The Swan Page #10

Synopsis: Princess Beatrice's days of enjoying the regal life are numbered unless her only daughter, Princess Alexandra, makes a good impression on a distant cousin when he pays a surprise visit to their palace. Prince Albert has searched all over Europe for a bride and he's bored by the whole courtship routine. He is more interested in the estate's dairy than Alexandra's rose garden. And then he starts playing football with the tutor and Alexandra's brothers. Invite the tutor to the ball that night and watch how gracefully Alexandra dances with him.
Genre: Comedy, Drama, Romance
Director(s): Charles Vidor
Production: MGM
 
IMDB:
6.5
APPROVED
Year:
1956
104 min
421 Views


Wherever you go.

And if there's

a law against that,

I'll get

parliament to pass

a new one, eh?

Thank you, Albert, but...

There's nothing

parliament can do.

I beg your highness' pardon.

Don't go, professor...

At least

not without what

you came for.

Yes.

Come and get your books.

I must say,

I admire you

for being so calm

and so self-controlled.

I just wonder

why you couldn't

have been like that

last night, that's all...

Why you had to play

on my feelings and

my inexperience,

carry me along through it all

till I was ready to do anything,

go with you anywhere,

never mind

if the whole world

collapsed.

And all you wanted

was a little excitement

for one night.

You're right.

He is an upstart

and selfish.

You don't care

one thing about me

or what happens to me!

Don't answer her, Nicholas.

I forbid you to.

My dear fellow,

I'm still somewhat

in the dark,

but all the same,

it's

been an education

to know you.

Professor!

Professor,

wait a minute!

Your father used to

call you his swan.

At least I'm told.

I think

that's a good thing

to remember.

Think what it means

to be a swan...

To glide like a dream

on the smooth

surface of the lake

and never go on the shore.

On dry land,

where ordinary

people walk,

the swan is awkward...

Even ridiculous.

When she waddles up the bank,

she painfully resembles

a different kind of bird,

n'est-Ce pas?

A goose.

I'm afraid so.

So there she must stay...

Out on the lake...

Silent, white...

Majestic.

Be a bird but never fly...

Know one song but never sing it...

Until the moment of her death.

And so it must be

for you, Alexandra--

head high...

Cool indifference

to the staring crowds

along the bank.

And the song...

Never.

Take me in, Albert.

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Ferenc Molnár

Ferenc Molnár (born Ferenc Neumann, 12 January 1878 – 1 April 1952, anglicized as Franz Molnar) was a Hungarian-born author, stage-director, dramatist, and poet, widely regarded as Hungary’s most celebrated and controversial playwrights. His primary aim through his writing was to entertain by transforming his personal experiences into literary works of art. He was never connected to any one literary movement but he did utilize the precepts of Naturalism, Neo-Romanticism, Expressionism, and the Freudian psychoanalytical concepts, but only as long as they suited his desires. “By fusing the realistic narrative and stage tradition of Hungary with Western influences into a cosmopolitan amalgam, Molnár emerged as a versatile artist whose style was uniquely his own.” As a novelist, Molnár may best be remembered for The Paul Street Boys, the story of two rival gangs of youths in Budapest. It has been translated into fourteen languages and adapted for the stage and film. It has been considered a masterpiece by many. It was, however, as a playwright that he made his greatest contribution and how he is best known internationally. "In his graceful, whimsical, sophisticated drawing-room comedies, he provided a felicitous synthesis of Naturalism and fantasy, Realism and Romanticism, cynicism and sentimentality, the profane and the sublime." Out of his many plays, The Devil, Liliom, The Swan, The Guardsman and The Play's the Thing endure as classics. He was influenced by the likes of Oscar Wilde, George Bernard Shaw, and Gerhart Hauptmann. He immigrated to the United States to escape persecution of Hungarian Jews during World War II and later adopted American citizenship. Molnár’s plays continue to be relevant and are performed all over the world. His national and international fame has inspired many Hungarian playwrights to include Elemér Boross, László Fodor, Lajos Biró, László Bús-Fekete, Ernö Vajda, Attila Orbók, and Imre Földes, among others. more…

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Submitted on August 05, 2018

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