The Taste of Others Page #3
She's never home.
Strange.
But I'm not worried. | I trust her.
- And you? | - Me... nothing.
- Hi. | - How are you?
- Fine. | - Why didn't you call first?
When I called, you said tonight.
Yes, but, now... sorry.
Come in.
He turns toward me and says, | "How could I forget? "
It's funny, because at | the same time, I was thinking...
"How could I remember? "
- Here you go. 300. | - Thank you.
- Here. | - Thank you.
It's closing night.
Every time I'm acting | for the last time...
it's as if I'll never act again.
Given my age, | it's likely to happen.
What do we call a 40-year-old | unemployed actress? Redundant.
It's not the same for you. | You have talent.
Sure. What talent!
What's going on, Clara? | Are you depressed, or what?
Absolutely.
I don't know what to think | about my life anymore.
When you're 20, the uncertainty | and all that doesn't matter.
You have hope and lots | of imagination, and then...
But now I'm 40.
And I'm at the same place, | worrying about my rent.
As far as hope goes, | it's pathetic.
I'm alone. I have | two days to procreate.
Besides, I don't have | the father.
I don't want to go through this, | to find somebody.
It's too tiring.
You were a bit pushy, abrupt.
One has to be careful with | these people, you understand?
- The way you deal with... | - What about it?
Let's just say sometimes | you should be more diplomatic.
I never do or say | the right thing.
You're always correcting me. | It's like always being tested.
- You're a pain in the ass. | - I'm thinking of the company.
There are some constraints.
Things to do and not to do. | I must remind you of them.
- It's my job. | - I agree. I'm happy with you.
You're competent, | no doubt about that.
But why do you talk like | a government official?
Can't you talk | like anyone else? No?
What did I want to say? | See you tomorrow.
See you tomorrow.
He's full of sh*t.
They graduate from | the Polytechnique and think...
I agree.
- Want me to drive you home? | - No.
Am I driving too fast? | I'm not even going 40.
But I'm not feeling well.
Your driving makes | me nervous, anyway.
I'm honest, | I always tell the truth.
Besides, it's dangerous | on these small streets.
Imagine if a child crossed, | or a dog.
Is this OK?
Yes, now it's OK.
Stop, Bruno!
- You scared me! | - You almost hit it.
What? Where?
Poor bird! | Oh, poor little bird.
He's shaking like a leaf.
He's probably traumatized. | He's shaking like a leaf.
We're in the middle of the road.
Hello? Yes.
Is this Mr. Castella?
No, she's not available.
She has her hands full.
She's holding a bird | in her hands.
A bird.
She found it in the road.
Because it... it wasn't well.
All right.
He said he'll be back | tonight at about 11:00.
I wished myself to hear you | in this place.
I'll hear no more.
And so farewell forever.
Forever...
Ah, my Lord, | reflect how harsh...
these cruel words fall | on a lover's ear.
In a month, a year...
how great our pain will be...
with all the seas still | parting you from me?
When the day dawns | and when the day will end...
while Titus seeks | his Brnice in vain...
and all day long | my never seeing you.
But how deceived I am!
Consoled of my departure | in advance...
he bids my absent days | untold remain?
These days so slow | will fly for him.
I will not have | many days, Madame.
My hope is soon | my sad renown...
will tell you were beloved.
You'll see that Titus | was unable to...
If it's true, my Lord, | why separate?
I talk not of a wedding now.
Has Rome condemned me | not to see you more?
Do you begrudge me | even the air you breathe?
- What did I do in Act V? | - It was wonderful.
- Wonderful, Clara. | - I never did it like that.
More pins in my hair | than spectators.
No, it was crowded. | It was perfect.
- Should I roll one? | - That would be nice.
Yes, come in.
- Hello. | - Hello.
Do you remember me?
I know you, but...
- The English lesson. | - Oh, yes. The funny methods.
My niece acts. | She's not really good, but...
- Who is she? | - Virginie Jerome. My niece.
Virginie is very good.
- She's a little... | - She's very good.
I don't like theater, | but tonight...
I can't stop crying. | That's stupid, but...
it was so good tonight, | you were good.
I saw the entire | second part, it was...
These closing nights | are painful.
- I don't like theater... | - Why did you come?
But, actually, | it didn't seem like theater.
Your acting is so...
You were wonderful. | Absolutely wonderful.
Tonight was magnificent, | just magnificent.
You saw the scene with Phenice?
Tonight there was...
a grace, a magic...
And Duclos was here.
- He finally came? | - He positively adored it.
He said he hadn't seen | a Brnice like that since...
Thank you, my Clara, thank you.
- He'll write you. See you. | - Yes, bye.
You... you really are...
perfect.
Thank you. | Excuse me, I should change.
Sorry. Sorry.
- Good-bye. | - Good-bye.
I've seen the show twice.
Who is he?
Shall we go, Mr. Castella? | What are we doing?
Mr. Castella?
What?
Let's go.
- Veh. | - The.
- The. | - Vuh.
- Vah. | - The.
The. Ah! The. The.
Yes, very good.
The. The. The.
Yes. OK. OK.
The. The. The.
That's OK.
The weather is nice.
The weather is nice.
You're not hungry?
No. I'm not hungry.
What?
I am not hungry.
Me am hingry.
Very low level...
- What? | - Nothing.
Nothing. Ah. Nothing.
- Nothing. | - Nothing.
- Nothing. | - Nothing!
I was working | with a tough guy.
His name was Turtle. | Chief Inspector Turtle.
- Like a turtle? | - Yes.
I liked the guy. A pain in | the neck, but I respected him.
You don't meet a guy | like that every day.
Anyway...
We were after a client, | untouchable, see?
Powerful. You look forward | to the moment you'll get him.
In this business, you're always | happy to destroy a guy...
who is above the law.
- And then? | - And then...
We busted our asses for months, | and it was over in one day.
Case over. | Everybody goes home.
Go have fun somewhere else.
The law... my ass!
- So you guys resigned. | - I did.
I did.
- Turtle, he stayed? | - Yes.
Turtle, he shut up. | Not a word.
I'm going to bed. | I'm exhausted.
- What time is your date? | - She should be arriving now.
- It's the girl from the bar? | - Yeah.
That's your way | of being in love?
I don't see why not.
You still | don't have news?
No.
Maybe she's like you.
Maybe.
- OK, I see. | - You don't see anything.
- Hi. | - Oh, hi.
- How are you? | - Fine.
Franck, this is Manie.
- Hi. | - Hi.
- You want something to drink? | - Coffee and cream.
May we have a coffee and cream?
- So, you're the bodyguard? | - Yes.
It's a cool job, isn't it?
No, not really.
- Oh, really? | - No.
I'll leave you alone.
Hello?
Excuse me? Hello?
You should go. | You don't have to wait.
I know. Don't worry.
- Excuse me, ma'am. | - Thank you.
- Do you know Bruno well? | - No, not very well.
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"The Taste of Others" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/the_taste_of_others_21449>.
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