The Third Man Page #5

Synopsis: An out of work pulp fiction novelist, Holly Martins, arrives in a post war Vienna divided into sectors by the victorious allies, and where a shortage of supplies has led to a flourishing black market. He arrives at the invitation of an ex-school friend, Harry Lime, who has offered him a job, only to discover that Lime has recently died in a peculiar traffic accident. From talking to Lime's friends and associates Martins soon notices that some of the stories are inconsistent, and determines to discover what really happened to Harry Lime.
Director(s): Carol Reed
Production: Rialto Pictures
  Won 1 Oscar. Another 4 wins & 4 nominations.
 
IMDB:
8.2
Rotten Tomatoes:
99%
NOT RATED
Year:
1949
93 min
Website
4,346 Views


- Oh, that was nine years ago.

- Tell me more.

[ Clears Throat ]

Well, it's very difficult.

You knew Harry.

We didn't do anything

very amusing.

He just made everything

seem like such fun.

- Was he clever when he was a boy ?

- He could fix anything.

- What sort of things ?

- Oh, little things.

How to put your temperature up

before exam. The best crib.

How to avoid this and that.

He fixed my papers for me.

He heard the Russians

were repatriating people like me

who came from Czechoslovakia.

He knew the right person

straightaway for forging stamps.

Yeah.

When he was 14, he taught me

the three-card trick.

- That's growing up fast.

- He never grew up.

The world grew up

around him, that's all.

And buried him.

Anna, you'll

fall in love again.

Don't you see

l don't want to ?

l don't ever want to.

Come on out and have a drink.

Why did you say that ?

Seemed like a good idea.

lt was just what he used to say.

Well, uh, l didn't

learn that from him.

lf we have to see the porter,

we'd better go.

What's the hurry ? Can't we talk

quietly for a couple of minutes ?

- l thought you wanted--

- A moment ago, you said you

didn't want to see the porter.

- We're both in it, Harry.

- Holly.

l'm so sorry.

lt's all right.

You might get my name right.

You know, you ought

to find yourself a girl.

His English is so very bad,

we'll let him talk German.

- lf you'll be good enough to trans--

- Look.

- That's Harry's place, isn't it ?

- Yes.

- Let's go away.

- What's the matter ?

- Let's not get into any more trouble.

- Wait here.

What's the matter ?

Uh, what is, los ?

- [ Speaking German ]

- l-l don't understand.

Um, porter, uh, dead.

Kaputt.

The porter is odraht. Kaputt.

- Porter ?

- He's murdered.

Papa !

[ Both Speaking German ]

Ja, Papa !

[ Boy Continues Shouting ln German ]

[ Speaking German ]

l, uh, don't understand.

[ Continues Shouting ln German ]

- What is it ?

- The porter's been murdered.

[ Chattering ln German ]

They think you did it.

[ Boy Continues Shouting ln German ]

[ Speaking German ]

Hello ?

- Papa !

- [ Man Shouts ln German ]

[ lndistinct ]

[ Man Shouts ln German ]

[ Movie Soundtrack ln German ]

Sneak out the other way

and go back to your theater.

l'd better not see you again.

- What are you going to do ?

- l wish l knew.

Be sensible.

Tell Major Calloway.

[ Movie Soundtrack Continues ]

[ Speaking German ]

[ Horn Honking ]

- Get me Major Callaghan on the phone.

- Oh, Mr. Martins.

- lt's very urgent.

Just get him on the telephone.

- Do you know his number ?

- No, l don't know his number.

- l'll look it up for you.

- ls there a car here ?

- Of course.

There's one waiting for you.

- [ Speaking German ]

- Never mind about the number.

Take me to the headquarters--

Hold on ! l haven't even

told you where to take me yet !

- [ Speaking German ]

- [ Tires Screeching ]

- Driver ! Driver !

- [ Tires Screeching ]

- Slow down !

- [ Horn Honking ]

Have you got orders to kill me ?

[ Horn Honks, Tires Screeching ]

[ Tires Skidding ]

[ Speaking German ]

Ah, ah, ah ! Ah, Mr. Martins !

What a relief to see you.

l was beginning to think

something had happened to you.

Everything's ready for you.

l was frantic in case you hadn't got...

my message at the hotel.

Porters out here

are so unreliable.

We're all set

for a wonderful meeting.

You'll find the audience

most appreciative.

Oh, let me take your coat.

l've got it.

There'll be refreshments afterwards.

Come along. Follow me.

Well, here we are,

ladies and gentlemen.

Would you look after those ?

Thank you.

Would you like to sit there ?

That's right.

l have much pleasure in introducing

Mr. Holly Martins from the other side.

[ Applause ]

Well--

[ Clears Throat ]

Bring the car and anyone

else who would like to come.

Don't be long. Hmm.

Yeah, well, l-- l suppose

that is what l meant to say.

Of course, of course.

Do you believe, Mr. Martins,

in the stream of consciousness ?

Stream of consciousness ?

Well, uh-- Well, uh--

- Well, uh--

- What author

has chiefly influenced you ?

- Grey.

- Grey ? What Grey ?

- Zane Grey.

- That's Mr. Martins'

little joke, of course.

We know perfectly well Zane Grey

wrote what we call westerns.

Cowboys and bandits.

[ Man ] Mr. James Joyce--

Now, where would you put him ?

Oh, uh, would you mind

repeating that question ?

l said, where would you put

Mr. James Joyce ?

ln what category ?

Can l ask, is Mr. Martins

engaged on a new book ?

Yes. lt's called The Third Man.

- A novel, Mr. Martins ?

- lt's a murder story.

l've just started it.

lt's based on fact.

Why, it's Mr. Popescu !

Oh, very great pleasure to see you here.

As you know, Mr. Popescu

is a very great supporter

of one of our medical charities.

Are you a slow writer,

Mr. Martins ?

Not when l get interested.

l'd say you were doing something

pretty dangerous this time.

- Yeah ?

- Mixing fact and fiction.

- Should l make it all fact ?

- Why, no, Mr. Martins.

l'd say stick to fiction.

Straight fiction.

l'm too far along

with the book, Mr. Popescu.

- Haven't you ever

scrapped a book, Mr. Martins ?

- Never.

Pity.

[ Chattering ln German ]

Ladies and gentlemen,

if there are no more questions,

l think l can call the meeting

officially closed.

That's him.

[ Clattering, Moaning ]

Who's there ?

Who is it ? Who is it ?

[ Moaning Continues ]

lt's all right.

lt's all right.

[ Squawking ]

- [ Squawking Continues ]

- [ Footsteps Approaching ]

[ Train Whistle Blows ]

l told you

to go away, Martins.

This isn't Santa Fe, l'm not a sheriff

and you aren't a cowboy.

You've been blundering around with

the worst bunch of racketeers in Vienna,

Harry's friends,

and now you're wanted for murder.

- Put down drunk and disorderly too.

- l have.

- What's the matter with your hand ?

- Parrot bit me.

Oh, stop behaving

like a fool, Martins.

l'm only a little fool. l'm an amateur

at it. You're a professional.

You've been shaking your

cap and bells all over town.

Get me the Harry Lime file,

and get Mr. Martins a whiskey.

l don't need

your drinks, Calloway.

You will. l don't want

another murder in this case,

so you're going to hear

the facts.

You haven't told me

a single one yet.

Have you ever heard

of penicillin ?

Well ?

ln Vienna, there hasn't been

enough penicillin to go around.

So a nice trade started here:

Stealing penicillin

from the military hospitals,

diluting it to make it go further,

and selling it to patients.

Do you see what that means ?

Are you too busy chasing a few tubes

of penicillin to investigate a murder ?

These were murders.

Men with gangrened legs,

women in childbirth,

and there were children too.

They used some of this diluted

penicillin against meningitis.

The lucky children died.

The unlucky ones went off their heads.

You can see them now in the mental ward.

That was the racket

Harry Lime organized.

Calloway, you haven't shown me

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Graham Greene

Henry Graham Greene (2 October 1904 – 3 April 1991), better known by his pen name Graham Greene, was an English novelist regarded by many as one of the greatest writers of the 20th century. Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted, in 1966 and 1967, for the Nobel Prize for Literature. Through 67 years of writings, which included over 25 novels, he explored the ambivalent moral and political issues of the modern world, often through a Catholic perspective. Although Greene objected strongly to being described as a Roman Catholic novelist, rather than as a novelist who happened to be Catholic, Catholic religious themes are at the root of much of his writing, especially the four major Catholic novels: Brighton Rock, The Power and the Glory, The Heart of the Matter, and The End of the Affair; which are regarded as "the gold standard" of the Catholic novel. Several works, such as The Confidential Agent, The Quiet American, Our Man in Havana, The Human Factor, and his screenplay for The Third Man, also show Greene's avid interest in the workings and intrigues of international politics and espionage. Greene was born in Berkhamsted in Hertfordshire into a large, influential family that included the owners of the Greene King Brewery. He boarded at Berkhamsted School in Hertfordshire, where his father taught and became headmaster. Unhappy at the school, he attempted suicide several times. He went up to Balliol College, Oxford, to study history, where, while an undergraduate, he published his first work in 1925—a poorly received volume of poetry, Babbling April. After graduating, Greene worked first as a private tutor and then as a journalist – first on the Nottingham Journal and then as a sub-editor on The Times. He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic". He published his first novel, The Man Within, in 1929; its favourable reception enabled him to work full-time as a novelist. He supplemented his novelist's income with freelance journalism, and book and film reviews. His 1937 film review of Wee Willie Winkie (for the British journal Night and Day), commented on the sexuality of the nine-year-old star, Shirley Temple. This provoked Twentieth Century Fox to sue, prompting Greene to live in Mexico until after the trial was over. While in Mexico, Greene developed the ideas for The Power and the Glory. Greene originally divided his fiction into two genres (which he described as "entertainments" and "novels"): thrillers—often with notable philosophic edges—such as The Ministry of Fear; and literary works—on which he thought his literary reputation would rest—such as The Power and the Glory. Greene had a history of depression, which had a profound effect on his writing and personal life. In a letter to his wife, Vivien, he told her that he had "a character profoundly antagonistic to ordinary domestic life," and that "unfortunately, the disease is also one's material." William Golding described Greene as "the ultimate chronicler of twentieth-century man's consciousness and anxiety." He died in 1991, at age 86, of leukaemia, and was buried in Corseaux cemetery. more…

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Submitted on August 05, 2018

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