They Came to Cordura Page #5

Synopsis: After a cavalry charge during the 1916 U.S. "war against Pancho Villa," unheroic awards officer Tom Thorn (who is obsessed with the nature of courage) recommends 4 men for the Medal of Honor. He is ordered back to Cordura with them...and prisoner Adelaide Geary, gringo who sheltered the enemy. On the arduous journey, Thorn's heroes show a different face, and Thorn may have one last chance to prove he's no coward.
Director(s): Robert Rossen
Production: Sony Pictures Home Entertainment
  1 win & 1 nomination.
 
IMDB:
6.5
APPROVED
Year:
1959
123 min
113 Views


When an officer puts words | in my mouth, I let him.

But I don't see I give you proper | cause to lay hands on me.

- Have I, sarge? | - You're on guard.

I'm at my position, major. | I'm watching.

And listening for my answer.

- When you plan to take us out of here? | - That is my business.

It's my business too. The lieutenant | tells me that you aim to keep us here.

The lieutenant had no right.

- Right or wrong, you want my advice? | - I don't.

I don't need tactics | from enlisted personnel.

I may take you out, I may not. In either | case it'll be my decision, not yours.

If you don't take us out, maybe I will.

Not while I'm alive to give orders.

It's daybreak, sir. | It's been quiet.

Major, this is my last cigarette...

...so I'm gonna offer you | a safe way out.

He's not really after us.

Did you notice yesterday some of their | horses were being ridden double?

- That's what he wants. | - Horses?

He could have a little fun | by tying you all down...

...riding back and forth | over you until you all die.

But at this point he has to be practical.

So my hunch is he wants | the horses, not us.

If I were you, I'd let him have them...

...on the chance | he may call off the siege.

I'm doing you no favour. I just | happen to be fond of my own skin.

So think it over, major.

But not for long.

And now have the men untie | the horses and turn them loose.

It's as unthinkable as surrendering.

Another day without water, | and they won't be worth keeping.

We'll have to walk it to base | either way.

We can manage a two-day walk.

- Why not give them our weapons too? | - Don't be a fool.

It's a gamble, I admit.

If we lose, and they don't pull out, | we'll be no worse off than we are now.

I'm willing to gamble to save our skins.

For the U.S. Cavalry to give up | its horses to the enemy is cowardice.

And I protest it formally.

I want you men to remember that | for the record.

That as an officer | I protested any such act.

Give your orders.

Lead them out and turn them loose.

If this don't work, this is the last order | you're ever going to give.

Move.

- How many miles you figure to base? | - Forty, more or less.

- How many miles you figure to base? | - Forty, more or less.

If my calculations are right...

...we ought to hit the Tex-Mex | railroad tomorrow afternoon...

...then follow it right on into base.

- We gotta take her with us, huh? | - Yes.

Feed her out of our grub?

I don't understand Spanish, | but I understand enough to know...

...that she was yelling | to Arreaga to kill us.

We have no choice. | She's a military prisoner.

I want to say something to all of you | about my decision today.

If we had been on scout duty, | or supply or courier...

...I would have taken you out of here.

Most of us would have made it. | But you five have...

...had more than your share | of luck lately.

Congressional Medals of Honor | are usually awarded to the dead.

My duty was to get you to base...

...without losing one of you | to the law of averages.

You've heard about the war in Europe.

And just as sure as I'm kneeling here | our country will be in it soon.

We'll need heroes to look up to.

To show us how to behave in battle. | And you will be our example.

You'll probably be sent home | on furlough...

...your pictures will be in the papers. | People will point you out in the streets.

But no matter what you do | from now on...

...you can never escape | your new selves.

That is why I had to see | that you were spared today.

- Coffee, major? | - Thank you.

- Begging the major's pardon. | - At ease. Just a minute.

- Well, Trubee? | - That was a right moving speech.

What is it you want?

No grudge about you | laying hands on me.

I don't carry a mean bone in my body.

But an ordinary soldier has | to look out for himself...

...or he'll be took advantage of.

Major, I know something | you may not figure I know.

And it puts me a leg up on you.

- Columbus? | - That's the short of it.

But I don't plan to make a stink | unless I have to.

There are two things I'm after. And | I don't see as you can turn me down.

One:
I don't want no medal. | I don't hanker to be made a lead mule.

Two:
I ain't had a woman | since we crossed the border.

You turn her over to me, and after I get | through she won't be so damn fancy.

You let me put the bit to her.

- She'd have given up U.S. Soldiers. | - That's enough!

Don't you rare up to me, major.

You're lucky | I kept my mouth shut this far.

Now, you give me the woman | instead of the medal.

You give me her or I'll raise | such hell about Columbus...

...you'll be the one in the stockade, | not old Milo.

Major, major.

- Major, I'm so sick. | - Better get some blankets.

I've been feeling poorly all day, sir.

But the run after that woman | brought the weakness on.

- I feel sick. Weak. | - You should have told me, son.

I didn't think I ought | with such a long hike ahead, sir.

I've never been so bad off before.

I think it's typhoid.

The fever will go up and down for a day. | If it breaks, he'll pull through.

- What'll take the fever down? | - Quinine, rubbing alcohol and water.

Rubbing alcohol. | You have some tequila...

...in your saddlebags. | Bring it over.

Have the men cut some wood | and build a litter. We've got to move.

Forty miles? We can't carry anybody | 40 miles. The rest ain't up to make it.

We'll all make it. | Or none of us will.

Just as easy to leave | two behind as one.

I had one for the road.

Halt!

Renziehausen. | We change around. Chawk.

Will he pull through?

I don't know. | He has some kind of typhoid.

- You told Chawk about 40 miles. | - Give or take a few.

- Did you ever think he might be right? | - About what?

About the rest of us not making it | unless we travel light.

Don't let me hear that again.

For the Lord thy God | bringeth to a new land...

...a land of brooks, of water, | of fountains and depths.

Will you shut up? You nose-wiping, | holy-rolling preacher.

The tequila is almost gone.

I don't think he can stand | another day like this.

- How much quinine have you left? | - Ten.

We ought to try tomorrow to put him | on it before the fever starts up.

I gotta have some water.

I gotta have some water, major.

Just one capful, no more.

That's enough.

I said you had enough!

Get some rest.

Let her up.

If you try that again, I'll prefer charges | the day we get to base.

And what day might that be, major?

You don't know where | that railroad is anymore...

...than you know which end is up.

Prefer charges, huh? | I'll do the preferring.

You can't do nothing to nobody. | Tell the boys, major.

Tell them where they found them oak | leaves at Columbus. In a ditch, boys.

That's where he was while | we were fighting.

The dirty yellow-guts hid out | in a ditch!

If he'd been an ordinary soldier | like us, he'd be in Leavenworth.

The high mucky-muck is telling us | we're heroes, boys.

And trying to kill the lot of us.

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Ivan Moffat

Ivan Romilly Moffat (18 February 1918 – 4 July 2002) was a British screenwriter, film producer and socialite who, with Fred Guiol, was nominated for an Academy Award for Best Adapted Screenplay for adapting Edna Ferber's eponymous novel into the film Giant (1956). Moffat was the grandson of actor-manager Sir Herbert Beerbohm Tree. After studying at the London School of Economics, Moffat became a socialite and began to make films to promote the war effort. During World War II he filmed activities of the US Army, meeting director George Stevens, whom he soon followed to Hollywood and assisted at Paramount Pictures. In the 1950s, between his two marriages, Moffat had a string of love affairs, notably with Elizabeth Taylor and Lady Caroline Blackwood. Beginning in 1956 he wrote or co-wrote screenplays for a number of well-known films, in addition to Giant, and in the 1970s wrote for television. more…

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Submitted on August 05, 2018

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