The System Page #3

Synopsis: Gambler John Merrick (Frank Lovejoy) is the head of a bookie syndicate and the newspaper is crusading against him and the rackets, primarily because Merrick is in love with Felice Stuart (Joan Weldon), daughter of the newspaper publisher who can not break up the romance through persuasion. A senate committee investigating crime gets involved, the racketeers, other than Merrick who is a "nice guy", strike back and kill a reporter, and Merrick's own son, Jerry Merrick (Robert Arthur), commits suicide. Merrick, to his own disadvantage, helps bring down the syndicate. Since it is in black-and-white-, deals with crime and was an American-made film, some will call it "film noir" since that seems to be the current guidelines for putting a film in that, at one time limited-and-defined genre. It ain't, and neither are most of the others currently so classified.
 
IMDB:
6.4
APPROVED
Year:
1953
90 min
85 Views


on this first rocket,

no telling how many more may go off.

Once you get a thing like this started..

just make sure you don't

lose control, Mr. Stuart!

You want to see how much

pressure I can stand? OK.

But I got a boy in college, a nice kid!

Don't you do anything to hurt him.

You keep your fingers..

Just make sure, you don't

lose control, Mr. Stuart.

I hear a deep silence.

You two've been quarreling?

Your father trying to sell me

some advertising space.

Be careful of his rates.

The uh.. Fentons will soon

be here for luncheon, Felice.

Sorry, I've just

accepted another invitation.

Thank you, Johnny, I'd love to.

- Good.

I'll buy you some pink

lemonade with your dessert.

I like pink lemonade.

Well!

It looks like the romance is still on.

Thank you.

Sherry for the lady. Teo prep

me a martini for me, very dry.

Yes, Mr. Merrick.

- Thank you.

Buzz, buzz, buzz, buzz.

I made the day for you.

- You're news, Johnny.

Yes, especially when I'm with a daughter

of a man who wants to make me news.

Because of me?

Who knows? Things are dull

and newspapers need stories.

My deadpan friend.

No, Johnny, there's nothing my father can

publish that everyone in town doesn't know.

What you do, the business you're in.

And no one has ever regarded you

other than as a legitimate business man.

Thank you, I needed to hear that.

For twenty years,

ever since I can remember,

then suddenly, Roger Stuart

becomes outraged civic virtue.

Thank you.

I don't want to cause

any trouble for you Johnny.

I don't mind a certain amount of trouble.

- Then it is because of me.

It's worth it.

Holy smoke! Aren't you ready?

You know what time it is?

We miss our train, we don't get

back to school till tomorrow night!

Well, we'll make it.

Dad's driving us to Slade

to catch the express.

So where is he? - He had to go down

the office for a minute. Be right back.

Slade, 40 minutes from here.

Express leaves at.. Oh, can't make it!

Gotta miss it, near the exam,

first thing in the morning!

Shouldn't come home this weekend.

I said no, remember?

I said no, you talked me into it!

I said I had an exam. And my gosh,

Slade! How we ever.. - Relax!

Nibble a soda!

Dad said he'll get us there, then

he'll get us there. - In what, a jet?

Where were you last night?

- Huh?

Dinner! Said you were coming

to house for dinner. We waited.

Mother wondered what happened.

I couldn't help it.

I should've called.

Mrs Allen?

It's Rex Merrick.

Fine, thank you.

Look, about last night

I want to apologize for..

Thanks.

Sure!

Next time we come home.

Say hello to Mr. Allen.

Why yes, he's here.

Want to talk to him?

I'll tell him.

Bye-bye.

Mother says you forgot to pack your comb.

Wants you to be sure and buy another one.

Last night..

because of this, huh?

Look Rex, you and me, we've

been friends a long time, huh?

Forget it, Jerry.

- No, no, no good! Better talk it out.

Stay straight with each other.

You and your father are very close.

Did he say anything to you?

- No!

Well, he always talks to you, discusses

everything. - Not about business.

Never about business.

Funny..

I should pack my comb.

You know how I feel about your father.

Even my dad. He likes him.

Honest, he does!

This thing has come up..

I don't really understand it,

Rex, not all of it.

But we shouldn't let it make it..

- I said, forget it!

Sure.

- Hey, Rex!

Heavy tweed, I pack in your bag,

you take it out, why?

I won't need it, Charlie.

He won't need it, he says.

You're hear that?

I used to pick out his diapers for him.

Now he tells me what he needs!

It's not the season for the tweed,

it's too warm. - Season!

Don't you think I know the season?

You think I'm a dumb.. Hey, you!

What's with that old man of yours?

Someone stick a feather up his nose?

What's the matter, he can't get a winner?

- Never mind, Charlie!

But the nights, huh?

The nights are still chilly, no?

So you take the tweed and these here

sweaters and you wear them, you hear?

Alright, Charlie, you win.

As usual.

Don't get fresh with me, Buster!

I can still take you.

Like the night I fight

Sailor Acosta in Detroit.

Detroit?

Yeah, Detroit!

It was 3 or 4 years ago! Buster here wasn't

more than 5 or 6 years old at the time!

Charlie!

Yeah?

Sailor Acosta?

That was almost 14 years ago.

14 years ago?

No wonder, I don't get no return match!

Taking care of you and Mr. Johnny,

sure has chewed up all the time.

We've just about chewed up

all the time we can spare.

Your father doesn't get here pretty soon,

we won't make a train out

of Slade or anyplace else.

Don't you worry none

about any trains, Buster!

Ain't gonna make no difference to you

if all the trains leave Clarkton

and Slade and never come back!

I ain't talking but..

That's it!

Come on!

How do you like it?

The crazy guy!

Ain't that a beaut, Buster?

Me, I knew it all along.

But you can make me bleed,

I keep my mouth shut!

Well, I told you Dad get us

back to school on time.

Mr. Johnny!

Thank you, Dad.

- Forget it.

How are you, Jerry?

How's your pop and mom?

Fine, thank you, Sir.

Oh, by the way, any tickets

you get for speeding, you pay for

out of your own allowance, you hear?

So take it easy.

You didn't tip him, did you?

- Never said, "Boo", Mr. Johnny.

Did I, Buster?

Charlie displayed remarkable restraint.

- That's all I did, all afternoon.

Better get him started.

I don't want him driving after dark.

Mr. Johnny?

- Yeah.

You remember that go at Sailor Acosta?

Detroit? - Yeah.

When was that?

Oh, that was three, four years ago.

You see!

Guess I was wrong, Charlie.

- Only by ten years, that's all.

Poor Charlie, every year time

that goes by gets less and less.

Now everything that happened

is three, four years ago.

Uh, I'll help Charlie with the bags.

Goodbye, Mr. Merrick.

- Goodbye. Take it easy, but take it.

Thank you, Sir.

Well?

Well, that's a lot of

automobile down there.

I figure you for a lot of boy.

You don't have to that, Dad.

- I never do anything I don't want to do.

Need anything?

Not a thing.

- Sure?

Sure. - Clothes! What about clothes?

- More than enough.

Well, uh, maybe you need

some walking around money.

I don't spend half of

what you send me now.

Well what about books?

Any special books I can send you?

No thanks, Dad.

The library at school is very good.

You're a tough man to handle.

Is anything on your mind, Rex?

Any problems?

Up at school?

Yeah.

Everything alright up there?

Sure.

- Good.

Take care of yourself, Dad, now.

- Sure.

I know how.

Hello, Johnny!

No, it can't be!

Not little Rex?

You don't remember me, do you?

Big Ruben from St. Louis!

Why, we used to play cops and

robbers when your daddy would

bring you and your mommy

down to Miami Beach.

You were only about..

this high then!

My, my, my!

Yes, of course. - I can remember..

- You better get started, Rex!

Call me as soon as you get to school.

- Sure, Dad.

Goodbye, Sir.

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Jo Eisinger

Jo Eisinger (1909 - 1991) was a film and television writer whose career spanned more than forty years from the early forties well into the eighties. He is widely recognized as the writer of two of the most psychologically complex film noirs: Gilda (1946) and Night and the City (1950). His credits also include The Sleeping City (1950) and Crime of Passion (1957), a coda to the films of the noir style, for which he wrote the story as well as the screenplay. Starring Barbara Stanwyck, it is a strikingly modern commentary about how women were driven mad by the limitations imposed upon them in the postwar period. Jo Eisinger started writing for radio penning numerous segments for the Adventures of Sam Spade series. He returned to thriller and private eye adventure series writing for the ITC television series Danger Man (1960–61) and the mid-1980s HBO series Philip Marlowe, Private Eye. His script for an episode of the latter show, "The Pencil", earned him a 1984 Edgar Award. Eisinger's credits also include several films that departed from his accustomed genres of mystery, adventure and crime. Among them are Oscar Wilde (1960), starring Robert Morley and Sir Ralph Richardson, The Rover (L'Avventuriero, 1967), from the novel by Joseph Conrad and starring Rita Hayworth and Anthony Quinn, and The Jigsaw Man (1983), starring Laurence Olivier and directed by Terence Young. Eisinger wrote the books on which the Broadway plays What Big Ears! (1942) and A Point of Honor (1937) were based. His novel The Walls Came Tumbling Down (1943) was adapted for the long-running radio drama program Suspense in 1944; the episode featured screen and radio actors Keenan Wynn and Hans Conried. A film version of The Walls Came Tumbling Down starring Edgar Buchanan and George Macready was released in 1946. Jo Eisinger's second marriage was to Lorain Beaumont. Eisinger used his wife's maiden name for Mr. Beaumont, one of the characters in The Walls Came Tumbling Down. more…

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Submitted on August 05, 2018

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