The Square
1
Are you awake?
-Christian?
-What?
Do you need anything?
It's time for the next one.
-What?
-It's time for your next interview.
-Yeah.
-Do you need a few minutes?
-A gIass of water?
-Just give me a coupIe of minutes.
-Okay. See you in GaIIery One.
-Right.
We need a soundcheck.
So, what did you have for breakfast?
I had some bread, cheese
and cornfIakes.
-An egg.
-I'II just...
Some juice, coffee.
Are we aII set?
I need a hand over here...
The Square is a sanctuary
of trust and caring.
Within its boundaries, we aII share
equaI rights and obIigations.
Do you want to save a human Iife?
-Do you want to save a human Iife?
-Not right now.
Do you want to save a human Iife?
Do you want to save a human Iife?
-Do you want to save a human Iife?
-Sorry?
HeIp!
HeIp!
HeIp!!
HeIp!!!
You have to heIp me,
he's going to kiII me!
-Hey, caIm down.
-He's going to kiII me. HeIp! PIease!
-What's the matter?
-HeIp me, he's going to kiII me!
Get a grip on yourseIf!
-He's going to kiII you too!
-CaIm down! Shut up!
-Hey, back me up here!
-But I don't...
-Okay, what's going on?
-Someone's howIing over there.
-I can't see anyone.
-He's going to kiII us!
-WouId you caIm down!
-He's going to kiII us!
-No, no...!
-No, don't...
-What the heII?!
-CooI the f*** down!
-I wasn't going after you guys!
-What the heII?
Have a nice day, guys.
-BIoody idiot!
-What a bIoody idiot!
-BIoody idiot!
-What the heII just happened?
That was insane...
What a f***ing idiot! Jesus...
-Are you okay?
-Yeah.
-Is your heart pounding?
-Yeah.
My heart's Iike...
-Good thinking, getting me in on it.
-I just reacted.
Asking for heIp,
that was reaIIy smart.
-I was scared, how about you?
-WeII...
-Right...
-Yeah, aII right.
-Take care!
-Have a nice day.
Excuse me, may I pIease borrow
your phone?
CouId you pIease heIp me?
CouId I pIease borrow your phone?
I just need some heIp.
Have you seen any of his work before?
No.
This is what ''The Square'' Iooks Iike.
Right.
And the exhibition wiII open
on September 15.
That's right.
I've booked the usuaI biIIboards,
and ad space in two
of the major daiIy newspapers.
Okay.
-So, we've done some prep aIready.
-Right. You see...
Listen, this is a very nice project
that raises important issues.
But, from a communications point
of view,
the vaIues are too generaI.
We need to taIk about the difference
-between art and marketing.
-I totaIIy agree.
For every new project, we need
to assess how newsworthy it is.
What makes this exhibition stand out?
Does it invoIve any controversy?
Can we tie it to trends
or current events?
If not, you're stuck
with the biIIboards.
That makes it hard to generate
any internationaI attention.
Then you'II onIy reach
the usuaI ''cuIture vuItures''.
To get journaIists to write about it,
you need some controversy.
OnIy this project doesn't reaIIy have
much of an edge.
As a journaIist, I want
to create my own standpoint.
Like most peopIe, I want to express
an opinion that isn't just consensus.
I'd never post a Facebook status Iike
''DanieI wants peace on Earth.''
-So...
-Hang on.
There's more to this exhibition
than a Facebook update.
Of course.
Its strength Iies in its simpIicity.
That's what we shouId communicate.
DefiniteIy, just Iet me read this.
''The Square is a sanctuary
of trust and caring.
Within its boundaries, we aII share
equaI rights and obIigations.''
No one wouId disagree with that.
So why shouId I, as a journaIist,
care?
WeII... You dropped this.
My point is, that this isn't
about the statement.
What's important is...
what this square activates
in its audience.
-We understand.
-That's what we want to communicate.
May I cIarify something?
The guys aren't disputing
the Iegitimacy of the project.
As Iong as we agree on the content.
And they're not questioning
what you're trying to expIore.
They're simpIy trying to expIain
how the media Iandscape works,
and what it takes to make an impact.
I've been thinking...
How about doing something
Iike the Ice Bucket ChaIIenge?
Yeah, that's a good idea.
OnIy what was it?
It was a viraI success...
WeII,
ordinary peopIe, or ceIebrities,
fiImed themseIves
getting buckets of ice-water poured
aII over them.
And it went viraI.
-It was huge!
-It was aII over the pIace.
Sure, but what was the point
of it aII?
-There was no point.
-You make it sound corny.
It was to promote ALS research.
It generated one biIIion kronor,
so, it was a very
successfuI campaign,
but it wouIdn't be viabIe here.
Your ambition IeveI is high.
Our ambition IeveI is high.
Together, we shouId shoot
for something boId.
-I agree.
-That's what we're trying to expIain.
We need to take a Ieap.
Do something fresh.
And these guys know how.
They were born
into this fast-moving arena.
-It's their home turf.
-Perfect.
We have everything we need,
so, Iet's go back
to the drawing board.
Next week we'II present our ideas
and we'II take it from there.
-Sounds great.
-Good, sounds exciting.
-Can we keep these?
-Sure.
This wiII be great, Christian.
So, how are things?
-The craziest thing just happened.
-What?
-The craziest thing happened to me.
-Today?
Listen, I want you aII to hear this.
It's un-f***ing-beIievabIe.
And after Christian says goodbye
to the other guy,
he checks his pockets and his waIIet,
his phone and his cuffIinks are gone.
-You must be kidding!
-I don't understand how they did it.
And now my phone is down there.
-It's reaIIy cIose.
-And we're here.
-So surreaI...
-Hello...
EIena, check this out.
l need a print of the press release.
Come here.
-Can you see what that is?
-No.
Of course, you can't.
WeII, it's my phone.
On my way to work this morning,
I was robbed.
They took my phone,
they took my waIIet,
and they even took my cuffIinks!
I have no idea how they did it.
So, what do you say?
Is that your work phone?
It's the onIy phone I have.
Work or private,
it's the phone I use.
-It's aImost time, isn't it?
-Yes.
-See you out there.
-I'm on my way.
-WiII you...?
-Sure.
We'II taIk about
the next step Iater on.
Yeah.
We wiII be presenting
the Argentinean artist
and socioIogist LoIa Arias.
LoIa's art is inspired
by NicoIas Bourriaud,
and his thoughts
on reIationaI aesthetics.
In short,
reIationaI aesthetics expIores
how we reIate to each other
in a sociaI context.
I'm sorry,
this aII sounds very stiff.
May I start over again?
WouId that be okay?
CooI.
I'II Iose the notes...
I don't need them.
Now off with these...
Because the project
I'd Iike to teII you about...
It means so much to me
that I'd prefer to speak
from the heart.
This is a very speciaI night.
Our museum has received a donation
from Anna-Stina and Gunnar's
50 miIIion kronor.
Now I'd Iike to ask
our chief curator, Christian,
to teII you
about our first acquisition
with this donation, a piece known as
''The Square'',
which you may have seen
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"The Square" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/the_square_21372>.
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