The Sheik and I Page #10
STARTING LIKE THAT DAY.
AND I WAS LIKE WE GO TO GO TO THE PRESS.
WE GOT TO TELL PEOPLE
THAT THESE GUYS AT THE BIENNIAL,
LIKE THEY'RE CENSORING WORK.
LIKE THEY CLAIM TO BE NOT DOING
ABOUT THE SHARJAH
BIENNIAL LIKE THE WEEK
BEFORE AND JACK PERSEKIAN
WAS QUOTED AS SAYING,
"THERE HAS BEEN NEVER
THERE HAS NEVER BEEN ANY
PRESSURE TO CONFORM
TO A PREFERRED PERSPECTIVE
OR TOW A PROPAGANDA LINE."
HE SAID THAT IN PRIN IN NEW YORK TIMES A WEEK
AND THE NEW YORK TIMES WROTE
FOUNDATION WAS FURIOUS.
AND THEN A FEW DAYS LATER,
AN ARTICLE COMES OU
IN THE LOCAL U.A.E
NEWSPAPER:
AND JACK PERSEKIAN
WAS QUOTED AS SAYING...
"THERE WERE PARTS
THAT WERE EXPLOITATIVE OF SOME
INDIAN MINORS WHO HANG
AROUND THE MUSEUM."
EXPLOITATION, THEY'VE COMMITTED
AN ACTIONABLE DEFAMATION
IN THE UNITED STATES.
AND I COULD GE JURISDICTION OVER THEM.
OH, ONE OTHER THING HAPPENED
THAT I FORGOT TO MENTION.
JACK PERSEKIAN:
WAS FIRED BY THE SHEIK.
AT FIRST I THOUGHT, "OH
HE WAS FIRED BECAUSE HE BANNED
MY FILM," YOU KNOW,
LIKE THAT'S WHY HE
WAS FIRED, BUT NO.
HE WAS FIRED BECAUSE HE
FAILED TO BAN ANOTHER WORK
OF ART WHICH WAS ALSO
ACCUSED OF BLASPHEMY
IT'S OUTRAGEOUS THAT THEY'RE
BANNING WORK, HE SAID...
"IT WAS FOOLISH OF ME.
I DIDN'T READ ALL
THE FINE PRINT IN IT ON SOME
OF THE CONTENT I MUS WAS OBJECTIONABLE.
WHO HAD DEFENDED JACK PERSEKIAN
BANNING MY FILM, THEY PROTES JACK PERSEKIAN'S FIRING,
AND THEY HAVE A MISSION
STATEMENT SAYING,
"THE MISSION OF ART IS TO DEFEND
FREEDOM OF EXPRESSION,"
AND THEY START A PETITION
TO BOYCOTT THE SHARJAH BIENNIAL,
THE SHARJAH ART FOUNDATION
AND ALL ART INSTITUTIONS
IN THE UNITED ARAB EMIRATES.
THE PETITION LIKE STARTS GETTING
THOUSANDS OF SIGNATURES
FROM LIKE ALL THESE
ARTISTS AND STUFF,
AND NO ONE EVER MENTIONED
MY FILM, LIKE THEY NEVER SAID,
MY FILM IN THE BAN."
THEY JUST LIKE...
I MEAN PART OF ME WAS THRILLED
THAT THEY WERE LIKE BOYCOTTING
WAS LIKE, "WHAT HYPOCRITES."
IT'S LIKE COME ON.
YOU GUYS WERE A PART OF THIS.
WHY DIDN'T YOU AT LEAS ADMIT THAT?"
I'D LIKE TO TRY
TO GET A SETTLEMEN
BASED ON SHOWING THE SERIOUSNESS
OF THEIR MISCONDUC
WITHOUT BLOWING UP
THE REAL OBJECTIVES,
YOUR FILM, AND FOR YOU TO USE
ALL OF WHAT'S HAPPENED.
IT MAY BE THAT THEY THINK
WE'RE BLUFFING.
UH-HUH.
AND I DON'T KNOW YOU VERY WELL
AND PERHAPS YOU DON'T KNOW
ME VERY WELL, BUT I DON'T BLUFF.
UH-HUH, I DON' SENSE THAT YOU DO.
BECAUSE WHAT THEY DID
WAS ILLEGAL:
INTEREST TO SETTLE.
SO, UM, THEN THE
LAWYER PERSUADED THE
SHARJAH ART FOUNDATION FINALLY
TO SIGN AN AGREEMENT SAYING
NOT ONLY DID I HAVE THE RIGHT TO
SHOW THE FILM WHEREVER I WANTED,
EXCEPT THE UNITED ARAB EMIRATES
WHERE THEY WOULDN'T SHOW IT,
BUT PART OF THE DEAL
WAS THAT NOBODY WOULD GE
IN TROUBLE BASICALLY,
LIKE I DON'T WANT PEOPLE
LOSING THEIR JOBS AND I DON' WANT PEOPLE GETTING ARRESTED.
I DON'T KNOW.
I DON'T WANT ANY TROUBLE.
THE MUTUAL GENERAL RELEASE
THAT WAS PROVIDED
BY THE GOVERNMENT WOULD ALLOW
SUBJECT PEOPLE WHO APPEARED
THAT WAS GREAT, COLIN.
GOOD JOB ON THE:
MOVING BLOODSTREAM.
OKAY, WE GOT IT.
COOL.
YEAH.
WE'RE DONE, CAMILLE.
I'M ALMOST FINISHED.
RIGHT HERE.
WE'RE SHOOTING A MOVIE.
OH MY TOUGH GUY.
ARE YOU OKAY?
[MUMBLES]
YOU WOKE UP?
YEAH. YEAH. YOU WOKE UP.
I THINK IT'S PROBABLY IN YOUR
BED. SHOULD WE GO LOOK FOR IT?
YEAH? OKAY.
SHOULD WE SAY GOOD NIGHT?
SHOULD WE SAY GOODBYE
TO THE CAMERA?
SEE THE CAMERA?
SEE THE CAMERA RIGHT THERE?
IT'S FILMING.
HERE WE GO.
READY? HERE WE GO.
TO YOUR ROOM? CRANKY?
OKAY.
BUT THAT'S THE STORY.
OOPS.
I ALMOST DROPPED THIS.
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"The Sheik and I" Scripts.com. STANDS4 LLC, 2024. Web. 26 Nov. 2024. <https://www.scripts.com/script/the_sheik_and_i_17977>.
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