The Trouble with Harry Page #6

Synopsis: There is a dead well-dressed man in a meadow clearing in the hills above a small Vermont town. Captain Albert Wiles, who stumbles across the body and finds by the man's identification that his name is Harry Worp, believes he accidentally shot Harry dead while he was hunting rabbits. Captain Wiles wants to hide the body as he feels it is an easier way to deal with the situation than tell the authorities. While Captain Wiles is in the adjacent forest, he sees other people stumble across Harry, most of whom don't seem to know him or care or notice that he's dead. One person who does see Captain Wiles there is spinster Ivy Gravely, who vows to keep the Captain's secret about Harry. Captain Wiles also Secretly sees a young single mother, Jennifer Rogers, who is the one person who does seem to know Harry and seems happy that he's dead. Later, another person who stumbles across both Harry and Captain Wiles is struggling artist Sam Marlowe, to who Captain Wiles tells the entire story of what h
Genre: Comedy, Mystery
Director(s): Alfred Hitchcock
Production: MCA Universal Home Video
  Won 1 Golden Globe. Another 4 nominations.
 
IMDB:
7.1
Rotten Tomatoes:
90%
PG
Year:
1955
99 min
1,320 Views


Perhaps it needn't get|into the papers at all.

Don't you believe it. They love it,|the papers, this kind of thing.

Murder and passion.

You let Harry be.|Just forget it ever happened.

The same as Sammy and me|and Jennifer Rogers are going to do.

Oh, but... but it isn't your body.

After all, I killed him, so it's only|fair that I should have the say so -

- Yes, but -|- Don't you agree?

- Well, in a way -|- I thought you would.

I tell you what, Captain.

- We'll go and get a spade now.|- But ma'am -

And after we've dug him up,|we'll go back to my place

and I'll make you|some hot chocolate.

Arnie's so tired he'll sleep all day|and half the night.

I think you've got a pretty house,|Jennifer.

It's the best I could do|on Robert's insurance.

- Sugar?|- No, black, thanks.

It's funny, but...

I feel awful comfortable with you,|Sam.

You know, I feel the same way too.

It's a good feeling,

feeling comfortable with someone|who feels that way too.

There is one thing|I feel uncomfortable about.

Just tell me what it is,|and I'll take care of it for you.

- It's Harry. What about Harry?|- Harry? Don't you think about Harry.

Harry's part of the earth.|He's with eternity, the ages.

Take my word for it,|Harry's ancient history.

Come in, whoever it is.

What happened?

Sam, I've got something to tell you.

No, Captain,|I have something to tell him.

Now who's going to tell what?

I killed Harry|with the heel of my shoe.

So it was you.

We're on our way to get Calvin Wiggs.

- And have him call the state police.|- I keep telling her there's no need.

He's right and, besides, it'd be|indecent. Harry's dead and buried.

Sam, I've got something to tell you.

You haven't dug him up again.

Well, I...

I insisted, Mr Marlowe.

- Don't you understand?|- You have nothing to fear.

It's my concern entirely.

As soon as Captain Wiles told me the|full circumstances of his being here

I knew there was nothing for me|to hide.

You know all about Harry?

Well, I'm afraid I do, Mrs Rogers,|and...

and after all, nobody could possibly|gossip about a lady and a maniac.

You'd be surprised.

You don't quite understand|what murder involves, Miss Gravely.

It'd be hours and hours|of questioning and photographs,

and the whole of your private life|spread indecently in the newspapers.

What makes you think|my private life is indecent?

I didn't mean that. I meant that|the way they pry is indecent.

They'll hound you to death.

There'll be newspapermen,|photographers, detectives.

I've made up my mind.

She certainly has.

It was Captain Wiles here|who persuaded me to call

and tell Mrs Rogers|what I proposed to do.

After all, she is most closely|connected with the business.

What do you think about it,|Mrs Rogers?

I can't see why you're all|making such a fuss about Harry.

If he was buried, I don't see|why you had to dig him up.

But since you have, I guess|you'd better do what you think best.

I don't care what you do with him,|as long as you don't revive him.

I have a free hand, then.

Free as a bird. As far as I'm|concerned, it's ancient history.

Wait a minute, Jennifer.

I think we've forgotten something.

Do you realise if this comes out,|that all the details of your marriage

will be public property?

Oh.

- I hadn't thought of that either.|- Where'd you put Harry this time?

Over by the big oak tree.

- I'll get my shovel.|- I'm causing you a lot of hard work.

- I'm sorry.|- Not at all, Not at all.

Well, let's all go up there.

You know, I've never been to a|home-made funeral before.

Hm. I have.

This is my third.

All in one day.

Well, let's get it over with.

Yes.

I think we ought to cement it over.

Next spring|I'll set out some blueberry bushes.

Couldn't you make it|something else? Lilac, maybe.

I think nature'll|will take good care of it.

- How about a service?|- I Can't think of what to say.

- Besides, my arms ache.|- It's late for a prayer.

Besides, wherever he was going,|he's there now.

Bye, Harry. I forgive you.

- Trumpets welcoming Harry.|- You didn't know Harry.

I want to paint you, Jennifer.|You're beautiful in the moonlight.

Sounds as if it's|coming down from near the village.

I know what it is.|The call of the phantom stagecoach

that used to pass by here|each night 200 years ago.

- Phantom ghost?|- The turnpike ran across the hills.

Oh, to be a highwayman|on a night like this.

Listen. Somebody's running.

- Horses?|- A horse that can shout.

- What's she saying?|- We'll know soon. She's coming here.

- Sam Marlowe!|- It's Wiggy. Old Wiggy.

Mr Marlowe!

Mr Marlowe!

- Wiggy, what on earth do you want?|- I... He wants...

- Wait a minute, Catch your breath.|- He's a millionaire!

- Who?|- He wants to buy your pictures.

- Which pictures?|- All of 'em and more besides.

He says you're a genius.

He's right, but it's hard to believe|he wants to buy all my pictures.

I'd be too curious|to refuse to at least to talk to him.

Don't turn down|a good chance, Mr Marlowe.

All right, I'll talk to him.

- We dug sassafras root.|- Sassafras tea is healthy.

Mr Wiggs always swore it cured|his arthritis just before he died.

How much does|the millionaire want to pay?

I said seven dollars for the one that|looks like blobs in a thunderstorm.

- And?|- He said they are priceless.

Priceless? Sounds like|something I painted in kindergarten.

That picture is symbolic|to the beginning of the world.

That's where I first heard|of the world, in kindergarten.

Yes, and my friend here, art critic|for the modern museum, he -

Don't think I'm rude, but it doesn't|matter to me what an art critic says.

- Is that so?|- I know my paintings are good.

He doesn't want them, you do. So|all that matters is what you think.

Well, I think they are works of|genius, and I want to buy them all.

- Too bad.|- Why?

Just decided I can't sell them.|Besides, you couldn't afford them.

Oh.

- Uh...|- Money.

Sammy. Don't be a fool.|Make him pay through the nose.

Go ahead, Mr Marlowe, be reasonable.

- Be unreasonable, if you want.|- What do you say?

It's your genius, Sam.|It's up to you.

All right then. What do you like most|in the whole world?

I don't know. Strawberries, I guess.

Strawberries. Write that down.

Two boxes of fresh strawberries, each|month, in season and out of season,

from now on.

Well, it's simple. What else?

What would Arnie like?

A chemical set.

- What kind?|- Whatever smells the worst.

- Got that?|- Right.

One smelly chemical set.

Wiggy, Wiggy, what would you like?

Cash register, chromium plated,|one that rings a bell.

- Got room for one?|- I'll find room.

- Cash register.|- Chromium plated, rings a bell.

Check.

Miss Gravely,|a beauty parlour, fully equipped?

What for?

A hope chest... filled with things|I should have put in it but didn't.

A hope chest, full of hope.

Captain?

A good shotgun, plenty of ammunition,

some corduroy britches, a plain shirt|and a hunting cap. A brown one.

Davy Crockett, the works.

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John Michael Hayes

John Michael Hayes (11 May 1919 – 19 November 2008) was an American screenwriter, who scripted several of Alfred Hitchcock's films in the 1950s. more…

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Submitted on August 05, 2018

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