Touch of Pink Page #3

Synopsis: Alim is an Indo-Canadian man currently living in London, England, the move in order to get away from what he feels is his repressive life in Toronto under the watchful and critical eye of his widowed mother, Nuru. For Nuru and her equally competitive sister Dolly, the perfect public Muslim persona is the most important thing in life. Back in London, Alim is free to live openly as a homosexual, of which his mother is not aware. He is in a loving relationship with his live-in British boyfriend, Giles. To navigate through his complicated life, Alim uses the spirit of 'Cary Grant' as his confidante and advisor. Feeling like her life is missing a daughter-in-law as Dolly prepares for her son's "perfect" wedding, Nuru decides to reconnect with Alim in London. Not yet ready to tell his mother of either Giles or his homosexual orientation, Alim, with Giles' support, hides any aspect of this fact for Nuru's visit. But as Giles is tested one turn after another during Nuru's visit, both Alim and
Genre: Comedy, Drama, Romance
Director(s): Ian Iqbal Rashid
Production: Sony Pictures Classics
  4 nominations.
 
IMDB:
6.6
Metacritic:
46
Rotten Tomatoes:
36%
R
Year:
2004
91 min
$188,206
Website
160 Views


Well, it's an apartment.

And you have to share.

How will you attract a nice girl

when you're living with a lodger?

- You're certain I won't be intruding?

- Thank you.

Of course not.

Dee, you're gonna love her.

Well, if she's anything like Alim.

I won't mince words, Alim.

Neither of us is getting any younger.

You're right.

Ma, you're absolutely right.

- I'm a grown-up.

- Alim.

And I'm not with Giles

because of the money.

- You do it because you want to.

- Yes.

I understand.

- You do?

- You do?

It can be lonely

when you're all alone.

- I, of all people, understand this.

- Let's quit while we're ahead.

Ma, I didn't explain right.

I am not all alone.

- I'm in a relationship.

- Hello.

Nuru.

I'd like you to meet my sister.

- This is Delia.

- Hello.

Hello, hello. So nice.

She loves curry.

I was wondering if she could join us.

What do you mean,

you're in a relationship?

You told her.

Everyone knows but me?

Less congratulation,

more information. I'm only the mother.

Alim... We were concerned

about how you'd handle it.

Handle it?

Who could this frightening creature be

I can't handle?

Well, the creature's

not frightening. It's just...

Delia.

We're engaged.

- Giles, you just said dinner.

- No. No, you're not engaged.

- Yes, Ma, I am.

- You can't be.

- Why?

- Because she's not...

- What?

- She's not:

Is she?

She's not:

Oh, Muslim.

She's not male either.

You're right, Ma. She's not.

And you know what? Neither am I.

No, I'm not.

I'm not gonna pretend.

It was very nice meeting you both.

I hope we meet again one day...

...when there isn't a knife

plunged into my heart.

I just mean

I don't believe in God.

Oh, good. The knife has company.

I'll be leaving in the morning.

Fabulous exit.

Do my feelings matter

in any of this?

Not-so-fabulous exit.

- I am so sorry to drag you into this.

- Oh, it's all right.

My fianc's a gay man. I'm not.

Just another special moment

that makes my life mine.

Come on. Cheer up.

It was a bit messy,

but we got there in the end.

- He wanted me to come out to her.

- And you did. About being a heathen.

In the end, it's what's best

for you and Giles.

My, she was yare.

The True Love?

- Where did you...?

- I found her in one of the boxes.

Remember the fun we had

building her?

And sailing her.

So easy to handle.

Quick to the helm. Fast. Bright.

And you were a good little sailor.

Once you got over your seasickness.

- I was just a little kid.

- You were a great little kid.

Katie did her own stunts in

The Philadelphia Story, didn't she?

Why, it's a model of

the True Love.

- What?

- A boat he designed and built.

Sailed it down the coast of Maine and

back the summer we were married.

- My, she was yare.

- My, she was yare.

- Yare? What does that mean?

- It means...

... easy to handle,

quick to the helm, fast, bright.

All right, look, I need numbers.

Is it you?

Is it you and Alim? Or is it you

and Alim and this brain surgeon?

I didn't say she was

a brain surgeon.

It's all a little unsure right now.

Honestly.

The eggs are fantastic.

That's nice. I made them for Alim,

but never mind.

There's loads left over.

That's right.

My son will eat leftovers.

He likes cornflakes anyway.

Yes, and custard powder

and Bisto gravy.

First you, then Delia.

Now Battenberg cake.

Nuru, look. I'd really like it

if we could be friends.

I have my friends.

All the positions have been filled.

If there's a vacancy,

I'll be sure to get in touch.

Thank you very much

for applying.

Never heard that before?

Not part of your culture, is it,

Mr. Egg-stealer?

I'm sorry, I assumed

the eggs were for everybody.

You people always do.

Eggs, India, Africa, Middle East.

What's going on?

- What are you doing?

- I'm yachting. On my yacht.

Out late last night?

We single, unengaged fellows

like to do that.

- You were up late too, Alim.

- Where'd you go?

Out for a drink

with a friend of Delia's.

Alisdair Keith.

You know, the swimmer?

That movie you watched last night.

You shouldn't watch such rubbish.

It's not rubbish.

The Philadelphia Story is a classic.

- I don't know. The poor mother...

- You've seen The Philadelphia Story?

Those trousers are a bit tight,

aren't they?

The pants are fine.

The trousers are not fine.

I can read your credit card number.

I'll wear what I want.

- It's my life.

- Yes. But I gave it to you.

And if you want to give me

grandchildren to play with, then...

Ma, you're not gonna

have grandchildren.

- Why not?

- Because I'm...

You're leaving

my house, remember?

You won't be here

with your grandchildren.

- What now?

- Oh, nothing. Don't mind me.

Go forth. Breed.

Breed a dynasty.

I thought he'd never leave.

Now, beta, I've been thinking,

and I've decided I'll stay.

Tell your Delia to come for dinner.

You want Delia...?

If she's to be my daughter-in-law,

we have to bond.

Bond?

After all, she can always convert.

She's not a surgeon, is she?

Oh, never mind.

First, let her come for dinner.

I made your favorite. Eat.

Ma, why would Delia come to dinner

after yesterday?

If she cannot handle a bit of drama,

she won't fit into our family, will she?

- Does Giles have to be here?

- He lives here.

Can't he go somewhere?

I find him too familiar.

After all, he's a total stranger.

Strangers should be more strange.

He's not a stranger, Ma.

And Delia isn't my fiance.

I have no intention of getting married

or having kids or moving to Toronto.

I lied to get you off my back.

Because you just won't ever let up.

I see.

This is how you talk to your mother.

Excuse me, please.

Oh, I forgot.

Your horrible mother made you

mango-pickle sandwiches.

For your lunch.

I don't see why we couldn't have

Delia as your fiance.

I don't see why we couldn't have

Delia as your fiance.

- Such fun.

- You said Ma would go.

Well, she's not.

I had to do something.

And you did. You told the truth.

Documentary approach.

Interesting strategy. Need to be a little

careful with it, but you used it well.

Are you all right?

My life is just a soiled, tattered tissue

tossed into the toilet of life.

What will I do now?

You could write poetry.

Please. Don't bother.

I don't need your charity.

Wait.

I'm... I'm sorry, l...

Why don't we start again.

Let me take you around London.

I have a light day.

No, I've seen it all.

That was years ago.

Nothing's the same.

Come on.

You deserve a little fun.

I carried him for the nine hottest

months in the history of Kenya.

Practically broke my back.

Only 19 years old, my breasts already

like mangoes at the end of stockings.

Now he doesn't want his mother.

Tell me, what was in it for me?

Oh, I'm sorry, I didn't mean...

You'll love it. Really.

By the way, you're glowing.

So lovely.

I'm rather relieved he's not

marrying this Delia person.

- She's your sister, I'm sorry. I didn't...

- It's all right.

I really did like her.

A little thin.

Nice green eyes.

Rate this script:0.0 / 0 votes

Ian Iqbal Rashid

Ian Iqbal Rashid (born in Dar es Salaam, Tanzania) is a poet, screenwriter and filmmaker known in particular for his volumes of poetry, for the BBC TV series This Life and the feature films Touch of Pink and How She Move. His current projects include creating television series in many genres for international markets. In the U.S., Rashid is currently developing a police procedural television series for Lionsgate Television and Showtime Network. He is also creating a historical miniseries set in East Africa for Sonar Entertainment. In Canada, he is developing a medical drama series for the Canadian Broadcasting Corporation. And in the UK, he is writing a romantic comedy series for ITV. Of Indian ancestry, Rashid's family lived in colonial and post-colonial East Africa for generations. In his early childhood, his family was forced to leave Tanzania. After failing to secure asylum in the UK and US, they settled in Canada. Rashid began his career as an arts journalist and critic and events programmer, particularly focussed on South Asian diasporic, Muslim and LGBTQ cultural work. In the late 1980s, Rashid was a regular contributor to the Canadian LGBT magazine Rites, and the cultural journals "Fuse" and "TSAR". He published the poetry collection Black Markets, White Boyfriends and Other Acts of Elision, and made the short documentary film Bolo Bolo!. The film, part of an HIV/AIDS educational series called The AIDS Cable Project, resulted in the series being pulled from Rogers Television after complaints about sexually suggestive content, though it had a long and healthy life at film festivals.In the early 1990s, Rashid returned to London, Britain, where he lives today with his partner, the writer and curator Peter Ride. Touch of Pink, his first feature film, spent 12 years in development. In 2003, he finally had the chance to direct the project as a Canada-UK co-production. It premiered at the 2004 Sundance Film Festival to great acclaim, a bidding war, and eventually, a sale to Sony Picture Classics. How She Move received a similar reception at Sundance Film Festival. Directed by Rashid in 2007, the film is set in the world of step dancing. It was nominated for a Sundance World Cinema Grand Jury Prize and purchased by Paramount Vantage. The film opened to great reviews and strong box office: another indie success story to emerge from Sundance. Self-taught as a film-maker, Rashid began his career in the late 1990s, working as a writer in UK television. His credits include the soap, London Bridge (Carlton Television for ITV), and the cult hit BBC2 series This Life for which he received the Writer's Guild of England award. Rashid has written two award-winning short films, Surviving Sabu (1999, Arts Council of England) and Stag (2001, BBC Films). He wrote and read his short story "Muscular Bridges" for BBC Radio 4's HMS Windrush Anniversary. For BBC's Woman's Hour Programme, Rashid wrote and directed Leaving Normal, a comedy serial about gay adoption starring Imelda Staunton and Meera Syal.Rashid has written three award-winning books of poetry. The most recent is The Heat of Yesterday. His poems "Another Country", "Could Have Danced All Night", "Hot Property" and "Early Dinner, Weekend Away" appear in John Barton and Billeh Nickerson's 2007 anthology Seminal: The Anthology of Canada's Gay Male Poets.He has also curated film programmes and exhibitions for venues such as the National Film Theatre, the Institute of Contemporary Arts and Experimenta. He was the founder and first director of Desh Pardesh, Canada's first arts festival focusing on diasporic South Asian arts and culture. Amongst many awards and festival prizes, Rashid has received the Aga Khan Award for Excellence in the Arts. Ian was selected as one of 2010's Breakthrough Brits on the prestigious UK Film Council (BFI) programme. more…

All Ian Iqbal Rashid scripts | Ian Iqbal Rashid Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Touch of Pink" Scripts.com. STANDS4 LLC, 2024. Web. 26 Dec. 2024. <https://www.scripts.com/script/touch_of_pink_22133>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Touch of Pink

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who directed "The Dark Knight"?
    A Zack Snyder
    B Christopher Nolan
    C J.J. Abrams
    D Tim Burton