This Time for Keeps Page #2

Synopsis: A singing soldier (Johnny Johnston) newly returned home finds himself discontent to work in his father's opera company or pick up where he left off with his girlfriend. Having met an aquacade showgirl (Esther Williams) while in the service, he reintroduces himself. Romance blossoms.
 
IMDB:
6.0
Year:
1947
105 min
19 Views


been out of the Army?.

Oh, not very long.

-I thought so.

-Why?.

Well, you still have a touch

of that yoo-hoo technique.

-ls this your dressing room?.

-Yes.

FERDl:

Come in.

-Ferdi, this is mister....

-Dick Johnson.

-Wouldn`t mean anything to you.

-You said it.

Although I have met you before, sort of,

but you wouldn`t remember.

My memory`s pretty good. Try me.

Oh, now I remember.

Do you mind?.

Why, no, of course not.

-You are beautiful.

-Ow!

-You broke my nose.

-l`ll do more than that.

You don`t get out,

l`ll take that nose and misplace it.

Mr. Farro, Mr. Johnson.

-How do you do?.

-Howdy.

Ferdi, you`ll remember Mr. Johnson.

He sang for us

at that convalescent hospital.

-You`re the friend of the family, remember?.

-l`ve been promoted.

I`m now the family watchdog.

Sounds like it might be fun.

Not only does he growl, but he bites.

So unless you have a reason

for wanting to see me--

-Well--

-A good reason.

Well, l`m just out of the Army

and it`s kind of hard getting settled again.

Some of my old friends are gone.

And some of my friends are so changed,

they`re not even like friends anymore.

And others haven`t changed at all.

So there`s no job anyplace, is that it?.

Well--

[KNOCKlNG]

FERDl:

Come in.

Oh, there you are, Nora.

You were wonderful.

NORA:

Thank you, Gordon.

[WHlSPERS]

Her brother, I hope.

NORA:

I want you to meet Dick Johnson.

-Mr. Coome, Mr. Johnson.

-[lN NORMAL VOlCE] How do you do?.

-Glad to know you.

-Mr. Johnson is just out of the Army.

He`s looking for a job.

-Don`t put yourself--

-Couldn`t you place him in the show?.

-What can you do?.

-Not much of anything, really--

He sings, and beautifully. I heard you.

-You had water in your ears.

-I could hear it. I liked what I heard.

-Ask Ferdi.

-I didn`t hear him. I was playing the piano.

I`ll see what can be done.

I`ll think about it.

-ln about a half-hour, Nora?.

-Yes, l`ll be ready.

No wonder you haven`t landed a job.

-You acted as if you didn`t even want one.

-Well, I didn`t come down--

Why are you so backward

about pushing yourself?.

Maybe l`m the modest type.

You know, l`ve half a notion

to take you in hand.

DlCK:
You know,

I think that`d be pretty wonderful.

[SlNGlNG]

When I hear music

I dream of romance

That`s why I love to dance

I must seek romance on crowded floors

For that`s when my cheek

Is close to yours

When we`re alone

I don `t stand half a chance

That`s why I love to dance

Tell me, why can `t this music

Go on forever?

Must we stop

Just because all the others do?

I need the music with all its charms

To get you into my lonely arms

When we`re alone

You`re as distant as France

That`s why I love to dance

That`s why I love

To dance

[WHlSPERS]

Gordon always takes the check.

Whispering, that`s not etiquette.

[lN NORMAL VOlCE] Well, isn`t it nice

that we`re all here together?.

Now we can talk about that job.

Oh, yes, the job.

-Well, mister, uh--

DlCK:
Johnson.

Mr. Johnson, l`ve been wondering if--

-Do you think you can sing underwater?.

-Underwater?.

I guess Ferdi means,

could you swim and then sing?.

-Well, I sing when I take a shower.

-Now, this would be entirely different.

Why don`t you and Nora dance?.

That`s an alluring two-step.

A rumba, Ferdi, but alluring.

You order for us, Gordon, and we`ll talk

about the job when we get back.

Hey, what`s the idea, Ferdi?.

Gordon, you bewilder me daily,

Sundays and holidays included.

Huh?.

You`re gonna give that slick-looking guy

a job in the same show with Nora?.

-But Nora asked me to.

-So what?.

Do you have to do everything

Nora asks you to do?.

I guess I do.

Didn`t your father ever tell you

about life and women?.

-What do you mean?.

-Gordon...

...I`m afraid the world ain`t ready

for you yet.

Wait a minute.

Cugi. Cugi.

-Hello, Ferdi.

-I got the man of the year for you. Listen.

-All right to talk in front of her?.

-Sure.

I just discovered a baritone,

and he sings too.

-Are you sure she`s all right?.

-Sure. She works here.

Cugat, when this guy sings,

he gives a canary an inferiority complex.

He`s an ex-soldier, he`s a hero,

he`s handsome, he`s alluring...

...and women swoon at 1 0 paces.

You gotta give him a job.

-All of that and at liberty?.

-He just got out of the Army.

I`ve kept him undercover.

-Are you sure she`s all right?.

-Sure.

She looks like the type

that blabbers over back fences.

Anyway, take a look.

That`s him, dancing with Nora.

He`s good-looking,

but I already have a singer.

A mere woman.

Cugi, how about teaming them up?.

Just visualize the both of them

singing together in unison.

Why, they`d sound like a pair

of twittering lovebirds in season.

No, I need a Latin type.

Why, Cugat,

put a sombrero on his heed...

...a blanket over his shoulder,

a colored sash around his middle...

...and you`d swear he was born

south of Guatemala.

[PEOPLE APPLAUDlNG]

My boy, you`re in luck. Something

totally unexpected has transpired.

-Come with me.

-Where to?.

Don`t ask no questions, but you might have

to change your name from Dick to Jose.

-What`s going on, Gordon?.

-I don`t know.

-You promoted to bouncer too?.

-Gonna bounce you into the limelight.

Stop pushing me. Have you gone crazy?.

Don`t concern yourself

with petty problems.

Come on, l`m right behind you.

I have no idea, Nora.

You know I wouldn`t do anything

to upset you.

I know, Gordon,

but Ferdi is something else again.

[BAND PLAYlNG]

CUGAT:

Ladies and gentlemen...

...you are about to hear a song

by Mr. Richard Johnson...

...ex-soldier, ex-hero, exciting.

He will sing for you

""Why Don`t They Let Me Sing a Love Song.""

[SlNGlNG] To look at me

You`d think that everything was serene

But I`m as disillusioned as can be

He has a fine voice. He should go places.

I hope so.

-l`ll help him pack.

-I guess there`s no toujours l`amour

In me

Why don `t they let me sing a love song?

Why can `t I get myself a girl?

I`ve read Romeo and Juliet

From cover to cover

But still I`m far from a perfect lover

How long must I go on pretending?

My brain is always in a whirl

Laugh, clown, laugh

I know I fit the part

But even a clown

Can `t hide a broken heart

Why don `t they let me sing a love song?

Why can `t I get myself

A girl?

[CLOCK CHlMlNG]

[HUMMlNG]

[SlNGlNG ""GOD DAG,

I LYSERRQNNE TRAER""]

[DlCK SlNGlNG ""GOD DAG,

I LYSERRQNNE TRAER""]

[RlCHARD & DlCK SlNGlNG

""GOD DAG, I LYSERRQNNE TRAER""]

Hello, Dad.

It`s 2:
00.

Yeah, I know. Couldn`t you sleep?.

These American Legions meetings,

do they always go on till that late?.

I`m a big boy now, Papa.

We waited and waited for you

for a long time.

Oh, I forgot I promised

l`d be there, Dad. Honestly I did.

Frances was very disappointed.

Yeah, I suppose so.

Dad...

...would you be very disappointed

if I didn`t go through with...?.

-Well, I mean, if l--

-What is it, Dick?.

Do you mind if I look around

for another job?.

Oh, that again.

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Gladys Lehman

Gladys Lehman (January 24th, 1892 – April 7th, 1993) was an American screenwriter. Lehman was born in Gates, Oregon as Gladys Collins. As a college student she was initiated into Gamma Phi Beta sorority at the Xi chapter at the University of Idaho. Lehman was one of the founders of the Screen Writers Guild in 1933. Under contract at Universal from 1926 to 1932, she followed that with free-lance work until the early 1950s. She was also one of the founding members of the Motion Picture Relief Fund. As a screenwriter she shared an Oscar nomination with Richard Connell for Best Original Screenplay for Two Girls and a Sailor in 1944. more…

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Submitted on August 05, 2018

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