The Survivalist Page #19
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- Year:
- 2015
- 104 min
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He nods, solemn.
SURVIVALIST:
It was too late anyway.. he was too
far gone.
KATHRYN:
... You let her go all the way?
SURVIVALIST:
Most of it.
KATHRYN:
But not all.
He shakes his head.
KATHRYN (cont'd)
Good.
She walks to a fallen tree, and sits down on it; her
hunched back to him.
He watches; a thin trail of smoke emerges. She is smoking
her last cigarettes.
Her resignation hits him hard.
Then he takes some steps away from her.
Her shoulders remain hunched, seemingly incurious as to
what he's doing behind her.
He raises the gun, gently opening the breech.
KATHRYN (OFF)
Don't.
She turns her head.
KATHRYN:
Don't waste the shell. Save it for
her.
He stands there uncertainly.
KATHRYN (cont'd)
Have you got your knife?
For a moment he doesn't remember whether he has or not. Her
stare concentrates his mind. He takes it out from his leg
strap and walks it over to her. She shakes her head.
KATHRYN (cont'd)
I need you to do it.
He sits beside her. She stubs the cigarette she's been
smoking and takes out her last one, dropping the packet.
KATHRYN (cont'd)
When I've finished this.
She smokes the fastest cigarette of her life. Ash drops on
her thighs. The paper burns so fast she can almost see it
creeping towards her.
KATHRYN (cont'd)
You know why she called you Lenny?
(...)
It was the name of our dog.
She laughs gently, but a shot of pain cuts her off.
She inspects the short cigarette between her fingers.
Perhaps a drag or two left.
F*** it. She flicks the cigarette-
And he GRABS her right hand and SLASHES open her wrist.
A thin spray of arterial blood hisses over her face, his.
She grabs his hands.
KATHRYN (cont'd)
Look at me.
He can feel her blood lapping onto his wrists. He isn't
looking, he won't-
KATHRYN (cont'd)
Look at me.
He looks up into her eyes. He's the one frightened - he
doesn't want to watch, doesn't want to be this close. She
smiles.
KATHRYN (cont'd)
Don't be scared.
She leans towards him. Her eyelids becoming heavy and slow.
She gently presses her lips onto his. He's stiff with
horror, fear, then... softens.
He presses his lips back.
Their eyes shut...
They part lips. He opens his eyes.
Her's are still closed. The blood has stopped oozing from
her wrist.
She slumps onto his shoulder. He cradles her gently in his
arms.
EXT. FOREST - DAY
Survivalist trudges through the undergrowth. He has been
walking for some time - the blood has dried to his
clothing.
He stops - his eyes fix on something on the ground.
A dead rabbit lies crushed in the tight jaws of a mantrap.
Something SNAPS nearby.
Survivalist edges towards the sound, shotgun in hands...
He crouches.
Another trap; a SECOND RABBIT is clenched in oversize metal
teeth.
He cranks head to match the tilt of the rabbit's head,
which has been half-decapitated. It hangs by a sinew.
INT. CABIN, MAIN ROOM - DAY
Milja startles as the door swings open. Survivalist
enters - blood spattered- holding the two dead rabbits. He
doesn't look at her.
She watches as he sets the rabbit on the stove-side
surface, then washes his blood-caked hands, face.
She sits on the bed quietly.
He starts to skin them with a knife.
FADE TO:
Rabbit bones lie picked clean on plates at the table.
Survivalist is awake beside Milja in bed. They avoid
looking at each other.
Milja takes Survivalist's arm and rolls it over her chest.
He pulls back, taking it as an unwanted advance, but she
flattens out his hand on her belly.
He rubs it, his hand dipping between her legs, but she tugs
it back up and flattens it on her belly again.
She moves the hand around slowly, until he finds the
significance.
He looks up at her - eyes glazed, perhaps afraid- and then
withdraws his hand.
They lie in silence, not touching anymore, both still
awake.
EXT. FOREST - DAY
Survivalist and Milja drag Kathryn's body. Milja pulls the
arms, and Survivalist, trailing from the front, hoists the
legs and most of the weight.
The body doesn't weigh very much, but it still bears
heavily on their tender, malnourished muscles.
Survivalist stops. He sets down the legs and breathes out
his exertion. Milja takes the opportunity to let go of her
mother's arms and turn away.
SURVIVALIST:
We can't stay here.
She looks over her shoulder.
MILJA:
There's nowhere else to go.
He shakes his head.
SURVIVALIST:
There's a settlement.
(...)
She found a settlement. Near
forest's edge. Big enough to defend
itself against raiders. Well-run
farm. Crop rotation.
Her eyes draw towards the body again.
MILJA:
Would they take us in?
SURVIVALIST:
They didn't have any beanpoles.
MILJA:
So?
SURVIVALIST:
Maybe they don't have any beans.
INT. CABIN, MAIN ROOM - NIGHT
They eat a thin, adequate soup; food previously split
between three divided between two.
Milja forks a loose bean on her plate.
MILJA:
What if they get their protein
elsewhere?
He scrapes his plate clean. The problem gnaws at him.
SURVIVALIST:
I'll go alone and make the offer. If
it's a trap, they won't push hard on
the trade.
INT. CABIN, SEED ROOM - DAY
Survivalist pours a teaspoon of seeds into a polythene bag.
EXT. FARM PLOT - DAY
Survivalist uses a trowel to dig a sapling bean stalk out
of the ground.
He scoops some fresh beans from a mature stalk, bags them.
Milja brings him the open Bible and he coat-pockets the
shells.
SURVIVALIST:
Back before sundown.
MILJA:
...and if you're not?
SURVIVALIST:
You can keep the farm.
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"The Survivalist" Scripts.com. STANDS4 LLC, 2025. Web. 1 Feb. 2025. <https://www.scripts.com/script/the_survivalist_21421>.
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