The Survivalist Page #18
- NOT RATED
- Year:
- 2015
- 104 min
- 447 Views
Milja remains perfectly still, except for her welling
gaze...
KATHRYN (cont'd)
Get up.
Kathryn clamps a hand on Milja's arm and begins to pull her
when-
Survivalist wakes and sits up. He's drowsy but quickly
cogent.
SURVIVALIST:
... What's going on?
She hesitates. Something deep within her ajar...
KATHRYN:
We were just...
She holds her stomach. A wave of nausea. The water in
Milja's eyes runs down the side of her face.
Kathryn shakes her head.
KATHRYN (cont'd)
You didn't.
Survivalist sees the bag lying on the ground by the stove.
KATHRYN (cont'd)
You couldn't-
She runs to the doorway and leans outside - her fingers
rush into throat and throw up vomit.
Survivalist races out of bed and rushes to her side. She
gets her breath back.
SURVIVALIST:
What did she give you?
KATHRYN:
Too late.
SURVIVALIST:
Tell me.
KATHRYN:
Mushrooms.
Kathryn tries to retch again.
SURVIVALIST:
When?
KATHRYN:
Supper. When else?
He looks at the bag, again, then at Milja.
Puts it together.
Kathryn sits down on the porch, clutching her stomach and
rocking gently.
Survivalist sweeps to the book shelf and pulls a reference
book.
SURVIVALIST:
There's a remedy.
KATHRYN:
A hospital. With a power supply. And
staff.
She speaks with a gallows, drowsy lucidity.
SURVIVALIST:
Milk of thistle.
He lowers a page entry to Kathryn's view and shows the
picture, description.
SURVIVALIST (cont'd)
But none in this forest. Not that
I've seen...
Survivalist spreads an old National Trust map across the
table. Kathryn pores over it with him; pencilled
annotations and markings.
Milja steps into the seed room and shuts the door behind
her - a brief, perhaps final look between her and her
mother.
SURVIVALIST (cont'd)
These parts I know, back of my hand.
I've never seen it.
He indicates most of the map within a half-day's walking
distance. Then he indicates other areas - near flatland,
forest's edge.
SURVIVALIST (cont'd)
These places... there's at least a
chance.
EXT. FOREST - DAY
Survivalist leads Kathryn through the woods. They coil wind-
up dynamo torches to illuminate the dark forest floor.
EXT. HIGHER GROUND, CLEARING - DAY
Survivalist orients himself with a map and compass.
A sound - he turns to find Kathryn retching again, almost
doubled over in pain. He goes to her side and holds her up.
She waves him away; keep going.
EXT. FOREST'S EDGE - DAY
Trudging through dry forest mud. Both prematurely tired
because of starvation rations.
Kathryn takes slow, zombiefied glances at the ground.
EXT. FOREST'S EDGE - DAY (LATER)
Kathryn is slower now, her skin taking on a ghastly
lividity all over. Her head twitches towards each dark nook
of the forest.
Survivalist is feverishly scanning the ground.
She wheezes - takes a hard, stuttering cough. She pulls her
fist away from her mouth and finds it flecked with blood.
He locks an arm around hers. Pulls her back into motion.
FADE TO:
A slanted forest-line, overlooking a valley. They've
stopped sweeping through the forest and inspect the area
separately.
Survivalist stoops as a lush patch.
Then he hears Kathryn's voice.
KATHRYN (OFF)
Over here.
He finds her crouched on an outlook. He looks at what's in
front of her, to her feet. She shakes her head - not there.
There.
He looks out to the horizon.
Reacts.
We do not see what they see.
KATHRYN:
When was the last time you were
here?
SURVIVALIST:
This far from the farm... four, five
years.
KATHRYN:
World's beginning to put itself
together again.
SURVIVALIST:
(...)
Do you think they have it?
KATHRYN:
Milk of thistle?
(shakes)
No. We're too far south. Don't think
there's any in this forest.
He stares at her.
KATHRYN (cont'd)
But there is something I would have
expected them to have, which they
don't.
He looks back into the distance. Methodically studying the
details.
SURVIVALIST:
Bean poles.
She nods gently.
KATHRYN:
I'm like The Red Queen in Alice.
Always running as fast as she can
just to stay on the board.
With effort, she gets onto her feet again.
EXT. FOREST - DAY
The light is dying now. They walk into an ancient part of
the forest - old tall trees, long-fallen trunks, dark wood
and deadness.
Kathryn stops and rests against a tree, exhausted and
racked with pain.
KATHRYN:
Worse and worse... how much more...
Her breath is a rasp.
SURVIVALIST:
Much, much more.
She looks at him.
Her hand feels a breast, a breast pocket. She reaches
inside and gives him something in the palm of his hand.
KATHRYN:
This how you know?
He opens his hand: the diamond ring.
He looks at her, long and hard. Her eyes hold on him; no
real fear, just curiosity, beneath everything else.
SURVIVALIST:
Our son was starving.
KATHRYN:
I saw his bones.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Survivalist" Scripts.com. STANDS4 LLC, 2025. Web. 1 Feb. 2025. <https://www.scripts.com/script/the_survivalist_21421>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In