The Unraveling Page #5

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(tense and unsettling

ambient music)

(Michael gasping)

Alan (gasping)?

(Michael gasping over

eerie ambient music)

Alan!

(Michael gasping over eerie

and tense orchestral swell)

(Michael gasps)

Shh, shh, this way.

What about Louie?

I don't know, come on!

No, we can't leave

without finding Louie.

He ran off, I

lost track of him.

No, no-no, he didn't

run off, someone took him.

Michael, he ran, we

all did, now come on!

(tense and unsettling

orchestral accent)

(birds chirping

over rustling wind)

(footsteps crunching)

(both panting over

crunching footsteps)

(ominous and unsettling

ambient music)

(both gasping for breath)

Wait.

This doesn't feel right.

We need help, we

have to do something.

(both gasping for breath)

(swell of tense and

unsettling ambient music)

(music grows more

eerie and ominous)

Hold on.

(birds chirping over

ominous ambient music)

(hatchet clanking)

(Michael panting

over chirping birds)

(eerie and ominous

ambient music)

(knife swishing)

(eerie and unsettling

ambient music)

(door rattling)

(door creaking)

(Alan panting over eerie and

unsettling ambient music)

(floorboards creaking over

unsettling ambient music)

(door creaking)

(eerie and unsettling

ambient music)

(tense orchestral swell)

(eerie and unsettling

ambient music)

(floorboards creaking over

tense, unsettling ambiance)

(swell of unsettling

ambient music)

(tarp rustling)

(Alan panting)

(eerie ambient music)

(Alan gasping over eerie and

unsettling ambient music)

(Michael whimpering)

(hatchet thwacks to the floor)

(shuddering and

uneasy ambient music)

(Alan sighing)

We're f***ed.

It's all my fault.

(eerie melody over

unsettling ambient music)

What are you talkin' about?

(eerie melody over

unsettling ambient music)

I'm a f***in' junkie,

and I stole from the one

person that I shouldn't have.

(eerie melody over

unsettling ambient music)

What did you say?

I wanted her to believe in me.

What did you take?

Michael, what did you take?

Michael!

Michael!

(eerie and unsettling

ambient music)

(pulsing keyboard over

unsettling orchestral music)

(jarring noise accent)

(Michael gasping)

Alan (sighing)?

(Michael groans)

(rumbling ambient music accent)

What?

Alan?

(unsettling ambient music)

(phone line buzzing)

Come on, Jess, pick up!

Come on, baby, please pick up!

(Michael panting over

unsettling ambient music)

Sh*t!

(phone beeps)

(Michael sighing over tense,

unsettling ambient music)

(phone line buzzing)

(eerie and tense ambient music)

(Michael gasping over

thunking footsteps)

(distant glass shattering)

(Michael gasping)

(door rattling)

(Michael panting over

thudding footsteps)

(Michael panting over

eerie ambient music)

(jarring electronic accent)

(footsteps crunching over

tense electronic music)

(muffled rumbling)

(eerie and unsettling

electronic accent)

(crackling and rattling

over eerie ambient music)

(Michael gasping over

unsettling ambient music)

(birds chirping over

eerie ambient music)

(footsteps crunching

over chirping birds)

(door rattling)

(bird fluttering)

(birds cooing)

(birds chirping over

buzzing insects)

Hello?

(insects buzzing)

Is there anybody here?

(engine rumbling over

eerie ambient music)

Stop, stop, please!

Please, stop!

(brakes squealing)

Please (panting),

this is an emergency!

I need you to call the police.

Please, I need your help!

(door rattling)

Thank you.

(engine rumbling away)

(eerie and unsettling

ambient music)

We were just camping and

they're all gone.

(engine rumbling over eerie

and unsettling ambiance)

(rumbling ambient music accent)

(eerie ambient music with

vaguely unsettling melody)

(pulsing electronic thumps

over uneasy ambient music)

(engine rumbling)

Wait.

No, no, no, no.

This, where are you taking me?

This is, what the

hell is this (gasps)?

Hey, what are you doing to me?

No, no-no-no-no-no, no!

Pull this truck over right now!

(Michael gasping)

(engine rumbles to a stop)

(door rattling)

Please!

Oh, no (sighs), no.

(Michael gasping)

(door rattling)

(Michael grunting)

(door crunching shut)

(Michael grunting)

No!

(man in hat grunts)

(Michael gasping and grunting)

(engine idling)

(man in hat whistles)

(birds chirping

over idling engine)

(metal rattling)

(Michael thunks into truck bed)

(footsteps crunching

over idling engine)

(birds chirping)

(bouncy country music

over rumbling engine)

(Michael gasping over

piercing high-pitched tone)

(fabric rustling)

(Michael gasping)

Please, don't do

this to me, please!

Please don't do this!

Please (gasping)!

(tinging ambient tones)

(chain rattling)

(Michael gasping over

jarring noise accent)

(buckles rattling over

eerie ambient music)

No, what do you want from me?

(restraints rattling

over tense ambient music)

(Michael groaning and gasping)

What do you want from me?

(Michael gasping over

eerie ambient music)

- What is this?

- [Jess] Are you getting this?

[Michael] Yeah, it's good.

- [Jess] C'mere, give me your hand.

- [Michael] What?

[Jess] Feel, feel, feel.

Where the f***

did you get this?

[Jess] (laughing) Stop,

turn it off, turn it off.

C'mere.

Don't you f***ing touch

her, do you hear me?

(Michael gasping over

ominous ambient music)

She has nothing to do with this.

She has nothing to do with this!

(panting) It was me,

I took the money,

but I can get it

back, I promise!

Just don't, just don't

touch her, please!

Please, please, don't touch her!

(tapping on syringe)

No, no, no, no, don't,

no-no-no-no-no-no-no-no-no-no!

Don't, don't, (groans) don't!

(Michael gasping and

groaning over eerie ambiance)

No, please (gasps), please!

(Michael gasping)

(grunts) No, no!

No, no, please!

Please (gasps), I'll

do whatever you want.

(eerie electronic accent)

You can kill me, just

please, don't touch her!

Please say something.

(ominous and unsettling

ambient music)

[Jess] Wake up.

(Michael gasps)

(Michael panting over

tinkling wind chimes)

(tape crinkling)

(Michael groans)

(muffled rattling)

(door rattling)

(doors thunking)

(birds chirping)

(footsteps crunching)

(ominous and uneasy

orchestral music)

Michael!

I bet you could use

a cup of coffee.

(ominous and uneasy

orchestral music)

Take a seat.

(liquid bubbling)

How ya feeling?

Where's Jess?

Jess if fine, we're

gonna focus on you.

Who the hell are you?

My name is Richard, I'm

a recovering alcoholic.

I am the director of this

program, and once upon a time,

I sat in the very same

chair you're sitting in.

(dramatic, vaguely

ominous orchestral music)

Michael, this whole thing

is about transformation.

Our tactics are

harsh, but they work.

This is not a celebrity rehab

where we polish your image

and make you feel

good about yourself.

So all of this was a lie?

What do you think?

I saw their bodies, I...

Michael,

you saw exactly what

we wanted you to see.

Your friends take

you to the woods.

It's dark, one by one,

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