Touch of Pink Page #4

Synopsis: Alim is an Indo-Canadian man currently living in London, England, the move in order to get away from what he feels is his repressive life in Toronto under the watchful and critical eye of his widowed mother, Nuru. For Nuru and her equally competitive sister Dolly, the perfect public Muslim persona is the most important thing in life. Back in London, Alim is free to live openly as a homosexual, of which his mother is not aware. He is in a loving relationship with his live-in British boyfriend, Giles. To navigate through his complicated life, Alim uses the spirit of 'Cary Grant' as his confidante and advisor. Feeling like her life is missing a daughter-in-law as Dolly prepares for her son's "perfect" wedding, Nuru decides to reconnect with Alim in London. Not yet ready to tell his mother of either Giles or his homosexual orientation, Alim, with Giles' support, hides any aspect of this fact for Nuru's visit. But as Giles is tested one turn after another during Nuru's visit, both Alim and
Genre: Comedy, Drama, Romance
Director(s): Ian Iqbal Rashid
Production: Sony Pictures Classics
  4 nominations.
 
IMDB:
6.6
Metacritic:
46
Rotten Tomatoes:
36%
R
Year:
2004
91 min
$188,206
Website
160 Views


That complexion like milk...

...that touch of pink.

What do you call that,

peaches and milk?

- Peaches and cream.

- Cream. Right, yeah.

Anyway, I'm lactose intolerant.

Alim's not.

I always wanted a suit like that.

I think we should go in and try it on.

- No, no, no.

- Yes.

Today is your day.

Come on. Let's pretend.

You look lovely.

Come along. The city is yours.

Thank you.

The suit looks great.

Doris Day wore a suit just like this

in That Touch of Mink.

When I first came to London,

I tried to make one just like it.

I looked like a clown.

Such a junglee I was.

I think it looks lovely on you now.

Although I think it's more

Audrey Hepburn than Doris Day.

If only you'd said that 23 years ago.

Well, I was 7.

I don't think I knew

who Audrey Hepburn was.

Of course not.

No, Giles. Alim wouldn't want

his mother drinking like this.

But on the other hand...

...if no one told him...

Back from lunch in

half an hour, please.

You know, when I make

pickle sandwiches...

...the insides always seep out

when I eat them.

My fingers smell like pickle

for the whole day.

Well, if you must eat pickle...

But when she makes them,

everything somehow stays in place.

- Yes.

- I've never thanked her for them.

Come on. We don't have much time.

Shall we?

Can Nuru do this?

- No. I've forgotten how to dance.

- I know how.

Men like you always know.

You come built that way.

Actually, Alim's the one

who taught me properly.

Alim?

Come on.

Alim taught you this?

Who taught Alim?

Good evening.

Could I have a champagne cocktail?

What?

Prepare. The mummy returns.

Hello.

You two were out together?

Do you get FM with that hairdo?

- We did a little sightseeing.

- I used to love that film.

You know this movie?

A person of the world is allowed

to see An Affair to Remember.

They've been out whooping it up,

the two of them.

You're drunk?

- She's drunk, Giles.

- I am not drunk.

Water. Giles, thank you.

- It was a lovely day.

- It was my pleasure.

Oh, please.

Well, well. Rock and Doris

together again.

Cary and Doris.

Come on. Dance with me.

They've been dancing.

You went dancing too?

Get up.

Oh, dear.

Seems we've made contact

with your inner child.

You haven't made contact

with my inner anything lately.

And that's my fault?

I'm not middle-aged woman

enough for you.

You are bonkers.

She likes me.

I like her.

It's... It's good for us.

This is not the relationship

I signed up for.

Good night, Nuru.

Good night.

I want my life back.

I'm gonna tell her

about Giles and me.

Alim, we've discussed this.

You've got to be careful with the truth.

It can rise up and bite you on the...

Nuru!

Where are you off to?

For a dip with a friend.

See that you don't get too muscular.

He's going swimming. He never stops.

- At this time!

- I heard.

- I'll wait till you're done.

- No, I'm done.

- I'm not.

- You should go swimming with Giles.

- I go to the gym.

- What do you do at the gym?

I pump iron.

You don't even pump

your own petrol.

Please don't leave me with her.

- What's that?

- I wanna show you something.

You see that spot on the wall there?

Well, this photograph

used to hang there.

And we took it down

before you came.

And you know why?

Something you didn't

want me to see?

- That's right.

- Something for boys only.

- I wanna show it to you anyway.

- No need.

Boys will be boys. I understand.

I really want to.

It's not anything racy, is it? No whips

or midgets or that M&M's business.

It's a photo of Giles.

Oh, my. It certainly is.

And...

...I took it.

I see.

What to do?

Not enough air pushing through

the windmills of her mind.

I've ordered a cab.

Alim, they're... They're evil.

Cabs?

Those movies you watch.

They've led you down

the wrong path.

You don't know what

you're talking about.

Don't I?

They're made for the goras,

not for us.

What's going on?

I hope you had a good laugh

at my expense.

I'm sorry?

Alim, where's she going?

- I can't believe you did that.

- Nice swim?

I can't believe you hit her

over the head with it.

- You wanted me to tell her.

- Yeah, but not like that.

You should have let me talk to her.

We were getting along really well.

She thought you were straight.

- It's not that simple.

- I'm afraid it is.

She's a Muslim woman

from the Third World.

- She's what?

- You forget that she's not like me.

- You have to shift your expectations.

- So, what you're really saying...

...is that she's just an ignorant Paki?

I wouldn't have put it quite like that.

No, I think you would've

if you could.

But she's your mother.

And if she's just a Paki,

then what does that make you?

Rise and shine.

It's almost noon.

Leave me alone.

Oh, for heaven's sake, how much

longer are you going to pout?

Giles will come around.

He'll never leave you.

He's taken his clothes.

He's taken his bathing costume.

He's gone.

- And she's gone.

- Oh, well, that's what we wanted.

And to think, the truth got rid of her.

- What do I know?

- Yeah.

What do you know?

I'm alone. And I don't know why.

Oh, Alim, you're not alone. I'm here.

I've always been here.

I'm always going to be here.

Know what I think?

We need a holiday.

Yes. Bermuda.

Or the Greek islands.

You'll see.

I have just three words

for the pheasant samosa:

Fa-bu-lous.

Nuru. Come here. Come here.

Please, have a taste.

It is like ambrosia.

Nuru.

Pheasant samosas.

Nobody's had pheasant samosas.

- Sherubai did, at her daughter's...

- That was chicken.

It's not too late to upgrade.

Mind you, pheasant is

more expensive.

Expense is not a problem.

My son is minting money.

Excuse me, exactly how expensive?

Explain it to me as if I'm an imbecile.

Well, I'll try and stretch

my imagination.

If you'll follow me, please.

So embarrassing.

Come on, I'm going to show you

where the mukhi will do the ceremony.

Nuru, you'll ruin your figure.

I'm just excited.

I nibble when I'm excited.

Oh, yes, excited, happy, sad,

swimming, breathing.

Honestly. Come on, let's go.

I don't consider Toronto

a holiday destination.

So are you visiting

or heading back home?

I'm going back home. But I'm visiting.

So you're from Toronto originally.

Kenya.

Well, my ancestors are from India.

Well, l... I grew up in Canada, but...

Are you going to eat that?

Do you have any idea what

sweatpants say to the world?

They say, "I'm not trying anymore."

And they would be correct.

What happened to you in England?

Nothing.

It was fine, I told you.

There's no surgeon, is there?

An economist.

For UNICEF.

Well, I suppose it pays the rent.

- Hello.

- Thank you.

The Chocolate of the Month Club

made another delivery.

- I put it in your apartment.

- Thanks.

Why does this man have your keys?

No, no. I'm the janitor.

Who gets the present

at Eid every year.

I've never given you an Eid present.

Yes.

So when is Alim going to tie the knot

with this UNICEF woman?

I tell you, I'm ready to organize

Rate this script:0.0 / 0 votes

Ian Iqbal Rashid

Ian Iqbal Rashid (born in Dar es Salaam, Tanzania) is a poet, screenwriter and filmmaker known in particular for his volumes of poetry, for the BBC TV series This Life and the feature films Touch of Pink and How She Move. His current projects include creating television series in many genres for international markets. In the U.S., Rashid is currently developing a police procedural television series for Lionsgate Television and Showtime Network. He is also creating a historical miniseries set in East Africa for Sonar Entertainment. In Canada, he is developing a medical drama series for the Canadian Broadcasting Corporation. And in the UK, he is writing a romantic comedy series for ITV. Of Indian ancestry, Rashid's family lived in colonial and post-colonial East Africa for generations. In his early childhood, his family was forced to leave Tanzania. After failing to secure asylum in the UK and US, they settled in Canada. Rashid began his career as an arts journalist and critic and events programmer, particularly focussed on South Asian diasporic, Muslim and LGBTQ cultural work. In the late 1980s, Rashid was a regular contributor to the Canadian LGBT magazine Rites, and the cultural journals "Fuse" and "TSAR". He published the poetry collection Black Markets, White Boyfriends and Other Acts of Elision, and made the short documentary film Bolo Bolo!. The film, part of an HIV/AIDS educational series called The AIDS Cable Project, resulted in the series being pulled from Rogers Television after complaints about sexually suggestive content, though it had a long and healthy life at film festivals.In the early 1990s, Rashid returned to London, Britain, where he lives today with his partner, the writer and curator Peter Ride. Touch of Pink, his first feature film, spent 12 years in development. In 2003, he finally had the chance to direct the project as a Canada-UK co-production. It premiered at the 2004 Sundance Film Festival to great acclaim, a bidding war, and eventually, a sale to Sony Picture Classics. How She Move received a similar reception at Sundance Film Festival. Directed by Rashid in 2007, the film is set in the world of step dancing. It was nominated for a Sundance World Cinema Grand Jury Prize and purchased by Paramount Vantage. The film opened to great reviews and strong box office: another indie success story to emerge from Sundance. Self-taught as a film-maker, Rashid began his career in the late 1990s, working as a writer in UK television. His credits include the soap, London Bridge (Carlton Television for ITV), and the cult hit BBC2 series This Life for which he received the Writer's Guild of England award. Rashid has written two award-winning short films, Surviving Sabu (1999, Arts Council of England) and Stag (2001, BBC Films). He wrote and read his short story "Muscular Bridges" for BBC Radio 4's HMS Windrush Anniversary. For BBC's Woman's Hour Programme, Rashid wrote and directed Leaving Normal, a comedy serial about gay adoption starring Imelda Staunton and Meera Syal.Rashid has written three award-winning books of poetry. The most recent is The Heat of Yesterday. His poems "Another Country", "Could Have Danced All Night", "Hot Property" and "Early Dinner, Weekend Away" appear in John Barton and Billeh Nickerson's 2007 anthology Seminal: The Anthology of Canada's Gay Male Poets.He has also curated film programmes and exhibitions for venues such as the National Film Theatre, the Institute of Contemporary Arts and Experimenta. He was the founder and first director of Desh Pardesh, Canada's first arts festival focusing on diasporic South Asian arts and culture. Amongst many awards and festival prizes, Rashid has received the Aga Khan Award for Excellence in the Arts. Ian was selected as one of 2010's Breakthrough Brits on the prestigious UK Film Council (BFI) programme. more…

All Ian Iqbal Rashid scripts | Ian Iqbal Rashid Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Touch of Pink" Scripts.com. STANDS4 LLC, 2024. Web. 26 Dec. 2024. <https://www.scripts.com/script/touch_of_pink_22133>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Touch of Pink

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which of the following is a common structure used in screenwriting?
    A Four-act structure
    B Five-act structure
    C Three-act structure
    D Two-act structure