The Unraveling Page #6

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they start to disappear

til you're left alone.

It's very dramatic.

Your paranoid mind sees

this and believes it's real,

creates emotion, guilt, fear.

These emotions

are powerful tools

when they're used correctly.

(dramatic orchestral music)

What if this doesn't work?

Then you'd be the first.

(Michael scoffs over

dramatic orchestral music)

Wow.

So what do I do now?

Now you go home.

I don't know if I can do that.

Yeah, it is gonna

take some time.

You violated a

trust with Jessica,

you have to rebuild that trust.

(phone buzzing)

OK, we got a few details

we need to attend to.

(clears throat) I understand

you stole some money.

- Yeah.

- [Richard] How much?

About $12,000.

[Richard] Do

you still have it?

Most of it, yeah.

OK, our guys back in the city,

he's gonna help you

square all that away,

but as a precaution, we're

going to move you and Jessica

into a new place across town.

Wait, but...

Now, listen to me,

are you fully disclosed

because we cannot

afford any loose ends.

How are you able

to do all of this?

Over the years, we have

helped a lot of people.

Some of them are

very influential.

From time to time,

we call in a favor.

Who knows, maybe one day,

your phone will ring.

(expressive piano over

dramatic orchestral music)

(tires crunching on gravel)

That is your ride.

(Richard clears his throat)

(expressive piano over

dramatic orchestral music)

You got a second chance,

don't f*** it up.

(expressive piano over

dramatic orchestral music)

(car doors rattling

and thunking)

(footsteps crunching)

Are you all right?

Yeah, I'm OK.

Well, let's go home.

(expressive orchestral music)

You all right?

(expressive, quietly

tense orchestral music)

(car doors slamming shut)

(engine rumbling over

expressive strings)

(birds chirping)

(expressive strings and piano)

(door crunches shut)

(expressive strings and piano)

(door rattling)

(expressive strings and piano)

(Jess sighing)

(lips smacking over

expressive strings and piano)

[Jess] Come on.

(expressive strings and piano)

(door creaking)

(expressive strings and piano)

(eerie, pulsing ambient music)

(pigeon cooing)

(engine rumbling)

(unsettling, resonating guitar

over rhythmic percussion)

(trunk rattling)

Get this piece of

sh*t outta my trunk.

(Michael groans)

(Michael gasping over

unsettling, resonating guitar)

You really think I

wouldn't find you?

(unsettling, resonating guitar

over rhythmic percussion)

Who knows

Where I'm heading

(phone ringing)

Falling in deep

(phone beeping)

[Achilles] What?

No expectations

These dreams

You lucky son of a b*tch!

(phone thwacking on ground)

Let's go!

(car doors slamming shut)

But progress means moving

And life, all,

is spinning around

(tires crunching on gravel)

(Michael gasping over

eerie echoing guitar)

(phone ringing)

Sometimes I'm in heaven

Sometimes I'm about to crack

Looks like I'm floating

Can't stay but

I can't come back

I keep it together

And that looks like progress

But progress means moving

And I only thought

you might die

(rhythmic and hazy

psychedelic rock music)

Running around, I

catch a dream on the wave

And I believe it

Running around, I

catch a dream on the wave

And I believe it

Running around, I

catch a dream on the wave

And I believe it

Running around, I catch

a dream off the wave

And I believe it

(rhythmic and hazy

psychedelic rock music)

(hazy, resonating guitar

over thumping percussion)

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