The Taste of Others Page #3

Synopsis: Three men, three women, opposites, possibilities, and tastes. Castella owns a industrial steel barrel plant in Rouen; Bruno is his flute-playing driver, Franck is his temporary bodyguard while he negotiates a contract with Iranians, his wife Angélique does frou-frou interior decorating and loves her dog. The conventional Castella hires a forty-year-old actress, Clara, to tutor him in English, and he finds her and her Bohemian lifestyle fascinating. Is this love? What would she say if he declared himself? Through Bruno, Franck meets Manie, a barmaid who deals hash. They begin an affair. Are they in love? They joke about marriage. As the women hold back, the men must make decisions.
Genre: Comedy, Drama, Romance
Director(s): Agnès Jaoui
Production: Artistic License Films
  Nominated for 1 Oscar. Another 14 wins & 11 nominations.
 
IMDB:
7.3
Metacritic:
78
Rotten Tomatoes:
100%
R
Year:
2000
112 min
Website
66 Views


She's never home.

Strange.

But I'm not worried. | I trust her.

- And you? | - Me... nothing.

- Hi. | - How are you?

- Fine. | - Why didn't you call first?

When I called, you said tonight.

Yes, but, now... sorry.

Come in.

He turns toward me and says, | "How could I forget? "

It's funny, because at | the same time, I was thinking...

"How could I remember? "

- Here you go. 300. | - Thank you.

- Here. | - Thank you.

It's closing night.

Every time I'm acting | for the last time...

it's as if I'll never act again.

Given my age, | it's likely to happen.

What do we call a 40-year-old | unemployed actress? Redundant.

It's not the same for you. | You have talent.

Sure. What talent!

What's going on, Clara? | Are you depressed, or what?

Absolutely.

I don't know what to think | about my life anymore.

When you're 20, the uncertainty | and all that doesn't matter.

You have hope and lots | of imagination, and then...

But now I'm 40.

And I'm at the same place, | worrying about my rent.

As far as hope goes, | it's pathetic.

I'm alone. I have | two days to procreate.

Besides, I don't have | the father.

I don't want to go through this, | to find somebody.

It's too tiring.

You were a bit pushy, abrupt.

One has to be careful with | these people, you understand?

- The way you deal with... | - What about it?

Let's just say sometimes | you should be more diplomatic.

I never do or say | the right thing.

You're always correcting me. | It's like always being tested.

- You're a pain in the ass. | - I'm thinking of the company.

There are some constraints.

Things to do and not to do. | I must remind you of them.

- It's my job. | - I agree. I'm happy with you.

You're competent, | no doubt about that.

But why do you talk like | a government official?

Can't you talk | like anyone else? No?

What did I want to say? | See you tomorrow.

See you tomorrow.

He's full of sh*t.

They graduate from | the Polytechnique and think...

I agree.

- Want me to drive you home? | - No.

Am I driving too fast? | I'm not even going 40.

But I'm not feeling well.

Your driving makes | me nervous, anyway.

I'm honest, | I always tell the truth.

Besides, it's dangerous | on these small streets.

Imagine if a child crossed, | or a dog.

Is this OK?

Yes, now it's OK.

Stop, Bruno!

- You scared me! | - You almost hit it.

What? Where?

Poor bird! | Oh, poor little bird.

He's shaking like a leaf.

He's probably traumatized. | He's shaking like a leaf.

We're in the middle of the road.

Hello? Yes.

Is this Mr. Castella?

No, she's not available.

She has her hands full.

She's holding a bird | in her hands.

A bird.

She found it in the road.

Because it... it wasn't well.

All right.

He said he'll be back | tonight at about 11:00.

I wished myself to hear you | in this place.

I'll hear no more.

And so farewell forever.

Forever...

Ah, my Lord, | reflect how harsh...

these cruel words fall | on a lover's ear.

In a month, a year...

how great our pain will be...

with all the seas still | parting you from me?

When the day dawns | and when the day will end...

while Titus seeks | his Brnice in vain...

and all day long | my never seeing you.

But how deceived I am!

Consoled of my departure | in advance...

he bids my absent days | untold remain?

These days so slow | will fly for him.

I will not have | many days, Madame.

My hope is soon | my sad renown...

will tell you were beloved.

You'll see that Titus | was unable to...

If it's true, my Lord, | why separate?

I talk not of a wedding now.

Has Rome condemned me | not to see you more?

Do you begrudge me | even the air you breathe?

- What did I do in Act V? | - It was wonderful.

- Wonderful, Clara. | - I never did it like that.

More pins in my hair | than spectators.

No, it was crowded. | It was perfect.

- Should I roll one? | - That would be nice.

Yes, come in.

- Hello. | - Hello.

Do you remember me?

I know you, but...

- The English lesson. | - Oh, yes. The funny methods.

My niece acts. | She's not really good, but...

- Who is she? | - Virginie Jerome. My niece.

Virginie is very good.

- She's a little... | - She's very good.

I don't like theater, | but tonight...

I can't stop crying. | That's stupid, but...

it was so good tonight, | you were good.

I saw the entire | second part, it was...

These closing nights | are painful.

- I don't like theater... | - Why did you come?

But, actually, | it didn't seem like theater.

Your acting is so...

You were wonderful. | Absolutely wonderful.

Tonight was magnificent, | just magnificent.

You saw the scene with Phenice?

Tonight there was...

a grace, a magic...

And Duclos was here.

- He finally came? | - He positively adored it.

He said he hadn't seen | a Brnice like that since...

Thank you, my Clara, thank you.

- He'll write you. See you. | - Yes, bye.

You... you really are...

perfect.

Thank you. | Excuse me, I should change.

Sorry. Sorry.

- Good-bye. | - Good-bye.

I've seen the show twice.

Who is he?

Shall we go, Mr. Castella? | What are we doing?

Mr. Castella?

What?

Let's go.

- Veh. | - The.

- The. | - Vuh.

- Vah. | - The.

The. Ah! The. The.

Yes, very good.

The. The. The.

Yes. OK. OK.

The. The. The.

That's OK.

The weather is nice.

The weather is nice.

You're not hungry?

No. I'm not hungry.

What?

I am not hungry.

Me am hingry.

Very low level...

- What? | - Nothing.

Nothing. Ah. Nothing.

- Nothing. | - Nothing.

- Nothing. | - Nothing!

I was working | with a tough guy.

His name was Turtle. | Chief Inspector Turtle.

- Like a turtle? | - Yes.

I liked the guy. A pain in | the neck, but I respected him.

You don't meet a guy | like that every day.

Anyway...

We were after a client, | untouchable, see?

Powerful. You look forward | to the moment you'll get him.

In this business, you're always | happy to destroy a guy...

who is above the law.

- And then? | - And then...

He was really above the law.

We busted our asses for months, | and it was over in one day.

Case over. | Everybody goes home.

Go have fun somewhere else.

The law... my ass!

- So you guys resigned. | - I did.

I did.

- Turtle, he stayed? | - Yes.

Turtle, he shut up. | Not a word.

I'm going to bed. | I'm exhausted.

- What time is your date? | - She should be arriving now.

- It's the girl from the bar? | - Yeah.

That's your way | of being in love?

I don't see why not.

You still | don't have news?

No.

Maybe she's like you.

Maybe.

- OK, I see. | - You don't see anything.

- Hi. | - Oh, hi.

- How are you? | - Fine.

Franck, this is Manie.

- Hi. | - Hi.

- You want something to drink? | - Coffee and cream.

May we have a coffee and cream?

- So, you're the bodyguard? | - Yes.

It's a cool job, isn't it?

No, not really.

- Oh, really? | - No.

I'll leave you alone.

Hello?

Excuse me? Hello?

You should go. | You don't have to wait.

I know. Don't worry.

- Excuse me, ma'am. | - Thank you.

- Do you know Bruno well? | - No, not very well.

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Jean-Pierre Bacri

Jean-Pierre Bacri (born 24 May 1951) is a French actor and screenwriter who frequently works in collaboration with Agnès Jaoui. more…

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Submitted on August 05, 2018

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