The System Page #2

Synopsis: Gambler John Merrick (Frank Lovejoy) is the head of a bookie syndicate and the newspaper is crusading against him and the rackets, primarily because Merrick is in love with Felice Stuart (Joan Weldon), daughter of the newspaper publisher who can not break up the romance through persuasion. A senate committee investigating crime gets involved, the racketeers, other than Merrick who is a "nice guy", strike back and kill a reporter, and Merrick's own son, Jerry Merrick (Robert Arthur), commits suicide. Merrick, to his own disadvantage, helps bring down the syndicate. Since it is in black-and-white-, deals with crime and was an American-made film, some will call it "film noir" since that seems to be the current guidelines for putting a film in that, at one time limited-and-defined genre. It ain't, and neither are most of the others currently so classified.
 
IMDB:
6.4
APPROVED
Year:
1953
90 min
85 Views


Probably wondering

what holds you together.

Want your eggs up or down?

- One up and the other down.

You look terrible.

What time did you finally

get to bed last night?

It was near dawn, when I fell asleep.

Your typewriter was still going.

Working on something big, Liz.

Mighty big.

How long will it go on?

You look ten years older

than you did yesterday.

I feel ten years younger.

There isn't any cream.

Do you want milk or evaporated?

I'm doing some pieces

on the local gambling racket.

That's nice, now which do you..

- A crusade!

Who knows?

It might win me a Pulitzer Prize.

Just what we've always wanted!

Oh, so a Pulitzer Prize is nothing, huh?

It might mean a raise for me.

Leona wants to take piano lessons.

She's been talking about it all week.

- She'll have them. On her own piano.

We haven't even finished

paying for the vacuum yet.

You know Liz, being

a newspaper man is pretty important.

It's a responsibility.

I guess I haven't always

thought of it like that.

But people get to depend on you.

Expect you tell them the truth.

Don't they though. I'll give you

milk and evaporated, half and half.

If that's the milkman,

I give you the cream.

No, I like the evaporated!

Oh, Mr. Merrick, come in.

- Thank you.

I thought it'd be the milkman.

He didn't come around this morning,

I ran out of cream.

I'll send you over a prize cow,

gives nothing but the finest cream.

You would too, I betcha.

And come on back to the kitchen,

I'm fixing breakfast.

I haven't seen you in some time.

You're looking mighty good. - Thank you.

You don't mind the kitchen, do you?

- Mind?

When I was kid all we had was a kitchen.

At night, the table used to sleep

two of us, me and my big brother.

He always used to say,

"I guess they're finally going

to have to get me a bed of my own."

"My feet are beginning to

hang over into the sink."

My father, he fooled him.

You know what he did?

Put another leaf in the table.

There's a moral in there some place.

Sit down.

Thank you. Yeah, I guess there is.

You never know when somebody's

going to put a new leaf under your..

pull one up.

A little breakfast. - No, thanks.

I will have some black coffee.

Jerry'll be right down. He's shaving.

He slept late this morning,

he was up half the night.

I know, I stopped by for him at the office

and they told me he was working at home.

Is that about right?

- Just fine.

Careful, it's hot!

You worry about everybody, don't you?

Like everybody was one of your family.

- Oh, really..

I just like to be bossy, I guess.

Jerry's really lucky.

Liz, was that the..

Morning, Jerry.

- Morning.

Sure you won't have an egg, Mr. Merrick?

- No, thank you, Mrs. Allen.

How's your son, Mr. Merrick?

Oh, he's just fine, I had

a letter from him this morning.

He says that he and Jerry Jr

see a lot of each other at school.

Really? - Says he's a fine student.

- Oh!

He wants to be a writer like his dad.

Rex tells me he has already done some

work on the school paper. - That's nice.

He's a lot like his dad in a lot of ways.

Good and bad.

I don't think there's

much bad in either of them.

Depends on your point of view.

Well, I'm going to run to the store now.

If you want any more coffee,

it's over here on the table. - Thank you.

Goodbye, Mr. Merrick.

And come back again when you're

real hungry. - I'll remember that.

Bye!

Fine woman.

- Yes.

Wonderful wife, nice kids, fine house..

What does a man want out of life?

I ask you Jerry, what more does a man

want out of life. - What can you suggest?

What?

You asked me what more can

a man want out of life.

I asked you what can you suggest.

You open for suggestions?

- I listen to everybody.

Part of my job.

I'll tell you something, Jerry,

if you're on the take, I'll go along.

I'll do business.

But it would bust my heart.

No, Johnny. I'm not on the take.

Well, then why?

These articles you're writing.

Suddenly, after all these years.

You ever know me to hurt anybody?

This Gerber kid, do you think that I..

Jerry, I give my right arm up

to here to have that boy back.

I believe you, I know you would.

- But then why?

Make me understand, that's all I ask.

Johnny..

you asked me what more

can a man want out of life.

Because you asked me that,

I don't think I'll ever be able

to make you understand.

I haven't got the kind of words

that Johnny Merrick can..

can take apart and taste them and smell

them and put them back together again and..

and then understand.

All I can do, Johnny, is tell

you I intend to close you down.

Forever.

Smash me?

Smash you.

Sorry, Johnny.

You got a job to do, do it!

You got a job to do.

Do it.

Good morning, Mr. Merrick.

- Morning.

I'm sorry, Sir, but Miss Stuart went

down town.. - Mr. Stuart sent for me.

Mr. Stuart's in the library, Sir.

- Thank you.

Well, Mr. Merrick?

- I got your message.

Message?

Biggest personal ever published,

half the front page in the News Tribune.

Piece mentions no names.

It doesn't mean Father

Gallo at Saint Sophia's.

No, it doesn't.

Oh, it reminds me..

I promised to make a contribution

to Father Gallo's fund.

Fine fellow, Father Gallo.

To me, it reads only way:

"Attention Merrick,"

"This is only beginning. No names yet."

"Let's have a meeting, before I really

get tough. Love and kisses, Stuart."

Your interpretation must remain your own.

Clarkton, I'm sure,

will read it in another way.

Organized gambling is

a menace to the community.

The system must be destroyed.

- How do you spell "system"?

M-E-R

-R-I-C-K.

Twenty years.

It's sure a long time

to make up your mind.

I'm never been an impulsive man.

Alright, Stuart, let's get in

out of the rain. What do you want?

I run a newspaper, Merrick.

My only interest is supplying the public

with stories and information which

will them keep coming back for more.

If I find that my readers..

lose interest in some feature or

series of articles, I.. - You drop it.

Racing results,

they interest your readers?

Allan's articles on gambling,

maybe they don't?

Maybe they don't.

Depending on what?

- On you!

How?

- Your actions.

With your daughter?

Ah, that's better! That's much better.

For a fast minute,

I thought you were sincere.

Jerry Allen is sincere.

You control Allen?

- I do.

But not Felice, huh?

Tell me something,

in this I really want to know.

How do you expect to talk turkey

to Johnny Merrick, when you

can't control your own daughter?

Because I have something

to offer Johnny Merrick,

the day he promises to stop seeing her.

She's a big girl now.

Married and divorced, remember?

I still know what's best for her.

Yeah, you picked out what

was best for her the first time.

Only he had to be carted off

to the looney bin with the DTs.

I mean, maybe I wasn't born a gentleman,

but I know how to drink like one.

It's still a question of family.

You make me sick!

No deal.

One thing.

Once you light the fuse

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Jo Eisinger

Jo Eisinger (1909 - 1991) was a film and television writer whose career spanned more than forty years from the early forties well into the eighties. He is widely recognized as the writer of two of the most psychologically complex film noirs: Gilda (1946) and Night and the City (1950). His credits also include The Sleeping City (1950) and Crime of Passion (1957), a coda to the films of the noir style, for which he wrote the story as well as the screenplay. Starring Barbara Stanwyck, it is a strikingly modern commentary about how women were driven mad by the limitations imposed upon them in the postwar period. Jo Eisinger started writing for radio penning numerous segments for the Adventures of Sam Spade series. He returned to thriller and private eye adventure series writing for the ITC television series Danger Man (1960–61) and the mid-1980s HBO series Philip Marlowe, Private Eye. His script for an episode of the latter show, "The Pencil", earned him a 1984 Edgar Award. Eisinger's credits also include several films that departed from his accustomed genres of mystery, adventure and crime. Among them are Oscar Wilde (1960), starring Robert Morley and Sir Ralph Richardson, The Rover (L'Avventuriero, 1967), from the novel by Joseph Conrad and starring Rita Hayworth and Anthony Quinn, and The Jigsaw Man (1983), starring Laurence Olivier and directed by Terence Young. Eisinger wrote the books on which the Broadway plays What Big Ears! (1942) and A Point of Honor (1937) were based. His novel The Walls Came Tumbling Down (1943) was adapted for the long-running radio drama program Suspense in 1944; the episode featured screen and radio actors Keenan Wynn and Hans Conried. A film version of The Walls Came Tumbling Down starring Edgar Buchanan and George Macready was released in 1946. Jo Eisinger's second marriage was to Lorain Beaumont. Eisinger used his wife's maiden name for Mr. Beaumont, one of the characters in The Walls Came Tumbling Down. more…

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Submitted on August 05, 2018

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