The Taste of Others Page #2

Synopsis: Three men, three women, opposites, possibilities, and tastes. Castella owns a industrial steel barrel plant in Rouen; Bruno is his flute-playing driver, Franck is his temporary bodyguard while he negotiates a contract with Iranians, his wife Angélique does frou-frou interior decorating and loves her dog. The conventional Castella hires a forty-year-old actress, Clara, to tutor him in English, and he finds her and her Bohemian lifestyle fascinating. Is this love? What would she say if he declared himself? Through Bruno, Franck meets Manie, a barmaid who deals hash. They begin an affair. Are they in love? They joke about marriage. As the women hold back, the men must make decisions.
Genre: Comedy, Drama, Romance
Director(s): Agnès Jaoui
Production: Artistic License Films
  Nominated for 1 Oscar. Another 14 wins & 11 nominations.
 
IMDB:
7.3
Metacritic:
78
Rotten Tomatoes:
100%
R
Year:
2000
112 min
Website
61 Views


Oft to this chamber, | stately and withdrawn...

Titus often unburdens | his most secret thoughts.

Sh*t! They're speaking | in rhymes!

Here it is sometimes, | stealing from his Court...

he comes to whisper...

Those costumes are ugly.

This door gives access | to his private chamber...

and this other entrance | leads into the Queen's.

Go to her...

Tell her, loathe | to intrude on her...

I dare to ask her | for a private talk.

Yes.

Yes, this must be painful. | That's fine.

Aah! Aah!

You destroyed my larynx.

You're crazy. It hurts.

- What are you thinking about? | - I'm not thinking. I'm bored.

You looked like | you were thinking.

Castella is OK, but this job | is a f***ing bore.

Can you buy me some cigarettes? | I can't move.

That's convenient, isn't it? | "I can't move".

- What kind do you smoke? | - I don't care.

Thank you.

He won't be here all night? | It's going to be hot. Thursday?

Yes. It would be nice | if you could do the closing.

I don't know. I'll have to see.

- There's someone at the bar. | - Oh, yes.

- Good evening. | - Could we eat something?

Yes.

Here you are. | Everything from here down.

You don't remember me?

No. Uh...

Don't worry.

Miss? I'll have a...

ham and cheese.

OK.

Where did we meet, exactly? | I'm sorry...

It doesn't matter. | We just had sex.

We had sex?

It was a while ago. I've cut my | hair since, and we were smashed.

Yes, but it's amazing | that I wouldn't remember.

Don't worry. It happens.

More often to men, | but it happens.

It's only natural. | We're not made equal physically.

It's not the same act, | the same... involvement.

Let's drop it.

Or if we are not | master of our tears...

Isn't Virginie down there?

- At least let honor... | - That's her.

Let the whole world | plainly recognize...

an Emperor's tears | and the tears of a Queen.

For, my Princess, | we must part.

Cruel.

Is this the time to speak?

What have you done? | I thought myself beloved.

Accustomed to the joy of seeing | you, I lived for you alone.

Did you not know your laws | when I first confessed my heart?

To what excess you've led me! | Why did you not say...

"Wretched Queen, | you are too far committed?

"Curb your hopes. | Give not your heart".

Look at her face.

Did you not take it, | only to return it...

when its one wish | was to depend on you?

The empire planned | our downfall ceaselessly...

there still was time.

You could have left me then?

A thousand reasons then | could comfort me.

I could have blamed your father | for my death...

the people, the Senate, | the whole Empire, Rome...

rather than so dear a hand.

I know what torments | are in store for me.

I feel without you | I may no more Iive.

I had sex with this chick, | and I didn't remember.

It was so f***ing embarrassing.

And when she told me...

I had a good look, and | I still didn't remember.

It's only natural. | Same thing could happen to me.

From the 200 or 300 I've f***ed, | I would recognize twenty.

Once you're drunk, once it's | dark, or when it's quick...

- You can't remember them all. | - Yeah, you're right.

Is "200 or 300" | a figure of speech?

No, not at all.

I'm forty-five. | I started at fifteen.

If you average eight | to ten chicks a year...

over thirty years, | thirty times ten is 300.

I'm forty. That's, let's see... | twenty- five years...

multiplied by...

two, let's say... fifty.

- Fifty... not bad. | - Sh*t! You think too much.

No... I stayed with | a few of them.

What about you?

Yes. Once.

- Did you buy me cigarettes? | - I forgot. I'll be back.

Manie.

I should have remembered.

I didn't tell you it.

Um... no.

What? Go ahead.

Would you be interested | in going out one of these days?

- Just to talk. | - OK. I'll give you my number.

- Yes? | - Coffee, please.

Yes, right away.

Want to get a bite?

- Yes, of course. | - See you tomorrow.

- What a bore, what a bore! | - I liked it.

- You're silly. | - It's slow. It's way too slow.

You slow down the scene. | It should go twice as fast.

- Where is Laurent? | - Virginie.

- Hi. | - Who's that guy?

The director.

- So, you're happy? | - Did you like it?

We didn't see you much. | It was too short.

But you were cute. The costumes | were ugly, but you were cute.

- But did you enjoy the play? | - Oh, yes.

You don't know how to cry.

- The tears were... | - It's very difficult.

It's hard for an actor, along | with the memorization, right?

Anyway, you had three lines.

- What's wrong? | - What's the problem?

- We're leaving, Valerie. | - I'm coming.

See you tomorrow. | We'll meet outside.

What's wrong? | I found it really good.

- On my tab? | - Yeah.

Let's go together, | it would be less boring.

I'd like to come. | I love the atmosphere.

The unemployment agency ... | it's warm, convivial.

- I like being humiliated. | - I may not have enough hours.

What about the Ibsen play?

I haven't heard a thing. | And you?

They're going nowhere. | They haven't got money.

It's not happening.

- You're not constantly working? | - No, I'm not, after all.

I'm not an actress in demand.

Each time an actor tells me, | "I'm doing this and that"...

I want to strangle him.

Fred's always smiling at me. | Is it a tic, or what?

- Does he smile at you? | - Not particularly.

I have a soft little | black piece waiting for you.

Have you decided?

- Roast beef. | - Pot pie.

I'm hungry.

I also have | a little Moroccan stuff.

- Is the black stuff expensive? | - A gram is 60.

Wow! I don't know. | I'll stop by, and we'll see.

The table behind you, next to | Regine- Anne. Don't look now.

They were talking about | the play. They loved it.

And the guy with | the long hair...

He's very fond of you. | Don't look now!

- He's not bad. | - I think he's revolting.

- Revolting? | - I don't like his kind.

- Is there anybody you like? | - Why?

You don't like | any guy I show you.

That's not it at all.

So show me someone you like.

I don't know...

That man there in | the corner, for example.

Where? That old man, there?

Yes, but you see, he moves me.

- To have sex with him? | - It's not about that.

- Have sex with whom? | - With no one. That's the point.

It's sad.

- I was trying to tell her... | - It's true...

I can't have casual sex, | I need to be in love.

It has to be meaningful. | Is that so strange?

I just came for the check.

But...

How could I have forgotten?

- Maybe it wasn't you. | - Truly. You don't believe me?

You want one?

OK, why not?

I wanted to say...

I'm sorry | to tell you this now...

but if I tell you later, | it will be...

even more...

It wouldn't be very...

Anyway, I think it's better | if I tell you.

I have a girlfriend.

You are so cute.

Well, how's she doing?

- She's not here. | - I noticed.

She's in the U. S. | for six months.

How is it going?

I had no news | for three weeks, but...

the last time we talked, | she was OK.

No news... for three weeks.

Why don't you contact her?

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Jean-Pierre Bacri

Jean-Pierre Bacri (born 24 May 1951) is a French actor and screenwriter who frequently works in collaboration with Agnès Jaoui. more…

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Submitted on August 05, 2018

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