

Get out. Get out, all of you.

Come on.

And you. Come on, get up.

And you. Come on.

Come on.

Make it tomorrow night.

And bring John.

Come on!

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Harold Pinter

Harold Pinter (; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980. Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007. Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008. more…

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Submitted on August 05, 2018

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    "The Servant" Scripts.com. STANDS4 LLC, 2024. Web. 26 Jul 2024. <https://www.scripts.com/script/the_servant_21284>.

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