To Sir, with Love II Page #4

Synopsis: After thirty years teaching in London, Mark Thackeray retires and returns to Chicago. There, however, the challenge of reaching kids in an inner city school proves too much to resist.
Genre: Drama
Director(s): Peter Bogdanovich
Production: Sony Pictures Entertainment
 
IMDB:
6.2
NOT RATED
Year:
1996
92 min
311 Views


Now it's your turn.

Think about that for tomorrow,

how you're going | to help yourselves survive.

That's a bunch of crap, man. | This is Class H.

If they put you in Class H, they got | a good idea you ain't gonna survive.

H means you're going to hell.

They made their minds up about us. | Then change them.

Yeah, right. Maybe that would work | where you're from or where you went.

You went off to England and you teach in | some school. You think you're something.

I am something. Everyone is. | In this country, you're nothing.

No matter how many schools you | teach in, all people see is black skin.

What do you want them to see? | Me.

Who are you? Do you see you | the way you want to be seen?

Then you must see character | in yourself, discipline in yourself,

determination in yourself, | to survive with dignity,

no matter how tough | the world around you is.

Is that who you are? If not, | is that who you want to be?

If so, come.

Let's go walk down a street

and see what we can get them to see.

Well, aren't you coming?

Are we going shopping?

We're conducting an experiment. | I need a volunteer.

How about you, Mr. Davanon?

We want to see what we can learn | about how people react to us.

You see that woman | over there by the bus stop?

Walk up to her. Ask what she thought | when she saw you walking up to her.

That's it? | Then come and tell us what she said.

All right, Frankie. | He's white. It don't prove a thing.

When you conduct an experiment, you | need what scientists call a control.

Mr. Davanon is our control.

Yo!

Go, Frankie, go!

Way to go, Frankie!

Hey, Frankie, give it up, bro!

Now I need another volunteer. Arch.

I want to talk to you about it first.

Hey, what are you talking about?

Excuse me, ma'am. | Can I talk to you?

My name is Archie Carrouthers. | I'm a student at John Adams.

I'm working on a school project. | Can you help me out?

What we saw out there yesterday | is that, to a considerable extent,

we control how we are perceived.

"Yo!" gets you one response,

" Excuse me, sir," another.

When we address someone with respect, | we are more likely to get respect.

Not always, | but more often than you think.

If you're smart, | that ought to be enough.

Common courtesy. " Please. " "Thank | you. " " Excuse me. " Magical words.

Yo, Mr. Thackeray. | Miss Torrado. How are you doing?

I was wondering if we could talk. | Of course. What's on your mind?

I've been thinking about some | of that stuff we're talking about,

like the way Evie says that sometimes | we really don't know who we are.

Sometimes it's very hard.

Yeah, okay. But I was thinking, | what if we know who we are,

and that's not who we want | to be anymore?

People can change.

I get up in the morning, and I gotta | think about what I'm going to put on,

and my hair and my makeup.

It drives me crazy. I want to cry. | You wonder why you do it.

I mean, I know why I do it.

Nobody likes a girl, you know, | that doesn't take care of herself.

I know I'm kind of good-looking | and they like that.

And that's important to you?

I mean, you've gotta have | some self-respect.

I don't know. If nobody likes you...

You've got to like | yourself first, isn't that right?

Rebecca, | where the hell are you going?

I gotta go, Mr. Thackeray, | thanks for listening.

I just ran into Mr. Thackeray- | Yeah, well, I was waiting.

Mr. Thackeray. | See you, Mr. Thackeray.

You kept me waiting. | That don't cut it, b*tch.

I'm sorry. I said I was sorry.

Look at you. Your face is messed | up. You look like a cheap whore.

I just need a minute. | I can get it together.

Forget it. Nobody gives a damn | what your face looks like anyway.

Hey! She's a little late, | but she's here. Party time.

Frankie, I don't know | if I want to do this anymore.

Come on. Here she comes. | I'm sorry she's late, guys.

Say you're sorry. " I'm sorry!" | Come on, say it. She's sorry, guys.

Come on, give me the money | before we do anything.

They're beautiful. | Hi, Mr. Thackeray.

Do you do this often? | Whenever I get the chance.

I like... growing stuff.

They're beautiful. I had a garden | in the back of my flat in London.

I'll let you get back to your work. | See you in class tomorrow.

Mr. Thackeray, maybe you'd better not mention | this in class. Kids give me a hard enough time.

There's nothing wrong with flowers, | or making the neighbourhood prettier.

Don't worry. If you don't want me to, | I won't say anything.

Excuse me, miss. | Yes, sir. Can I help you?

Yes. Yes, I think you can.

Get off me, man. Get off me! | Shh! Don't worry, little bro.

I ain't gonna cut you too bad.

As a favour, would you be so kind as | to deliver a message to your brother?

Ask him, " How does it feel | to be a dead man?"

Mr. Thackeray, that's so great. | Thanks. That's nice.

You will go to see him? | Yeah, I will.

All right. Okay. | I have an announcement to make.

I will be talking to business people | in the community,

from contractors to computer stores | to the gas company.

Anyone interested | in after-school work-

Is this help for the disadvantaged? | I didn't see your hand, Mr. Davanon.

I am sick and tired of everybody | taking care of everybody else.

What about us for a change? | Who's " us"?

It don't include you. | If you have a point, Mr. Davanon...

I got a point. Everybody's falling | all over themselves

to help out blacks and Puerto Ricans | and fruits and women.

Only I'm a white guy, | so I'm not on anybody's list.

That's dumb. Let me tell you why.

In the first place, | ain't nobody giving nobody nothing.

If the old boy wanna get you a job, | you gotta keep that job.

Second, these favours where they're | " letting" black people into jobs,

those jobs never had | no black people in them.

All this time, all them jobs | is going to white people.

I don't hear you complain about that.

You ain't never in your lazy life | looked for no damn job,

so you don't know | what you're talking about.

My dad always has to hire a black guy | because his boss says-

Is your father a foreman? | You bet he is.

Why don't you tell me how many | black foremen they got?

That was very impressive. | It was the simple truth.

Wait. Simple truth is the best kind. | You don't speak up in class often.

When I got something | to say, I just say it.

People listen. Did you ever notice? | No.

You have more important concerns? | Yeah. Like keeping my ass alive.

I don't need no brother | in no fancy suit

giving me lessons that got nothing | to do with where I'm coming from.

If you've got a point, why don't | you make it and get out of my face?

You have a gang, don't you?

That's cop talk. "Gang leader," | they put that on your record.

So you're not a leader.

I must be talking to the wrong person. | You must be.

When are you going to grow up?

Leadership is in short supply.

It's born in a person. You didn't | ask for it, but you've got it.

You've got people to follow you, | but you've got no place to take them.

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E.R. Braithwaite

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Submitted on August 05, 2018

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