They Came to Cordura Page #6

Synopsis: After a cavalry charge during the 1916 U.S. "war against Pancho Villa," unheroic awards officer Tom Thorn (who is obsessed with the nature of courage) recommends 4 men for the Medal of Honor. He is ordered back to Cordura with them...and prisoner Adelaide Geary, gringo who sheltered the enemy. On the arduous journey, Thorn's heroes show a different face, and Thorn may have one last chance to prove he's no coward.
Director(s): Robert Rossen
Production: Sony Pictures Home Entertainment
  1 win & 1 nomination.
 
IMDB:
6.5
APPROVED
Year:
1959
123 min
128 Views


I say blow him full of holes, | and let's find our own way home.

He won't shoot. He's a yellow-guts. | A yellow-guts!

Lieutenant, take their guns.

Mister, take their guns.

His too.

- Me, major, me? | - His too.

Now throw them away | as far as you can.

Now move.

You gonna get us to base, major?

We'll stand alternate guard tonight.

As far as I'm concerned, major, | you're on your own.

An officer's duty is to protect his kind, | but only to a point.

Covering up for cowardice | is beyond it.

Hearing Trubee has made | everything clear to me.

We've only been the means | of repairing...

...the damage done to your pride.

You can't be a hero yourself...

...but you can make as many heroes | as you want.

You're not trying to save | the men now...

...you're trying to keep | your own creations.

In the end we'll all die for your guilt.

If something should happen to you, | it'd be the best thing for all of us.

You need us, we don't need you.

Now, if something does happen...

...I won't participate, | but I won't lift a finger to prevent it.

Here's my gun.

Don't come any farther, sergeant.

I think it's time you and me | had a talk, major.

You wrote up that citation of mine yet?

Why?

What else you got wrote about me | in that book of yours?

You said something, that we'd get | in the papers about those medals.

You might.

- You mean, pictures of us? | - Probably.

I can't have that. You drove me hard | this trip already, but I won't have that.

Maybe you don't know it, but some | men go into service to hide out.

A horse, you know, | he don't ask no questions.

What are you driving at?

You write me up, and they read it | up in Albuquerque...

...and I'll have a rope | around my neck, not no medal.

- What for? | - Murder.

I got in a fight with a hunky | I was working with on the railroad.

The short of it is | I'm wanted for murder.

A year ago I was over in Tucson...

...they still had my picture up | in the post office.

So it's your medal or my neck.

I'm sorry, Chawk. | There's nothing I can do about it.

You mean you'll see me strung up?

No, I mean it's my duty | to write your citation.

You gutless jerk, this ain't Columbus. | There ain't no ditch you can jump into.

You'd faint before you'd pull | that trigger.

Try me.

I got nothing to lose, Thorn.

I gotta kill you.

I need help.

- Tequila. | - It's finished.

Give me two quinine.

Sleep, boy. Sleep.

How old are your children?

The boy was 5 | when they took him away.

The girl a year younger.

Where are they?

I think he's falling asleep.

Don't go.

Have you ever talked to anyone | about Columbus?

No.

Do you want to talk to me about it?

Nobody expected Pancho Villa | to cross the border.

Most of us were asleep when, | suddenly...

...he struck in the middle of the night.

My father was a very brave man. | He was killed in action.

In all the years I had been | in the Army...

...l'd never seen danger | or been in action.

Suddenly there was firing.

I took my pistol and ran outside, then | started for Regimental Headquarters.

There was confusion. | There was chaos.

Very few of us knew | what was happening.

Some bullets went through | some leaves...

...of the tree right close to my face.

I was standing next to a culvert | running under a railway...

...and I took cover.

There's a moment in life when you | stop being several things...

...and become one thing.

When I left that ditch, | I became one thing.

A coward.

- What did you think during the fight? | - Nothing.

- And afterward? | - I became two men.

One can't stand living | in the same skin with the other.

Can you explain what you did? | Even to yourself?

I've got no excuse.

One act of cowardice doesn't | make a man a coward forever.

Just as one act of bravery | doesn't make a man a hero forever.

What will happen if we reach Cordura | and Trubee talks?

Oh, it'll spread. Pressure will build up, | and they'll have to wash the dirty linen.

- What will that do to you? | - Dishonourable discharge.

A resignation at least.

Trubee doesn't want the citation.

- He gave you a choice. | - I can't take it.

How long must you go on atoning?

I'm not. What I'm doing is for them. | Not for me.

Otherwise, it has no meaning.

- You still think that they deserve... | - They do. They do.

You're still in that | railroad ditch at Columbus...

...unable, or afraid, to see out of it.

Heroes? Saints living in the desert?

Oh, my God.

They tried to rape me | and blackmail you.

It's a wonder they haven't | shot you already. No, Thorn...

...they're only men. | And damn poor specimens at that.

I have less right than | any man on earth to judge them.

Or to judge yourself, either.

You may be right what you say. | They're human beings.

But they're more than that. | They have one thing in them...

...that is a miracle and a mystery.

It redeems them.

They don't know themselves what it is, | but they have it.

I have to save it.

You really believe this.

If you do, Thorn...

...if you do, | you may be worth all of them.

I have to turn in. Another day like this | and I'll be a litter case.

And so will you, | if you don't spare yourself.

Why don't you let the lieutenant | take a turn at standing guard?

I'll do that.

Got an "officers only" sign | on her, major?

Now you wouldn't gun me, major.

It'd be a mighty sinful thing to do.

Kill a hero?

You honestly think | you can wait me out?

Don't you close your eyes, Thorn.

Don't you even blink.

Water!

Don't drink that! | I order you not to drink that!

You'll be sick, all of you. Sick! | This water's alkaline.

- We'll find water at the railroad soon. | - What railroad, major?

There ain't no railroad. Nothing.

I don't believe you, major. | I just don't believe you.

I signed up for the Army | to be shut of the railroad.

I'll be a brass monkey, | here I am again.

How far is it to base now, major?

I don't know.

What's down the other end?

Chihuahua City.

Why don't we be democratic, major?

Them that wants to go south | and back to the regiment can.

Them that wants to go north | and be heroes...

...or get kicked out of the Army | can do that.

Let's go.

Trubee, get up.

I ain't carrying him no further! | You hear me, major?

He's gonna die anyways.

You can leave him or tote him, | but I ain't. I'm finished.

We're all gonna die | in this God-forgot country.

And the buzzards will pick us clean.

And they'll say to our skeletons | what heroes we was.

Trubee. Get on that litter. | That's an order.

You wouldn't let that alkali | go through you.

He knows how you feel, Milo. | He had it at Columbus.

It wasn't from drinking alkali water.

We're going on. We made the railroad. | That's the last lap.

Cordura can be behind | any one of those hills.

If we're close to base, why not leave | him and send a detail back after him?

Or don't you really know how close?

Make up your mind, Trubee.

On your feet or I'll wing you.

You shoot me | and my kids will have no father.

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Ivan Moffat

Ivan Romilly Moffat (18 February 1918 – 4 July 2002) was a British screenwriter, film producer and socialite who, with Fred Guiol, was nominated for an Academy Award for Best Adapted Screenplay for adapting Edna Ferber's eponymous novel into the film Giant (1956). Moffat was the grandson of actor-manager Sir Herbert Beerbohm Tree. After studying at the London School of Economics, Moffat became a socialite and began to make films to promote the war effort. During World War II he filmed activities of the US Army, meeting director George Stevens, whom he soon followed to Hollywood and assisted at Paramount Pictures. In the 1950s, between his two marriages, Moffat had a string of love affairs, notably with Elizabeth Taylor and Lady Caroline Blackwood. Beginning in 1956 he wrote or co-wrote screenplays for a number of well-known films, in addition to Giant, and in the 1970s wrote for television. more…

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Submitted on August 05, 2018

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