The Trouble with Harry Page #4

Synopsis: There is a dead well-dressed man in a meadow clearing in the hills above a small Vermont town. Captain Albert Wiles, who stumbles across the body and finds by the man's identification that his name is Harry Worp, believes he accidentally shot Harry dead while he was hunting rabbits. Captain Wiles wants to hide the body as he feels it is an easier way to deal with the situation than tell the authorities. While Captain Wiles is in the adjacent forest, he sees other people stumble across Harry, most of whom don't seem to know him or care or notice that he's dead. One person who does see Captain Wiles there is spinster Ivy Gravely, who vows to keep the Captain's secret about Harry. Captain Wiles also Secretly sees a young single mother, Jennifer Rogers, who is the one person who does seem to know Harry and seems happy that he's dead. Later, another person who stumbles across both Harry and Captain Wiles is struggling artist Sam Marlowe, to who Captain Wiles tells the entire story of what h
Genre: Comedy, Mystery
Director(s): Alfred Hitchcock
Production: MCA Universal Home Video
  Won 1 Golden Globe. Another 4 nominations.
 
IMDB:
7.1
Rotten Tomatoes:
90%
PG
Year:
1955
99 min
1,302 Views


It said... He was a Taurus.

It said, 'Don't start|any new project that day.

- It could never be finished. '|- And what did you do?

I left him on the spot,|and went home to mother's. The end.

What a poignant story.

I knew you'd understand.

- Nobody else does.|- Not even mother?

She thought I should live with him,|but I wouldn't.

He pestered me to go back,|but I always refused.

Well, suppose some night|I wanted him to do something...

like the dishes, for example.

- His horoscope wouldn't let him.|- You're absolutely right.

There are some things|I just don't like to do by myself.

And no one with any true|understanding would blame you for it.

When Arnie was born, I moved to where|I thought Harry could never find me.

I changed my name and...

But he was persistent?

This morning there was a knock|on the door.

Before I opened it, I knew he was|standing on the other side.

- What did he want?|- Me!

He wanted me because I was his wife.

He wanted me because, as he put it,|he suddenly felt some basic urge...

- Loneliness.|- What'd you feel?

I felt sick. Did you see|his moustache and his wavy hair?

Yeah, but when I saw him,|he was dead.

Yeah, he looked exactly the same when|he was alive, except he was vertical.

So he entered. What'd you say?

Nothing. I hit him over the head with|a milk bottle and knocked him silly.

Silly?

Bats. Tappy.

He staggered up towards the woods|saying he was gonna find his wife

and drag her home if it killed him.

Apparently it did.

Have some more lemonade.

Why, Captain Wiles, what a surprise.

But you invited me, Miss Gravely.|At least that's how I remember it.

Of course I did, Captain,|but somehow, it's still a surprise.

Oh, yes. You certainly know|how to make a man feel wanted.

Won't you come in, Captain?

Thank you.|I... I've looked forward to it.

Takes a real cook to|make a good blueberry muffin,

to keep the blueberries|from sitting on the bottom.

High-bush blueberries,|that's the secret.

I picked 'em up near where you shot|that unfortunate man.

A real handsome man's cup.

It's been in the family for years.

My father always used it|up until he died.

I trust he died peacefully,|slipped away in the night.

He was caught in a threshing machine.

I hope I haven't distressed you,|Captain.

Not at all. Not at all.

I'm used to looking on the rough side|of things.

I am man who's faced death|many times.

Rather recently too.

Yeah.

Arnie. What are you carrying there?

- A rabbit.|- A rabbit?

- What do you call it?|- Dead. It ain't mine.

- Well, whose is it?|- Yours. You shot it with your gun.

You must've killed it today.|It should make a nice stew for ya.

A rabbit! I finally killed a rabbit!

- Where'd you get it?|- In the blueberry muffins.

- What?|- Out in the woods.

Oh, here you are. One muffin|for one rabbit. Fair enough?

That was a two-muffin rabbit.

- I gotta go now.|- Oh.

Hm.

It's, uh, certainly a nice afternoon,|Miss Gravely.

- Isn't it?|- Mm.

Yes, and you're, you're a nice woman.

And I think you're awfully nice,|Captain Wiles.

Um, um.|Let's get back to our little problem.

Harry. What's going to become of him?

Oh, now, now.|Don't you worry about Harry.

He'll be comfortably|underground before nightfall.

All that digging and work.|Couldn't you just...

let him slide off the end|of your boat pier into the pond?

And have him pop up like a cork?|No, sir.

Nobody ever popped up|from under four feet of ground.

No. Besides, they'll be|cutting ice there this winter.

Now wouldn't it be a nice thing|if they were cutting blocks of ice -

Never mind, Captain. You're right.

Yes. Underground is the best place|for Harry.

He seems comfortable, Sam,|very comfortable and snug.

We better find a place and get it dug|and the sooner the better.

If what you say about Mrs Rogers|and her husband is true, I agree.

Well, let's find a place.

No use making hard work out of it. We|need a place where the earth is soft.

And a place where the whole town|won't stumble over us as we work.

Mm. A place with a certain|character and attractiveness.

Facing west so that Harry|can watch the setting sun.

- Where it'll be cosy in winter.|- And cool in the summer.

You know, I'm half envying Harry.

It wouldn't take much longer|to dig it twice as wide.

Well, thanks for your kindness,|but some other time.

- Here. This looks like a good place.|- Ahh!

You're a lucky fellow, Harry Worp.

- Come on, off with your coat.|- Who, me?

Certainly you.|It's your body, isn't it?

I'm not much of a hand|at grave digging.

You should've thought of that|before you went hunting this morning.

Calvin Wiggs. What'll we do now?

Think up the best story|he's ever heard.

Lay down your shovel, Sam.

- What's the trouble?|- I'm dead beat.

Good.|I was dead beat ten minutes ago.

I wanted to keep digging|until you gave up.

- Brrrr! Gives me the creeps.|- Yeah?

Come on.|Let's get Harry and pop him in.

With hasty reverence.

There. Would you like to say|a few words, Captain?

Yes, I would. Harry Worp, don't ever|show your face around here again.

Let's finish this job|and get out of here.

Captain, I think Calvin Wiggs|is looking for something.

Think he knows Harry Worp came here?

Sammy, that's as horrible|a thought as you've ever had.

And that he wonders what happened|to Harry and where he is?

My only answer is to keep|on scraping, and fast.

If you must kill things from now on,|I wish you'd stick to rabbits.

- The body's smaller.|- Rabbits! I didn't tell you, did I?

- I shot a rabbit today!|- Don't shout. I know you did.

I was up at Jennifer Rogers'|when Arnie showed me the rabbit.

Jennifer, eh?|Didn't waste much time, did you?

Well, I don't blame you, Sammy.

A very nice widow she'll make.|Very nice.

Let's discuss her|when we've finished with Harry.

No need to get huffy. I don't want|to talk about your affairs.

I've got affairs of my own.

- You mean my protge?|- Come again?

Miss Gravely. The lady I renovated|at Mrs Wiggs' this afternoon.

A most remarkable|reversion to femininity.

I don't quite get you, Sammy boy.

She came into the Emporium|in rather high excitement.

Wanted a new cup and saucer,|lots of other things.

I gave her a new makeup|and hairdo.

Don't tell me you didn't notice.

She's a nice lady.

- Very nice.|- We're all nice.

I don't see how anyone|could help but like guys like us.

I agree. I don't know whether|I've grown rose-colored glasses or -

Or if you're in love?

Aha!

There's nothing like finding yourself|in love.

No, it adds zest to your work.

Zest! Zest!

I think I've had enough zest|for a while.

- Let's sit down and rest, huh?|- Oh, why not. We've earned it.

Tell me, Sam, What did Jennifer think|of my shooting?

You mean Mrs Rogers?

Oh, I think by now I'm entitled to be|on a first-name basis with her.

After all, I brought her a happy|release with one bullet.

One bullet? How 'bout that|"No Shooting" sign that I found?

Well, that. One bullet|for the "No Shooting" sign,

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John Michael Hayes

John Michael Hayes (11 May 1919 – 19 November 2008) was an American screenwriter, who scripted several of Alfred Hitchcock's films in the 1950s. more…

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Submitted on August 05, 2018

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