The Third Man Page #4

Synopsis: An out of work pulp fiction novelist, Holly Martins, arrives in a post war Vienna divided into sectors by the victorious allies, and where a shortage of supplies has led to a flourishing black market. He arrives at the invitation of an ex-school friend, Harry Lime, who has offered him a job, only to discover that Lime has recently died in a peculiar traffic accident. From talking to Lime's friends and associates Martins soon notices that some of the stories are inconsistent, and determines to discover what really happened to Harry Lime.
Director(s): Carol Reed
Production: Rialto Pictures
  Won 1 Oscar. Another 4 wins & 4 nominations.
 
IMDB:
8.2
Rotten Tomatoes:
99%
NOT RATED
Year:
1949
93 min
Website
4,373 Views


might have been

not accidental ?

Could he have been--

Could he have been...

pushed, Dr. Winkel ?

Vinkel.

l cannot give an opinion.

The injuries to the head and skull

would have been the same.

Major, may l see you

for a moment, please ?

Certainly, Brodsky.

What is it ?

This forgery is very clever,

and we are interested in this case.

- Have you arrested the girl ?

- No, not yet.

Please, keep this passport to yourself

until l will make some inquiries.

- Will you, Major ? Thank you.

- Yes, of course.

Right, sit down,

Miss Schmidt.

We'll send your letters

and things back to you.

- And my passport ?

- We'll need that for a while.

What did he mean ?

You know as much as l do.

Miss Schmidt, you were intimate

with Lime, weren't you ?

We loved each other.

Do you mean that ?

- Do you know this man ?

- l've never seen him.

- Joseph Harbin.

- No.

- He works in a military hospital.

- No.

lt's stupid to lie to me, Miss Schmidt.

l'm in a position to help you.

l'm not lying.

You're wrong about Harry.

You're wrong about everything.

ln one of his letters,

he asked you to telephone

a good friend of his called Joseph.

He gave you the number

of the Casanova Club.

That's where a lot of friends

of Lime used to go.

- lt wasn't important.

- What was the message ?

Something about

meeting Harry at his home.

Harbin disappeared

the day you telephoned.

We've got to find him.

You can help us.

What can l tell you, but you've

got everything upside down.

Okay. That American friend

of yours is still waiting for you.

He won't do you much good.

l thank you, Miss Schmidt.

We'll send for you when we want you.

[ Man Speaking German ]

Hello, Mr. Martins. l've been

trying to get you at your hotel.

l've arranged that lecture

for tomorrow.

- Well, what about ?

- On the modern novel.

You remember what we arranged.

- Oh.

- They want you to talk

on the Crisis of Faith.

- What's that ?

- Oh, l thought you'd know.

You're a writer.

But of course you do. Good night,

old man. l've forgotten my hat.

- l'll let you know the time later.

- Mmm.

?? [ Violin ]

- Drink ?

- Whiskey.

Two whiskeys.

- Zwei Whisky.

- How much ?

- Twenty shillings.

- Oh, they don't take army money here.

How much did he say ?

- Harry ?

- Yes.

He moved his head,

but the rest is good, isn't it ?

- Good evening, Miss Schmidt.

- Good evening.

You've found out

my little secret.

A man must live.

How goes the investigation ?

Have you proved

the policemen are wrong ?

- Not yet.

- But you will.

Our friend Dr. Winkel said

you had called. Wasn't he helpful ?

Well, he was limited.

- But Mr. Popescu is here tonight.

- The Romanian ?

- Yes, the man who helped carry him.

- l thought he'd left Vienna.

He's back now.

Well, l'd like to meet

all of Harry's friends.

l'll bring him to you.

Haven't you done

enough for tonight ?

The porter said three men carried

the body, and two of them are here.

Who are you

lookin' for now ?

Shh. Shh.

Don't. Please don't.

Silly lookin' bunch.

- Mr. Popescu, Mr. Martins.

- How do you do ?

- Any friend of Harry

is a friend of mine.

- l'll leave you together.

- Good evening, Miss Schmidt.

You remember me ?

- Of course.

- l helped Harry

fix her papers, Mr. Martins.

- Oh, you did ?

Not a sort of thing

l should confess to a stranger,

but you have to break

the rules sometimes.

Humanity is a duty. Cigarette,

Miss Schmidt ? Keep the pack.

l understand

you were with Harry--

Two double whiskeys.

[ Speaking German ]

lt was a terrible thing. l was just

crossing the road to go to Harry.

He and the baron

were on the sidewalk.

Maybe if l hadn't started to cross

the road, it wouldn't have happened.

l can't help blaming myself

and wishing things had been different.

Anyway, he saw me and stepped

off the sidewalk to meet me.

And the truck--

lt was terrible, Mr. Martins. Terrible.

l've never seen a man killed before.

l think there was something

funny about the whole thing.

- Funny ?

- Something wrong.

Of course there was.

Some ice for Mr. Martins.

- You think so too ?

- lt was so terribly stupid...

for a man like Harry to be killed

in an ordinary street accident.

- That's all you meant ?

- What else ?

Who was the third man ?

[ Chuckles ]

l oughtn't to drink it.

lt makes me acid.

What man would you be

referring to, Mr. Martins ?

l was told that a third man

helped you and Kurtz carry the body.

l don't know how you got that idea.

You'll find all about it

in the police report.

There was just the two of us,

me and the baron.

Who could have told you

a story like that ?

The porter at Harry's place.

He was cleaning the window at the time.

And saw the accident ?

No, he didn't see the accident,

but he saw three men carrying the body.

Why wasn't he

at the police inquiry ?

He doesn't want

to get involved.

You'll never teach these

Austrians to be good citizens.

lt was his duty

to give the evidence.

Even so, he remembers wrong.

What else did he tell you ?

That Harry was dead before

you got him to that statue.

He probably knows

a lot more than that.

- Somebody's lying.

- Hmm, not necessarily.

The police say he was

mixed up in some racket ?

Oh, that's quite impossible.

He had a great sense of duty.

Your friend Kurtz seems

to think it was possible.

l understand how an Anglo-Saxon feels.

The baron hasn't traveled, you know ?

He seems to have

been around a bit.

Do you know a man

called, uh, Harbin ?

- No.

- Joseph Harbin.

Joseph Harbin ? No.

That's a nice girl, that,

but she ought to go careful in Vienna.

Everybody ought to go careful

in a city like this.

He will meet us

at the bridge. Good.

Hello ! ls it

so very important for you ?

- Yes, it is.

- l am not a bad man.

l'd like to tell you something.

Tell me, how did the car--

Shh, shh. Come tonight.

My wife goes out.

- All right, l'll come back, but--

- Shh. Tonight.

- [ Knocking At Door ]

- [ Speaking German ]

Does that mean come in ?

Oh, yes, come in.

The porter's going

to talk to us tonight.

Need we go through it

all again ?

l can manage by myself.

You busy ?

Just another part

l've got to learn.

Can l hear you ?

- ln German ?

- l can try.

- ls it comedy or tragedy ?

- Comedy. l don't play tragedy.

- Do l, uh, read--

- Well, you read this.

Oh. Well, l--

[ Speaking Broken German ]

- What's that ?

- Uh, Heurigen, l guess.

H-E-Z-T--

Oh, let me see.

No, no, that's not the cue.

lt means

she has to sit down.

Well, uh, Frau Hausman--

No, no.

lt's no good.

Bad day ?

lt's always bad around this time.

He used to look in around 6:00.

l've been frightened. l've been alone

without friends and money.

But l've never known

anything like this.

Please talk.

Tell me about him.

Tell you what ?

Oh, anything. Just talk. Where did you

see him last, and what did you do ?

Oh, we didn't make much sense.

We drank too much.

- Once he tried to steal my girl.

- Where is she ?

Rate this script:5.0 / 2 votes

Graham Greene

Henry Graham Greene (2 October 1904 – 3 April 1991), better known by his pen name Graham Greene, was an English novelist regarded by many as one of the greatest writers of the 20th century. Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted, in 1966 and 1967, for the Nobel Prize for Literature. Through 67 years of writings, which included over 25 novels, he explored the ambivalent moral and political issues of the modern world, often through a Catholic perspective. Although Greene objected strongly to being described as a Roman Catholic novelist, rather than as a novelist who happened to be Catholic, Catholic religious themes are at the root of much of his writing, especially the four major Catholic novels: Brighton Rock, The Power and the Glory, The Heart of the Matter, and The End of the Affair; which are regarded as "the gold standard" of the Catholic novel. Several works, such as The Confidential Agent, The Quiet American, Our Man in Havana, The Human Factor, and his screenplay for The Third Man, also show Greene's avid interest in the workings and intrigues of international politics and espionage. Greene was born in Berkhamsted in Hertfordshire into a large, influential family that included the owners of the Greene King Brewery. He boarded at Berkhamsted School in Hertfordshire, where his father taught and became headmaster. Unhappy at the school, he attempted suicide several times. He went up to Balliol College, Oxford, to study history, where, while an undergraduate, he published his first work in 1925—a poorly received volume of poetry, Babbling April. After graduating, Greene worked first as a private tutor and then as a journalist – first on the Nottingham Journal and then as a sub-editor on The Times. He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic". He published his first novel, The Man Within, in 1929; its favourable reception enabled him to work full-time as a novelist. He supplemented his novelist's income with freelance journalism, and book and film reviews. His 1937 film review of Wee Willie Winkie (for the British journal Night and Day), commented on the sexuality of the nine-year-old star, Shirley Temple. This provoked Twentieth Century Fox to sue, prompting Greene to live in Mexico until after the trial was over. While in Mexico, Greene developed the ideas for The Power and the Glory. Greene originally divided his fiction into two genres (which he described as "entertainments" and "novels"): thrillers—often with notable philosophic edges—such as The Ministry of Fear; and literary works—on which he thought his literary reputation would rest—such as The Power and the Glory. Greene had a history of depression, which had a profound effect on his writing and personal life. In a letter to his wife, Vivien, he told her that he had "a character profoundly antagonistic to ordinary domestic life," and that "unfortunately, the disease is also one's material." William Golding described Greene as "the ultimate chronicler of twentieth-century man's consciousness and anxiety." He died in 1991, at age 86, of leukaemia, and was buried in Corseaux cemetery. more…

All Graham Greene scripts | Graham Greene Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Third Man" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/the_third_man_21770>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Third Man

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "climax" of a screenplay?
    A The highest point of tension in the story
    B The introduction of characters
    C The final scene
    D The opening scene