They Came to Cordura Page #4

Synopsis: After a cavalry charge during the 1916 U.S. "war against Pancho Villa," unheroic awards officer Tom Thorn (who is obsessed with the nature of courage) recommends 4 men for the Medal of Honor. He is ordered back to Cordura with them...and prisoner Adelaide Geary, gringo who sheltered the enemy. On the arduous journey, Thorn's heroes show a different face, and Thorn may have one last chance to prove he's no coward.
Director(s): Robert Rossen
Production: Sony Pictures Home Entertainment
  1 win & 1 nomination.
 
IMDB:
6.5
APPROVED
Year:
1959
123 min
128 Views


Palomito.

Mustn't wake his children.

Heroes.

Heroes.

Mustn't wake his children.

His sleeping...

...snoring...

...dirty...

...lecherous children.

All right, who did this?

Of all the stupid, | senseless acts of pure savagery.

Speak up, who did it?

Speak up!

Lieutenant, have the men | get ready to pull out.

- They haven't had their breakfast, sir. | - They'll go without it.

There'll be no breaks today. | Push them hard.

Detail, halt.

I got so much pain, major. | Sir, I can't ride.

I got a boil.

I don't want to complain, but...

All right, get off your horse.

- I'll take a look. | - Detail, dismount.

Bring those horses up and form | a screen between us and the woman.

Drop your breeches.

Hetherington, watch the woman.

He sure looks the same all over, | don't he, major.

Sergeant, get some wood | and start a small fire.

You know, I haven't seen anything | like that since we left Columbus.

I'd like to have your tequila bottle. | I need to draw a boil.

Who killed my bird, major? | Chawk or Trubee?

I don't know.

I wouldn't give them my sweat | if they were dying of thirst.

- The boil is badly infected. | - The answer is no.

If you don't give me the bottle, | I'll have to take it.

You gonna draw it, major?

Lt'll be very painful.

It'll hurt like sin.

Turn him over on his stomach | and keep his breeches down.

I'd like a word with you, sir.

I've been deliberating | since last night...

...on the total effect of the Medal | of Honor upon my career.

And I'm very grateful to you, | sir, but I've decided...

...to stand on my privileges | as an officer...

...by requesting my case be removed | from consideration.

Why?

Well, there's an old service | maxim, sir...

...that I'm sure you're well aware of.

Career officers should make | themselves as inconspicuous...

...as possible, | particularly junior officers.

- I wasn't aware of it. | - Well, it's true, sir.

Too outstanding an exploit too early | in one's career would make one...

...a marked man, a sure victim | of the jealousy of one's superiors.

Request refused.

May I know why, sir?

I don't know of any precedent that | allows a man to refuse a decoration.

I grant that, major, | but between officers...

...and gentlemen, could there not be | an arrangement by which the citation...

...my citation, | would never reach channels?

Absolutely not.

- But, sir... | - Request refused.

Now lie still, hero. | This ain't gonna hurt a bit.

Bandage him up, lieutenant.

I brought your tequila back.

That didn't hurt a bit.

I'm hit!

My ear, my ear. | They shot off my ear!

You led us in here, major. | Do you think you can lead us out?

- When are we pulling out, sir? | - I don't know.

Well, in my opinion, the best time | would be around midnight.

We could walk our horses | to the mouth of the canyon...

...mount on signal, | pour it on and ride through.

In the best tradition of the cavalry.

We have darkness and the element | of surprise in our favour.

- I don't see any other choice. | - Well, I do.

- Yes? | - Waiting.

Waiting to see | what they propose to do.

We can't wait. | We'll soon run out of food.

We'll eat horse.

We're down to one-half | canteens of water.

It might rain.

And if they attack?

I think we can fight them off.

They won't attack.

All he has to do is wait | until you run out of food and water.

And then?

What'll they do to you?

Nothing. | He was my guest, remember?

Why did I have to be the one?

At the ranch they were shooting at me, | I didn't even get a scratch.

Major, I gotta have a look at myself.

Lady. Lady, have you got a mirror?

I look pretty awful, don't I?

Now, that's all right, boy.

Sergeant of mine in the Philippines | once lost an ear.

When he got back to the States, | they made him a rubber one...

...and it looked so lifelike | you couldn't tell the difference.

Besides, people never notice.

Yes, they will.

Lady. Lady, would you look at a fella | who had his ear shot off?

Of course I would.

All they'll notice is what's | around your neck.

- Did you ever see the Medal of Honor? | - No, sir.

It's the most beautiful decoration of all, | as it should be.

I'd trade an ear for one any time. | Two, in fact.

Excuse me, sir, | but I'd rather have the ear.

Relieve Hetherington.

- When are we pulling out, major? | - I've meant to ask you, sergeant...

...you been feeling up | to snuff lately?

How come we ain't pulling out | of here?

I have a few questions for you, | sergeant.

Just one I'm asking you, major.

When you started | for the roof of the ranch...

...on your own hook, | were you thinking of the troop?

Did you see they were in trouble | and feel you had to do something?

I figured I'd make that roof | and kill me a couple.

And you'll get the Medal of Honor | for that.

Have you thought about the medal, | sergeant? What it means?

Sure. I can use the extra | 2 bucks a month.

- When's that start, major? | - As soon as Congress approves it.

I guess we're finished, sergeant.

You've been asking me plenty and | writing it down in that book of yours.

I ask you something | and you don't answer. Why?

I said we're finished, sergeant.

- Major? | - What is it you want?

I'm a pretty sick man, major.

No matter what the medics say. | Short-winded. One leg is stiff.

Rheumatism.

- Yes? | - I've been in the cavalry a long time.

I'd retire, but half a corporal's pay | ain't enough. You know that.

- What is it you want? | - Sir, when we get to base...

...l'd think it mighty kind of you | to transfer me to the quartermaster.

Maybe driving one of them trucks.

When a man's put in a long stretch | of faithful duty...

...he's entitled to consideration.

I'm a little too old for combat, major.

Let the young fight, | and save them boys...

...who've already served | their country.

- Take you out of combat? | - Yeah.

How can you tell me | you're too old and feeble to fight...

...when you fought as you did at Ojos? | Tell me that.

Listen to me, Trubee...

...l'll think it over.

But you have to tell me | what made you charge that corral.

I want to know what you felt | and what you thought...

...before you left the troop | and started out alone.

I don't know, major. I don't know.

Try to remember, Trubee.

A and D troops were pinned down | by crossfire.

Somebody had to get to that corral...

...and cause enough damage | so the troops could get through.

Yes, I seen them Mexicans there.

So you lit out on your own to save | the men of those troops.

- Isn't that right? | - Yes, sir.

You knew you might not make it, | but you had to try.

It was a... | It was a conscious act of self-sacrifice.

- Isn't that right? | - Yes, sir, major.

You put that in writing | and I'll swear to it.

- You'll swear to it? | - Indeed I will, major. Indeed I will.

You lied, damn you.

If there's one piece of truth | in your insect soul, I want it.

You lied, didn't you? | It isn't true, is it?

If you say so, it is. | If you say it ain't, it ain't.

I know my place. | I've been busted three times.

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Ivan Moffat

Ivan Romilly Moffat (18 February 1918 – 4 July 2002) was a British screenwriter, film producer and socialite who, with Fred Guiol, was nominated for an Academy Award for Best Adapted Screenplay for adapting Edna Ferber's eponymous novel into the film Giant (1956). Moffat was the grandson of actor-manager Sir Herbert Beerbohm Tree. After studying at the London School of Economics, Moffat became a socialite and began to make films to promote the war effort. During World War II he filmed activities of the US Army, meeting director George Stevens, whom he soon followed to Hollywood and assisted at Paramount Pictures. In the 1950s, between his two marriages, Moffat had a string of love affairs, notably with Elizabeth Taylor and Lady Caroline Blackwood. Beginning in 1956 he wrote or co-wrote screenplays for a number of well-known films, in addition to Giant, and in the 1970s wrote for television. more…

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Submitted on August 05, 2018

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