The Zombinator Page #3
- Year:
- 2012
- 83 min
- 9 Views
You're so modest man, but...
I mean you're doing
the thing, man.
You and Bobby, just going
out there, protecting us.
Man that's, I mean,
that's what it's all about,
like I'm, I'm just glad
that, that you're here.
You know what, Joanne?
I know, you know, that you're
doing your fashion thing
and everything, but...
this documentary should be
about Bobby, and you know,
or The Colonel,
about Bobby most of all.
So like right now,
let's all do a toast
for Bobby right now,
all right?
Raise your glasses.
Uh, Bobby was my boy.
You know, I knew him
growing up,
we played ball together,
he was a stand-up dude.
And um...
I'm crushed to see him...
see him go,
and uh, yeah.
For Bobby, all right?
For Bobby.
All right.
That was really nice
of you, Marcus.
- Yeah.
- Well said, yeah.
If you'll excuse me
for a moment.
Okay. Nice meeting you.
Nice meeting you.
Bobby was the catch.
He was on
the volleyball team...
"Protea" ]
The band was really good.
Yeah, they were amazing.
I love their, their
like, costume.
- Yeah.
- ... whole costume, perfect.
Dead 2 Me.
It's so...
I think like, they, they knew
Bobby too, right?
- Yeah, I think he liked that...
- They knew Bobby?
Yeah, I mean he's...
they're from here so
they probably were friends.
- Yeah.
- Nice.
- They're good.
- And they're fantastic.
Yeah.
Are they signed?
I don't think so, I think
they're just local.
- Just local.
- Yeah.
You know, I'm like ready
to go Marcus, I don't know.
I just... there's something like
weird about this place,
Stay like another 20 minutes, then we'll
get outta here and do something else.
I don't know
but I'm telling you,
I really need a cigarette
right now.
A cigarette?
- When'd you start smoking?
- I don't... I just...
I don't know, I'm a little
stressed out, you know.
So you're gonna get a cancer
stick, that's what you're gonna do?
I guess, I mean you know
what? It is what it is...
We're at a wake and you
wanna get a damn cigarette?
I do I do, I mean there's
people all over,
let's ask for one.
Nah, I don't have...
Hey guys, f*** is that?
What are you talking about?
What the f*** was that?
Oh sh*t, go! F***!
Oh, f***!
You know what, I should've
just stayed in Chicago.
I knew it!
I freaking knew it!
You know, let's talk about it
on the ride home.
- I don't even care.
- Where are my keys?
- Where are my keys?
- I don't care, I don't know.
- Where are the keys?
- I don't know!
What is that?
What the...
okay, what the heck is that?
Is she bleeding?
What's wrong with her?
Make sure she's okay.
- Are you okay?
- Oh, my gosh.
Wait!
Oh god!
What the hell
are you guys doing here?
- Where are the others?
- Where's everyone else?
Have you guys, have you
guys seen the others?
- Where are they?
- Have you seen them?
What?
Where'd they go?
I don't know.
What do you mean
you don't know?
F***! Let's get inside.
Let's go this way.
Damn!
Yanna, this way, this way.
Oh my god! There they are!
You okay?
She, she bit... she bit her.
I don't know.
There was so much blood
and everything...
- You're okay.
- Did anyone else get bit?
- No.
- You guys are fine?
- Yeah, we're good.
- We're good. We're good.
Oh god, this is not...
Did you guys get followed?
Were they behind you?
I don't know. We don't know.
We just ran as fast as
we could.
You guys, we need
to get inside.
We need to get inside.
We need to get inside.
What is this?
- So it's safe, it's safe?
- It should be, yeah.
Ok cool, cool. I trust you
man, I really trust you.
Jo, John, come on.
Let's go, dude.
Come on, dude.
Come on,
come on, come on.
Somebody lock that door.
What are we doing now?
I'm sorry,
where the f*** are we?
Guys, it's okay we're safe
here.
I went to school here,
it's a Catholic school.
I don't think so.
Pretty sure.
What are we gonna do?
Guys, I feel like
Alice in Wonderland.
What?
We gotta figure this out.
Yeah, I don't know if I'm
getting feeling about this.
Which door, man?
- Guys, they're labeled.
- I don't know.
Well what does the numbers
means for, huh?
What are the numbers for?
How the f***
am I supposed to know?
It's his school...
They're, they're classrooms.
I don't know, I mean...
What about if we
stay stuck down here.
Like we gotta think about
this sh*t.
- Nah nah.
- Two is even.
Nah, nah. All these doors,
nah this, this sh*t ain't right.
This sh*t ain't right.
In, in the 20's,
you know the, the klan,
they had a place in this
town, like a headquarters.
Right here.
Yo, like this... nah,
you think it's funny,
until your f***in' ass get popped up by
a f***in' like the grand wizard zombie,
and they f***in' come after
you... well sh*t,
they ain't goin' after you,
they goin' after me.
Your ass too,
you should be worried.
Don't mess with me,
all right?
Listen let's be cool,
like seriously,
let's pick
a door and move.
Yo, we saw freakin'
zombies upstairs,
you're talking about
being cool...
Come on!
- Come on, guys.
- Guys, they're right out there.
We gotta get in these doors.
Number two, final deal.
Whoa whoa whoa, wait wait.
Wait. Ken Ken Ken, dude.
Jed, what's wrong?
You sure that...
You sure that that's the
right door?
Cause there's plenty of other
doors in here, right guys?
Maybe we should take a...
like a general consensus.
Guys, it's better than being
out here, just go in.
Trust me.
Trust me, Jed.
Watch your step.
What the hell.
This is kinda cool.
What is that?
A cross.
Oh no no...
Where are we?
I feel a presence.
Oh what the f*** is this?
Oh what now?
No no.
This is the wrong door.
What's over there?
- Ah sh*t.
- What is that?
Ah sh*t.
Do you guys...
do you guys see that?
Shh. Shh.
Wait you guys.
Listen, listen, listen.
It's f***ing creepy as is...
This is the wrong door.
- What the f***.
- ... this cross right here?
This was the wrong door.
Yo, this sh*t is the
underground railroad.
This sh*t...
- Guys. Shh. Shh.
- This is the wrong...
Just calm down, all right.
Don't tell me to f***ing relax,
there's f***ing zombies upstairs, dude.
I don't, I don't like this.
Let's just go back
and try a different...
- No, I wanna go outside.
- Guys, I don't like this!
Something isn't right!
- Just calm down.
- No, I just wanna...
Nina, I just wanna go.
Can we please just go?
No, I left Bob! I left Bob
alone. He needs me.
He won't eat without me.
I gotta go!
Who's Bob?
I have to... just let me go!
Look, I have pictures.
Tell them, Nina!
I have pictures.
I can't leave him alone!
A zebra? Really?
It's my zebra,
I left him all alone.
- I have to...
- Calm down.
Shh shh shh.
- Shut up!
- Shh shh shh shh.
- Listen! Just shut up.
- Listen! Listen!
- Listen!
- Shh, guys.
You hear that?
Hello?
Oh, sh*t!
Oh, sh*t! Come on!
- Guys!
- Hold on. Hold on.
Wait, wait.
Zombies don't talk.
How the f*** you know,
Ken?
Get away from that door...
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Zombinator" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/the_zombinator_21705>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In