The Sheik and I Page #8
THAT THEY WERE--
IT WAS PROBLEMATIC FROM
THE GET-GO, RIGHT?
DIFFICULT POSITION,
ADDRESSING SENSITIVE ISSUES
THAT WE KNOW:
SO IN A VERY:
STRAIGHTFORWARD WAY,
IT WORKS HERE.
I JUST, YOU KNOW,
THEY'RE CURATORS.
THEY'RE ART CURATORS.
I WAS LIKE,
COME ON, YOU ASK ME
YOU KNOW THE KIND OF STUFF I DO.
THIS IS THE KIND OF STUFF I DO.
FRUSTRATED AND I CAN UNDERSTAND
WHY YOU'RE FRUSTRATED, BUT JUS TO SORT OF CONTEXTUALIZE THINGS,
YOU KNOW, DICTATORS ARE FALLING
IT'S A CRAZY TIME IN THE REGION.
I FORGOT SOMETHING.
LIKE AS SOON AS WE LEF SHARJAH THE WHOLE ARAB
UPRISING HAPPENED.
IF WE DEFINE PRODUCTIVE AS BEING
LIKE ACTUALLY ADVANCING
THE CAUSE OR HAVING SOMEBODY SEE
SOMETHING IN A DIFFERENT LIGHT,
YOU KNOW, LIKE THE TAKE
PARTICULARLY LAYERED OR COMPLEX
BECAUSE THERE'S FACTORS
THAT YOU DON'T KNOW, RIGHT?
LIKE THERE'S ACTUALLY COMPLEX,
I HAVE ZERO INVESTMEN IN THE LABOR LAW ISSUE.
I DON'T KNOW ANYTHING ABOUT IT.
YOU KNOW, I'M IGNORANT.
RIGHT.
THAT THE LABOR LAW SEEMS F***ED.
WHETHER IT'S F***ED OR NOT,
I FEEL I SHOULD BE ABLE TO SAY
MANSOUR'S KID LIVES
IN PAKISTAN."
HE'S 13. HE CAN'T LIVE WITH HIS
FATHER. THAT'S F***ED.
I DON'T KNOW
MAYBE IT'S NOBODY'S FAULT.
IT'S JUST UNFORTUNATE.
AND I DON'T FEEL
ABOUT THAT EVEN:
I THINK HEIN ACTUALLY WAS KIND
THE VALIDITY AND THE ABSURDITY
THE CONSTRAINTS EITHER.
AT ONE POINT I SAID, YOU KNOW,
BY THE SHEIK SAYING IT'S FINE?"
OH IT'S NOT?
NO.
WHAT'S IT ABOUT?
GETTING IN TROUBLE, RIGHT?
AND SO I SAID, "LOOK, YOU DON' KNOW THE SHEIK WON'T LIKE IT.
MAYBE THE SHEIK WOULD LIKE IT."
LIKE, YOU KNOW,
WE'RE PLANNING
WE'RE GOING TO SHOW IT TO JACK,
THE SHEIK'S DAUGHTER.
BUT SO ANYWAY HE WAS VERY CLOSE
TO THE ROYAL FAMILY THEY SAID.
WAS THE PRESIDENT.
BECAUSE SHE WENT TO ART SCHOOL
AND SHE'S LOADED AND HER FATHER
SAID, "OKAY, I'LL PAY FOR IT."
SHE'S THE ONE
THE FINAL CALL.
JACK WON'T EVEN
TO HIM FIRST.
UH-HUH, I SEE.
SO IT'S A PROTOCOL THING?
OKAY, WELL THAT SOUNDS
DOESN'T IT?
SURE. I MEAN YEAH.
YES, I CAN.
I CAN, I CAN'T SEE YOU,
BUT I CAN HEAR YOU.
THERE I SEE YOU NOW.
OKAY?
HI, BECKETT.
NO? OKAY.
UMM, HOW'S IT GOING?
OKAY. WHAT,
SO WHAT'S GOING ON?
UM, SO, WE, UM...
HIS DESK AND HE WAS, YOU KNOW,
AND THEN ALL:
SEEMED WELL AND SHEIKHA
WAS AROUND AND SHE WAS WATCHING
IT AND SHE WAS LAUGHING AS WELL.
I WAS LIKE, "GREAT!
AND THIS MORNING
AND BASICALLY:
ASPECT OF THINGS.
UH-HUH.
FREAKING OUT ABOUT I ACTUALLY.
LIKE WHAT'S GOING ON?
HE DOESN'T WANT LIKE A DENMARK
SITUATION OCCURRING.
SO, HE'S BASICALLY SENT THE FILM
FOUNDATION'S LAWYERS.
OKAY.
FROM JACK PERSEKIAN,
NOT ONLY ARE THEY NO GOING TO SHOW THE FILM,
BUT THEY ARE SENDING
AND THEY'RE FORBIDDING
IN THE WORLD.
IT'S TAKEN TO--
DESTROY EVERY COPY.
AND HE SAYS:
FOR IMPRISONMENT.
THEN HE LIKE APPENDED
HIS LAWYER SAID...
"THE FILM PRESENTS
LAWS PROHIBITING BLASPHEMY."
WHICH HE DIDN'T KNOW
FOR SURE, BUT THEY
THAT IT WAS BLASPHEMOUS,
THEN HE, JACK PERSEKIAN,
WOULD PROBABLY:
BE HELD RESPONSIBLE
GO TO PRISON FOR SEVERAL YEARS.
BUT SO ANYWAY,
WE COULDN'T DECIDE
WHETHER TO GO OR NOT AND PAR OF ME WAS LIKE WE SHOULD
BE REALLY DRAMATIC LIKE
WE'LL TRY TO GET TO THE SHEIK.
WE'LL TRY TO GIVE
AND WHAT'S THE WORS THING TO HAPPEN?
I DON'T KNOW.
I JUST DIDN'T THINK
"I'M NOT GOING.
"I'M NOT GOING.
AND THE MORE I FOUND
OUT ABOUT SHARJAH
THE MORE I REALIZED LIKE PEOPLE
REALLY DON'T HAVE
ANY RIGHTS THERE.
AND FILMING IT.
AND IT WAS HORRIBLE.
HORRIBLE THINGS.
I CAN'T EVEN SAY
WITH A CAR REPEATEDLY.
NO POLICE ACTION
WHOSE BROTHER,
OPENED, AND THEN CLOSED,
AN OFFICIAL INVESTIGATION.
BUT ONLINE IN WIKIPEDIA I READ
FINALLY AND THE VERDIC WAS THAT HE WAS INNOCEN
AND THAT THE GUY
WHO HAD RELEASED THE VIDEO TAPES
[MANDY]
CAN I BE PART OF THAT POSITION?
IT'S JUST...
IT'S BLASPHEMOUS.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Sheik and I" Scripts.com. STANDS4 LLC, 2024. Web. 26 Nov. 2024. <https://www.scripts.com/script/the_sheik_and_i_17977>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In