The Thief of Bagdad Page #2

Synopsis: In Bagdad, the young and naive Sultan Ahmad is curious about the behavior of his people. The Grand Vizier Jaffar convinces Ahmad to walk through the city disguised as a subject to know his people. Then he seizes the power telling to the inhabitants that Ahmad has died while he sends his army to arrest the Sultan that is thrown into the dungeons and sentenced to death. Ahmad befriends the young thief Abu that helps him to escape from the prison. They flee to Basra and plan to travel abroad with Sinbad. However Ahmad stumbles upon the beautiful princess and they fall in love with each other. But the evil Jaffar has also traveled to Basra to propose to marry the princess. When they see each other, Jaffar uses magic to blind Ahmad and turn Abu into a dog. Is their love doomed?
Production: United Artists
  Won 3 Oscars. Another 3 nominations.
 
IMDB:
7.6
Rotten Tomatoes:
100%
NOT RATED
Year:
1940
106 min
711 Views


Whereas we are in jail.

The ax will fall at dawn.

And you pretend

not to be mad!

Watch!

It is the key of the jail.

Give it to me!

One is not able to

to leave now.

- Why?

- Wait.

They are going to eat

and after them will fall asleep.

Then one will leave.

Quickly, take this paddle!

Pass me the rope!

Do you want us to make kill?

You believe

what they would have mercy?

If the king knew,

would not he/it have mercy?

The king was a silly.

I hope that he/it suffers to death.

Do you hate it so much?

Everybody hated it.

So only

I could hold it there,

I would tell to him

my way of thinking.

Tell it to me,

I am king Ahmad.

Speak!

King Ahmad died yesterday.

Jaffar is the new king.

Watch!

Jaffar

would never have sent

the whole care

for me all alone.

Mercy, master.

I am your slave.

Punish me slightly

and I will pay for double tax.

How are you called?

Abu the thief,

son of Abu the thief,

grandson of Abu the thief.

Last of ten children

with the hunger pegged to the body.

Raise you, my friend.

Let's go back to Baghdad.

Are you completely silly?

Forgiveness...

My king would make himself/itself kill.

Dead,

we won't be able to anything anymore.

You seem me

to be the prince of the thieves.

The breeze

will push us toward the liberty.

I possessed everything,

except the liberty.

And me, it is the opposite.

What are we going to make?

What you want.

In 3 days one will be in Bassora.

Take this stick and shoot!

I want to be a sailor

who sails on the sea

Life on dry land

let me a bitter taste

The aunts and the cousins

are not very shrewd

They give desire to be marine

or bandit of big path

I want to be a brigand,

have it understood you

To sail on the sea

it is my life

It is my life...

Abu! Bassora!

Bassora... That it is beautiful!

have felt so good!

Of the pancakes!

Give!

You are indeed silly.

has eaten himself with the honey.

How to steal it?

One already has that,

Allah will provide there also.

Do you want the honey?

- One intends to buy some.

- A jar.

A jar?!

If he/it is good.

It is the best.

Easy to say,

I must first taste.

I saw better.

What do you say of it?

No, not good enough.

has lack of flavor.

Take care of your bees!

Say, old man,

what is this palace?

The one of the sultan, let's see!

You know well,

the palace of the one thousand toys.

Toys?

Of where take yourselves,

beggars of nothing at all?

The sultan has the most beautiful

collection of the world.

Of the toys?

The sultan is aged

and he/it falls again in childhood.

He/it stays up more jealously

on his/her/its toys

that on his/her/its own girl.

I told to some enough.

Out of my path,

bags to fleas.

Allah is with you.

I question some.

[Skipped item nr. 320]

Release me!

The princess arrives!

- Does reason flee one?

- One risks the death.

Why?

She/it must not be seen

before his/her/its marriage.

Is she/it so ugly?

She/it is beautiful

as a star!

Release me!

- Spin!

- Where?

Up there!

Your appetite will cost us life.

Without eating one dies.

Abu, there they are!

I must see it again.

I spoke to Sinbad the sailor,

he/it takes us on his/her/its boat.

I ever imagined some of as beautiful.

He/it leaves to the next tide.

I cannot leave.

I must see it again.

All my life I dreamed

to leave on a big boat.

I cannot leave.

I must see it again.

If you see it again,

after you will follow me?

I will follow you.

Oh my poor heart

who palpitates so strong

Today

curb your transportation

Because it is necessary for us to wait

of the men

this famous tender word

And when, oh my heart,

This one makes itself hear

Beat the chamade and venerate

This word that would be able to

to be sincere

[Skipped item nr. 354]

He/it is sufficient.

It is as heavy

that the air of noon.

Let's wait for the nightingale of in the evening.

To the swimming pool!

A genius!

Don't go there!

II has a genius there!

A genius!

Are you afraid?

Yes, frightfully.

Why don't you flee?

I want to see.

You are my first genius.

Then, observe me well.

It is not necessary to lie to a genius.

You are not ugly.

Are you a good genius?

Not indeed.

The good geniuses are overwhelming.

Do you live thereunder?

No.

- Why are you there?

- To see you.

I was going to bathe.

I wait.

Whereas you are there?

Give me your hand, in water.

You left!

I didn't want.

Will I ever see you again?

Ever?

Don't be afraid,

I am not a genius.

Who are you?

Your slave.

From where do you come?

On the other side of the time,

to find you.

Did you look for me since when?

The beginning of the times.

And now,

will you a long time remain?

Until the end of the times.

For me,

you are what of more beautiful has.

He/it is not

of bigger pleasure for me

that the one to satisfy you.

You will be there

tomorrow at the same hour?

A gardener supervises this park

day and night,

he/it is called the Death.

You must not come.

Prohibit me from coming.

Me then to forbid you it.

To tomorrow!

On every following day...

Did you see it?

We will be able to leave

this night.

I cannot leave.

Why?

You yet saw it again.

Exactly, for it

I cannot leave anymore.

Sensible.

Then I will leave alone.

How will avoid you keep them

without my help?

I will find a means.

You will make yourself take.

Do you remain with me?

Why?

Whereas you dream to leave?

Why would you remain?

Because I am as silly as you.

The following day,

Jaffar the usurper

makes visit

to the sultan of Bassora.

Brother of the Lions...

Fountain of hospitality...

I have the most beautiful

collection of automatons

from all over the world.

This one is the most remarkable.

He/it measures the time.

See how he/it functions.

Magic, this is not?

Dangerous, to not to put

between the people's hands.

Dangerous?

If people

can measure the time,

you won't be anymore

the Mr. of the Time.

They will be interested in the time.

Very just.

They must not know.

Hold, look at which...

What thoroughness.

What precision.

What mastery.

I prefer them

so about my cases...

Watch.

See.

No,

there is the most sublime of all.

Admire that.

I turn the key

and they make the same thing

every time,

as I hear it.

What doesn't make

still my topics

and I see myself obligated

to make decapitate them.

Magnificent collection

and nearly complete.

Nearly complete?

But, my collection

is quite complete.

Don't be mistaken.

I know that only a miracle

could complete

this magnificent collection.

He/it is

that this miracle exists.

An automaton

more beautiful than mine?

Knowing

your interest on the subject,

I brought it with me.

Show it to me, quickly.

I am in a hurry to see that.

That I am in a hurry to see that!

If His/her/its Size

wants to carry up it.

What is he/it going to make?

Will II advance?

Will he/it rear?

Will II move the tail?

Is not he/it going to kick, hey?

I must confess

that I am nervous

so much that I don't know well

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Miles Malleson

William Miles Malleson (25 May 1888 – 15 March 1969), generally known as Miles Malleson, was an English actor and dramatist, particularly remembered for his appearances in British comedy films of the 1930s to 1960s. Towards the end of his career he also appeared in cameo roles in several Hammer horror films, with a fairly large role in The Brides of Dracula as the hypochondriac and fee-hungry local doctor. Malleson was also a writer on many films, including some of those in which he had small parts, such as Nell Gwyn (1934) and The Thief of Bagdad (1940). He also translated and adapted several of Molière's plays (The Misanthrope, which he titled The Slave of Truth, Tartuffe and The Imaginary Invalid). more…

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Submitted on August 05, 2018

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