Touch of Pink Page #2

Synopsis: Alim is an Indo-Canadian man currently living in London, England, the move in order to get away from what he feels is his repressive life in Toronto under the watchful and critical eye of his widowed mother, Nuru. For Nuru and her equally competitive sister Dolly, the perfect public Muslim persona is the most important thing in life. Back in London, Alim is free to live openly as a homosexual, of which his mother is not aware. He is in a loving relationship with his live-in British boyfriend, Giles. To navigate through his complicated life, Alim uses the spirit of 'Cary Grant' as his confidante and advisor. Feeling like her life is missing a daughter-in-law as Dolly prepares for her son's "perfect" wedding, Nuru decides to reconnect with Alim in London. Not yet ready to tell his mother of either Giles or his homosexual orientation, Alim, with Giles' support, hides any aspect of this fact for Nuru's visit. But as Giles is tested one turn after another during Nuru's visit, both Alim and
Genre: Comedy, Drama, Romance
Director(s): Ian Iqbal Rashid
Production: Sony Pictures Classics
  4 nominations.
 
IMDB:
6.6
Metacritic:
46
Rotten Tomatoes:
36%
R
Year:
2004
91 min
$188,206
Website
160 Views


She worships me.

Even though my son puts

my every happiness above hers.

- Are you going to eat that?

- No.

Gay. Gay. Sex.

Sex. Gay. Over there.

There's no reason to worry.

Everything is under control.

So this is what under control

looks like.

Gay. Gay. Gay.

Perk Up Your Pecs. Gay.

What about Giles' clothes?

In the guest room.

Then Giles brings them back here.

Oh, Alim, you're still a child.

We pretend the guest room

is Giles' room.

He kindly moves out to make room

for Nuru.

Presto. You two

get to sleep together.

Gay.

Gay.

- Maybe I should just tell her.

- No, no. Big mistake.

Think of Charade.

I had to pretend to be Peter,

Adam and Alex...

...before I could reveal I was Brian

and get the girl.

It's just... This is not fair to Giles.

Giles will do anything for you.

Move mountains. He adores you.

Alim.

He's not seeing other men anymore.

All that stopped,

just as I said it would.

Your mother doesn't deserve

to be told. She hasn't earned it.

- She abandoned you.

- That was a long time ago.

Yes, well, not for my money.

Right.

Gay.

Gay.

This has to go.

I can't believe we're doing this.

She'll leave in a few days.

Look, why don't I spend

some time with her.

I'll take her out sightseeing.

Maybe while you're on set,

I could take a day off.

Let her get to know me.

- Absolutely not.

- She's been here before.

- Secretarial college or something.

- Leaving you all alone, a little child.

She hated London.

Welcome, Ma.

Hello, beta.

So...

...what do you think?

You don't own the whole house.

No.

Just the first-floor flat.

The house that Khaled bought

Dolly Auntie and Hassan Uncle...

...has bushes shaped like animals.

A duck, a swan and a deer.

I should have

worn something else.

I think we look swell.

Sorry?

Hello.

Ma, this is Giles, my roommate.

- How do you do?

- It is a pleasure to meet you.

What, there aren't nice Ismaili

boys that need a place to live?

It was all so confusing.

Then I couldn't find

the chauffeur you sent.

You sent a chauffeur?

How did these people

rule the world?

No one would help me

with my bags.

These English people

can be so rude and unhelpful.

I'm sorry, she's...

No, no, she's got an edge.

I like her.

And she's so beautiful.

Yeah.

You don't have a picture

of the Aga Khan?

- He likes her.

- Yes, well, your people...

...do have a fondness for

the brassy broads, don't they?

Would you like some more cake?

Alim says you have a real sweet tooth.

Actually, I'm on a diet.

- Why? You look great.

- I don't.

- I think you do.

- No. I don't.

It's the shoes.

They're new.

I have to go.

- I'll put your things in Giles' room, Ma.

- No, no. It's too much.

- Giles doesn't mind.

- Really, it's not a problem.

And it'll be fun bunking with Alim.

No. No, I'll take your room.

It's one thing to bother family,

but a stranger...

- I like being bothered.

- And Giles' room has a single bed.

- It's too small for both of us.

- So you'll sleep on the sofa.

It's time for me to take my pills.

For my heart.

I have that meeting.

Oh, you work.

Of course he works.

Giles is an economist.

- As long as it pays the rent.

- He works for UNICEF.

My nephew is a dentist.

My brother-in-law has

three dry-cleaning shops.

It was delightful

to meet you, Nuru.

Give me a hand with the luggage

before you go?

Absolutely.

It's all coming back to me.

You're in here now.

How about I cook

something tonight.

We thought we'd do something.

- What do you do?

- Alim's a great cook.

His coconut chicken is fantastic.

You want coconut chicken?

I'll make you coconut chicken.

I'll let the two of you fight it out.

Bye, sweet...

By sweet mother of God,

look how clear your cornea is.

Nice bit of improv.

The boy's got reflexes.

- Is something wrong with his eye?

- No, it's all cleared up now.

Better go, Giles. Getting late.

Ma, I have a fully stocked

and equipped kitchen.

- I do.

- You have coconut?

- Yes.

- Fresh coconut?

No.

But there's an Indian

supermarket nearby.

I'll need a nap first.

I'm not a machine.

That one. That's the one.

Yeah.

- They really look like they're in love.

- Oh, not just in love, but...

...in-love-like-in-the-movies

in love.

Look, Joanie Fontaine in Suspicion

has it. See? That look.

What?

Thank you.

- For what?

- Everything.

My life.

What would I have done

without you?

Are you looking at photos

or watching the television?

You shouldn't

waste energy, beta.

Who invited her?

When you refused Khaled, I thought,

"This boy needs a refresher course...

...in manners from his mother."

I have a busy life, Ma.

Too busy for family?

Nothing is more important

than family.

They'll be there for you

when nobody else will.

It's just I'm on this big film and...

- Oh, yes, you're very important.

- It's a 20 million film.

I'm only teasing, Alim.

I know you're busy.

Laughter is the best medicine, beta.

Then I guess I must be

in the placebo group.

You remember my friend Zera?

Her daughter Mumtaz

is all grown up now...

- Oh, no.

- Oh, it's true, she's not a great beauty.

But she has a heart as big as a pig.

And she's in computers.

No, Ma. No.

You think you're too good for her.

You and your placebo group.

All this pretense.

I'm too old for all of this.

You say "pretense"

like it's a bad thing.

Personally, I think this

truth business is overrated.

- Don't be ridiculous.

- Sorry?

The mangoes are fabulous.

From Pakistan. The best.

Tell me, where are you from?

- Linnell Road, just around...

- No, no. Originally.

- Actually, I grew up in Canada.

- No.

Originally. Where were

you born, son?

- What difference...?

- Mombasa.

Kenya.

- I'm from Malindi.

- Yeah, I know your people.

That nose can only belong

to one family.

Giles, sorry I'm late.

Look who I ran into.

- Hi.

- Hello.

I'm sorry, do we...?

It's Alisdair Keith. From school.

You remember.

He looks exactly the same,

only bigger muscles.

Well, I'm devastated.

I remember you.

Alisdair's a swimmer.

He was at the Olympics.

Finished third in the 400.

Or fourth in the 300 or something.

Then... Then he won a gold medal.

- Really?

- In the relay.

I always perform better

with other guys.

So shall I get us some coffees?

- Lattes?

- Great.

You and your

mango-pickle sandwiches.

Beta, if you moved home, I'd make

you mango-pickle all the time.

So why don't you.

He thought something.

He left his bloody number.

So I was flirting.

He's a sexy guy.

And I'm a living, breathing,

active sexual being.

You nicked all the good genes.

But I love Alim.

I know you do.

I love him so much

I'm in the closet.

Oh, look, birds of paradise.

Alim adores them. Get these.

Flowers are for Nuru.

You could also come work

for Hassan Uncle.

I'm an assistant manager now

at the Don Mills branch.

Oh, I tell you, the world of fabric care

is a rich, complex world.

I'm a photographer, Ma.

- In Toronto, you could have a home.

- I have a home.

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Ian Iqbal Rashid

Ian Iqbal Rashid (born in Dar es Salaam, Tanzania) is a poet, screenwriter and filmmaker known in particular for his volumes of poetry, for the BBC TV series This Life and the feature films Touch of Pink and How She Move. His current projects include creating television series in many genres for international markets. In the U.S., Rashid is currently developing a police procedural television series for Lionsgate Television and Showtime Network. He is also creating a historical miniseries set in East Africa for Sonar Entertainment. In Canada, he is developing a medical drama series for the Canadian Broadcasting Corporation. And in the UK, he is writing a romantic comedy series for ITV. Of Indian ancestry, Rashid's family lived in colonial and post-colonial East Africa for generations. In his early childhood, his family was forced to leave Tanzania. After failing to secure asylum in the UK and US, they settled in Canada. Rashid began his career as an arts journalist and critic and events programmer, particularly focussed on South Asian diasporic, Muslim and LGBTQ cultural work. In the late 1980s, Rashid was a regular contributor to the Canadian LGBT magazine Rites, and the cultural journals "Fuse" and "TSAR". He published the poetry collection Black Markets, White Boyfriends and Other Acts of Elision, and made the short documentary film Bolo Bolo!. The film, part of an HIV/AIDS educational series called The AIDS Cable Project, resulted in the series being pulled from Rogers Television after complaints about sexually suggestive content, though it had a long and healthy life at film festivals.In the early 1990s, Rashid returned to London, Britain, where he lives today with his partner, the writer and curator Peter Ride. Touch of Pink, his first feature film, spent 12 years in development. In 2003, he finally had the chance to direct the project as a Canada-UK co-production. It premiered at the 2004 Sundance Film Festival to great acclaim, a bidding war, and eventually, a sale to Sony Picture Classics. How She Move received a similar reception at Sundance Film Festival. Directed by Rashid in 2007, the film is set in the world of step dancing. It was nominated for a Sundance World Cinema Grand Jury Prize and purchased by Paramount Vantage. The film opened to great reviews and strong box office: another indie success story to emerge from Sundance. Self-taught as a film-maker, Rashid began his career in the late 1990s, working as a writer in UK television. His credits include the soap, London Bridge (Carlton Television for ITV), and the cult hit BBC2 series This Life for which he received the Writer's Guild of England award. Rashid has written two award-winning short films, Surviving Sabu (1999, Arts Council of England) and Stag (2001, BBC Films). He wrote and read his short story "Muscular Bridges" for BBC Radio 4's HMS Windrush Anniversary. For BBC's Woman's Hour Programme, Rashid wrote and directed Leaving Normal, a comedy serial about gay adoption starring Imelda Staunton and Meera Syal.Rashid has written three award-winning books of poetry. The most recent is The Heat of Yesterday. His poems "Another Country", "Could Have Danced All Night", "Hot Property" and "Early Dinner, Weekend Away" appear in John Barton and Billeh Nickerson's 2007 anthology Seminal: The Anthology of Canada's Gay Male Poets.He has also curated film programmes and exhibitions for venues such as the National Film Theatre, the Institute of Contemporary Arts and Experimenta. He was the founder and first director of Desh Pardesh, Canada's first arts festival focusing on diasporic South Asian arts and culture. Amongst many awards and festival prizes, Rashid has received the Aga Khan Award for Excellence in the Arts. Ian was selected as one of 2010's Breakthrough Brits on the prestigious UK Film Council (BFI) programme. more…

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