The War Is Over

Synopsis: Diego is one of the chief of the spanish Communist Party. He is travelling back to Paris (where he lives) from a mission in Madrid. He is arrested at the border for an identity check but manages to go free thanks to Nadine, the daughter of the man whose passport is used by him. When he arrives in Paris, he starts searching one of his comrades, Juan, to prevent him from going to Madrid where he could be arrested by Franco's police...
Genre: Drama, War
Director(s): Alain Resnais
Production: Franco London Films
  Nominated for 1 Oscar. Another 4 wins & 3 nominations.
 
IMDB:
7.5
Rotten Tomatoes:
100%
Year:
1966
121 min
86 Views


1

THE WAR IS OVER:

You made it.

Once again you see

the hill of Biriatou.

Once again you have that stale,

anxious taste of crossing the border.

You drove all night.

Your mouth is dry from too little sleep

and too much tobacco.

Once again you cross this border

in the shimmering early-morning light.

The sun rises behind you

over the Elizondo peaks.

Once again, you'll make it over.

It's all right.

You'll make your train.

All night I was afraid

we might break down.

But there was no reason.

I had the car checked.

An obsession.

You know how it is.

At night, the stretch

between Burgos and Miranda...

miles of desert around us...

No offense, but service stations in

your country leave a lot to be desired.

I didn't dare push the car too hard.

I was afraid.

If it weren't for you,

I would have played tourist today.

A good meal

in a seafood restaurant.

Crabe in a hot sauce

with a nice white wine.

Or roast pig at Bottine's,

behind the Plaza Mayor.

And in the afternoon,

a bullfight, of course.

I generally don't get the time

to see the towns I go to.

Believe it or not, I haven't even

set foot yet in the Prado in Madrid!

I can tell you now...

last night when you said

we had to rush back, I was furious.

That wasn't hard to see.

We usually spend the night talking, but

last night you acted like I didn't exist.

I'd arranged to be away three days.

My wife was going

to run the bookshop alone.

Today the Prado.

Tomorrow Toledo and Aranjuez.

A three-day vacation,

in other words.

So last night when you read

the letter I brought you...

and then said we had to set out

immediately, I was fuming!

So I ruined your trip, eh?

Take it up

with the Spanish police.

- There's a crowd already.

- Easter. They spend the day in Spain.

Easier for you.

They have less time to check passports.

- How did you manage it before?

- Before?

When the border was closed.

When there were no tourists.

We crossed over

through the mountains.

Sometimes we ran into

the Guardia Civil.

- And then?

- Then we'd shoot our way through.

- You're no problem at all.

- Why?

No one hearing you talk

would take you for a Spaniard.

Even I forget sometimes.

The last buddy I drove over

didn't speak a word of French.

He pretended to be asleep.

If they had asked him a single question,

our goose would have been cooked.

With you it's a cinch.

Please park your car

and step inside the station.

- Why? Listen, I'm in a hurry.

- Police check. Pull the car up there.

Come on, let's go.

- What's all this about?

- I've no idea either.

You think it's a random check?

You sure your papers are okay, Carlos?

Remember what we said.

It'll be all right.

Leave the key in the car.

Follow me.

- What about our bags?

- Never mind. Leave them.

Have you got something

against Citroens today?

Thank you.

So that's it.

I bought some books in his shop.

We struck up an acquaintance.

And so, Mr. Rene Sallanches,

you were there on vacation?

Yes.

- Alone?

- Yes, alone.

And you live in Paris

at Rue de I'Estrapade, number 4?

No, number 7.

And you met Mr.Jude

in his bookshop in Hendaye?

That's right.

And Mrs. Jude...

What's her first name again?

Marie. She's charming.

Do you have

a telephone in Paris?

Of course.

Medicis 33-74.

Call this number right away.

It's Sunday morning.

You'll wake up Nadine.

I told her nothing's wrong, but

she's worried and wants to speak to you.

What's wrong?

Did you run over another old lady?

- Everything's fine.

- Why did he call?

- A simple formality.

- Busybody.

These things happen, you know.

Are you staying in tonight?

Yes, I'll wait for you.

Then I'll see you tonight

at the house. Good-bye.

Good-bye, darling.

- They searched the car.

- Of course.

So what did you tell them?

I said you were in the area

on vacation.

You bought books in my shop

and we struck up an acquaintance.

I agreed to take a little trip

down to Spain to pick you up.

He asked, "From Madrid?"

"Yes," I said. "What of it?"

"Three hundred miles each way?

That's a long trip to make in 24 hours.

That doesn't leave you much time

for sightseeing."

That got my goat.

I said, "Driving relaxes me."

- Is the next train an express?

- Yes. The 9:
55. First-class only.

9:
55. I have time to see Antoine.

- Shouldn't I give him our message?

- I have time to do it myself.

I'd prefer we not be seen

at Antoine's together.

Let's do this:
I'll drop you at my house,

and let Antoine know you're here.

I'll tell him to meet you at the station

15 minutes before your train leaves.

It's safer that way.

All of a sudden,

my memory failed me completely.

A total blank.

I forgot Sallanches' phone number.

"This is it."

I thought to myself,

"This is it.

We'll get caught

over this tiny detail."

Besides, I had no way of knowing

who would answer on the other end.

It the inspector had reached

Sallanches himself...

it would have blown my cover.

So the passport is false

but the phone number is real?

No, it's all real:

Rene Sallanches, his passport,

his daughter, his phone number.

The only fake element

in this story is me.

So all you do is switch photos?

You could put it like that.

See, Marie? It's nothing

more complicated than that.

All right.

You know everything

about the Sallanches family.

Your answers are correct.

But they know nothing about you.

That is, the person

using the passport.

But on the phone

they don't give you away?

No, they didn't give me away.

It's my lucky star.

Without my own little star,

I'd long since be dead or in jail.

Anyway, Nadine will explain.

Sallanches' daughter.

She's the one who answered the phone.

- Do you know her?

- No, I don't know any of them.

I know all about them,

but I don't know any of them.

It's odd you should speak

of a lucky star.

I've always thought

some people have lucky stars.

- You've never gone to their house?

- No, never.

So you really think

they stopped us by chance?

- Of course.

- Why?

Didn't you see? They stopped

another black Citroen behind us.

- Are you sure? I didn't notice.

- A suspect car is reported...

so they search all cars

of the same make and color.

- Suspect? How?

- There's still smuggling going on.

I've seen them search our cars

for gold, for example.

They found propaganda

hidden in the frame.

What happens then?

That depends. If it's in France,

jail, a fine, house arrest.

Nothing too terrible.

But if it's in Spain...

It's time to open up shop.

I'm going to get some sleep.

Antoine must be at the station.

- What if your guy's already crossed?

- Impossible.

- Do I know him?

- I'm sure you do. He goes so often.

But under many different names.

Something about this whole affair

still worries me.

What?

- How did they know I was in Madrid?

- They couldn't know.

The inspector took a stab in the dark

and just happened to get it right.

With all the arrests in Madrid,

aren't you on the spot too?

If I were, do you think the Spanish

Rate this script:0.0 / 0 votes

Jorge Semprún

Jorge Semprún Maura (Spanish: [ˈxorxe semˈpɾun]; 10 December 1923 – 7 June 2011) was a Spanish writer and politician who lived in France most of his life and wrote primarily in French. From 1953 to 1962, during the dictatorship of Francisco Franco, Semprún lived clandestinely in Spain working as an organizer for the exiled Communist Party of Spain, but was expelled from the party in 1964. After the death of Franco and change to a democratic government, he served as Minister of Culture in Spain's socialist government from 1988 to 1991. He was a screenwriter for two successive films by the Greek director Costa-Gavras, Z (1969) and The Confession (1970), which dealt with the theme of persecution by governments. For his work on the films The War Is Over (1966) and Z (1969) Semprun was nominated for the Academy Award. In 1996, he became the first non-French author elected to the Académie Goncourt, which awards an annual literary prize. more…

All Jorge Semprún scripts | Jorge Semprún Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The War Is Over" Scripts.com. STANDS4 LLC, 2024. Web. 18 Dec. 2024. <https://www.scripts.com/script/the_war_is_over_21601>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "O.S." stand for in a screenplay?
    A On Stage
    B Original Sound
    C Off Screen
    D Opening Scene