Touch of Pink Page #6

Synopsis: Alim is an Indo-Canadian man currently living in London, England, the move in order to get away from what he feels is his repressive life in Toronto under the watchful and critical eye of his widowed mother, Nuru. For Nuru and her equally competitive sister Dolly, the perfect public Muslim persona is the most important thing in life. Back in London, Alim is free to live openly as a homosexual, of which his mother is not aware. He is in a loving relationship with his live-in British boyfriend, Giles. To navigate through his complicated life, Alim uses the spirit of 'Cary Grant' as his confidante and advisor. Feeling like her life is missing a daughter-in-law as Dolly prepares for her son's "perfect" wedding, Nuru decides to reconnect with Alim in London. Not yet ready to tell his mother of either Giles or his homosexual orientation, Alim, with Giles' support, hides any aspect of this fact for Nuru's visit. But as Giles is tested one turn after another during Nuru's visit, both Alim and
Genre: Comedy, Drama, Romance
Director(s): Ian Iqbal Rashid
Production: Sony Pictures Classics
  4 nominations.
 
IMDB:
6.6
Metacritic:
46
Rotten Tomatoes:
36%
R
Year:
2004
91 min
$188,206
Website
160 Views


Your mother has

a baby grand piano.

She can't play a note either.

Good one. Well, I better be going.

You know what's the matter with you?

What?

Your upper abs.

We should do some crunches later.

Tighten them right up.

I'm sorry.

- You didn't do anything wrong.

- No.

No. I'm sorry you had to see that.

- It must have been a shock.

- Yes.

I'm not completely backwards.

I know about men with men.

I subscribe to Reader's Digest.

- Khaled is just...

- No.

Not Khaled.

I didn't know about you and Giles.

I didn't know that you had such...

...feelings...

...for him.

Really, I had no idea.

No idea at all.

Here's the beep,

you know what to do.

Hi. It's me.

Remember how you said...

... you'd never been to Canada...

...or met my family or...?

Well, whatever.

I was just wondering...

... whether you wanted to come

to Canada.

You know, for the wedding?

What's the matter?

- Couldn't get ahold of him.

- Who?

Giles.

Probably out buying you

a little "I'm sorry" present.

I thought we might enjoy

Gunga Din together.

Set in India, you know.

Has Indians in it.

Your kind of Indians,

not the John Wayne kind.

How about it?

This is...

For a nice little elephant girl.

This is lovely, lovely, lovely.

See that elephant?

The worst breath.

Even worse than Irene Dunne.

I'm going to iron my sari

for the wedding.

You're still going to go?

For Dolly and Hassan's sake.

If you have anything

that needs ironing...

- I didn't bring a suit.

- Maybe your father's suit would fit you.

- But you're busy.

- No, no. This isn't important.

Good.

Come.

I used to love that film.

I took you to see all the Cary Grant

films, do you remember?

Cary Grant, Doris Day.

The Naz Cinema in Mombasa.

They used to play all of them.

Years after they were made.

We didn't know.

I so wanted to be like

the girls in those films.

I went to London because of them.

You went to take a secretarial course

so you could support us.

I went to London to be Doris Day.

Your father passed away

in his sleep.

I woke one morning and I knew,

without looking.

Everything had become so still.

Everything in me became still.

Even my feelings for my little boy.

For weeks, I just...

I felt nothing.

Then, one afternoon,

I went to a film.

Suddenly there was a way out.

Suddenly I could be Doris Day,

flying off to a new life in London.

Trouble is, London wasn't interested

in any Indian Doris Days.

Then or now.

I wish it was different.

But it wasn't.

That little accusing face...

When I came back,

you wouldn't talk to me or anyone.

You'd laugh and play

with your invisible friend.

But nothing for me.

Just that little accusing face

with your father's hurt chin.

We'll catch the morning flight

to London.

- Hello?

- Hi, it's me.

- I got your message.

- Oh, yeah?

I just thought, you know...

I was very pleased

to get your message.

- Yeah?

- Seems like you're enjoying Toronto.

I'm glad.

I'm really happy you've made peace

with that part of your life.

Hello?

Just because you order

extra-hot at Flaming Tandoori...

...does not make you

anything other...

...than a sanctimonious,

toffee-nosed, lily-assed tosser.

Oh, it's the oldest story in the book.

Boy meets boy.

Boy loses boy and goes to Toronto.

Boy gets back together with boy

in London for a happy ending.

- Well, maybe not the oldest story.

- Stop it!

There's not gonna be

a happy ending.

And there's nothing you

or I can do about it.

Today's the big day.

- Yes, but the taxi hasn't arrived yet.

- I'll go and call one.

Really? Thanks. So kind.

You're Alim?

You're very lucky

to have a mother like her.

She's quite the woman.

If you don't mind my saying so.

It all looks perfect.

- Hello.

- Hello, Dolly.

What?

What? What is it? Don't I look

all right? What's the matter?

Nothing's the matter.

- Is there?

- Of course not.

What could be the matter?

Today's my big day.

Is something smudged?

Will you tell me?

Don't I look all right?

Auntie, you look fine.

Maybe just a bit tense?

This is not tense.

I'm just terribly, terribly alert.

Oh, here's Khaled.

The mukhi should be here soon.

I'll go and see him.

- Dolly...

- Excuse me.

Do you think

I should say something?

What?

What is it?

Excuse me.

Actually, Dolly, there is something

I want to talk to you about.

Now, which one is she?

- Who?

- Alim's girl.

The lucky so-and-so got himself

a neuro-brain surgeon.

He brought her, didn't he?

He wanted to, but...

Actually, there's a funny story

about that.

- Why are you dressed like that?

- Well, I wasn't really sure.

It's an Indian wedding,

so I thought...

- You thought what?

- Well, India!

And she dropped the scalpel

inside the rabbi's tummy.

Oh, that's not funny.

That's a malpractice suit.

And what's this tummy business?

I thought she was a brain surgeon.

Excuse me. I have a dry throat.

I guess I need some punch.

Excuse me.

I can see why you wanted to come.

It's like Oscar night out there.

No, more like the spoils

of a maharajah.

- Gunga Din?

- Yes.

How about an elephant ride

across the Rajasthani Desert.

Just stop it, Cary.

Nuru?

- It's warm in here, isn't it?

- It's all right, Nuru. I know.

- Know what?

- About Alim.

Our room used to be next

to Khaled's...

...and your boy's got

quite a set of lungs.

- Oh, my God!

- Exactly. Just like that.

- You let them?

- I've always given Khaled his freedom.

He's given me all this.

I don't see how you can go ahead

with the nuptials.

- What do you mean?

- Nuptials. That means...

I know what nuptials means,

my son's a dentist.

- What about Nina?

- She's marrying my son, the dentist.

Look, I want grandchildren

and ice sculptures and place cards.

And so do you, Nuru. Don't pretend.

But if Khaled can do his duty,

there's no reason why Alim can't.

A happy ending

justifies everything, Alim.

I always do whatever it takes

to make you happy.

You don't understand

what makes me happy.

Of course I do.

It's you who've forgotten.

Alim.

Alim!

- Yes?

- Is this the Lalani wedding?

Yes. Waiters go in the back.

You're very late.

Go change in the toilet, quickly.

Our secret.

I cannot be a witness

to this wedding.

- I'll slip out. Nobody will notice.

- Everybody will notice!

Nuru, you're not going anywhere.

Now, don't play

the perfect mother with me.

You left your son

and we picked up the pieces.

We will always pick up the pieces.

We are family.

Rolex says 38 minutes. And that

caterer is scary with numbers.

I'm not...

Hassan must be drunk.

I knew we should've had

a cash bar.

Has there been a hockey match?

Has Canada won?

Uncle, this is Giles.

Oh, he's a friend, then?

Yeah. I hope it's all right.

Of course. We have pheasant

samosas coming out of our ears.

Hassan. Very good party.

Hello.

It's good to see you.

I'm sorry, I know. Your family.

I cannot believe my eyes.

Can't you stop them?

Think I'll get a Coke.

Excuse me.

Why is Alim kissing that man?

And what will his fiance,

Rate this script:0.0 / 0 votes

Ian Iqbal Rashid

Ian Iqbal Rashid (born in Dar es Salaam, Tanzania) is a poet, screenwriter and filmmaker known in particular for his volumes of poetry, for the BBC TV series This Life and the feature films Touch of Pink and How She Move. His current projects include creating television series in many genres for international markets. In the U.S., Rashid is currently developing a police procedural television series for Lionsgate Television and Showtime Network. He is also creating a historical miniseries set in East Africa for Sonar Entertainment. In Canada, he is developing a medical drama series for the Canadian Broadcasting Corporation. And in the UK, he is writing a romantic comedy series for ITV. Of Indian ancestry, Rashid's family lived in colonial and post-colonial East Africa for generations. In his early childhood, his family was forced to leave Tanzania. After failing to secure asylum in the UK and US, they settled in Canada. Rashid began his career as an arts journalist and critic and events programmer, particularly focussed on South Asian diasporic, Muslim and LGBTQ cultural work. In the late 1980s, Rashid was a regular contributor to the Canadian LGBT magazine Rites, and the cultural journals "Fuse" and "TSAR". He published the poetry collection Black Markets, White Boyfriends and Other Acts of Elision, and made the short documentary film Bolo Bolo!. The film, part of an HIV/AIDS educational series called The AIDS Cable Project, resulted in the series being pulled from Rogers Television after complaints about sexually suggestive content, though it had a long and healthy life at film festivals.In the early 1990s, Rashid returned to London, Britain, where he lives today with his partner, the writer and curator Peter Ride. Touch of Pink, his first feature film, spent 12 years in development. In 2003, he finally had the chance to direct the project as a Canada-UK co-production. It premiered at the 2004 Sundance Film Festival to great acclaim, a bidding war, and eventually, a sale to Sony Picture Classics. How She Move received a similar reception at Sundance Film Festival. Directed by Rashid in 2007, the film is set in the world of step dancing. It was nominated for a Sundance World Cinema Grand Jury Prize and purchased by Paramount Vantage. The film opened to great reviews and strong box office: another indie success story to emerge from Sundance. Self-taught as a film-maker, Rashid began his career in the late 1990s, working as a writer in UK television. His credits include the soap, London Bridge (Carlton Television for ITV), and the cult hit BBC2 series This Life for which he received the Writer's Guild of England award. Rashid has written two award-winning short films, Surviving Sabu (1999, Arts Council of England) and Stag (2001, BBC Films). He wrote and read his short story "Muscular Bridges" for BBC Radio 4's HMS Windrush Anniversary. For BBC's Woman's Hour Programme, Rashid wrote and directed Leaving Normal, a comedy serial about gay adoption starring Imelda Staunton and Meera Syal.Rashid has written three award-winning books of poetry. The most recent is The Heat of Yesterday. His poems "Another Country", "Could Have Danced All Night", "Hot Property" and "Early Dinner, Weekend Away" appear in John Barton and Billeh Nickerson's 2007 anthology Seminal: The Anthology of Canada's Gay Male Poets.He has also curated film programmes and exhibitions for venues such as the National Film Theatre, the Institute of Contemporary Arts and Experimenta. He was the founder and first director of Desh Pardesh, Canada's first arts festival focusing on diasporic South Asian arts and culture. Amongst many awards and festival prizes, Rashid has received the Aga Khan Award for Excellence in the Arts. Ian was selected as one of 2010's Breakthrough Brits on the prestigious UK Film Council (BFI) programme. more…

All Ian Iqbal Rashid scripts | Ian Iqbal Rashid Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Touch of Pink" Scripts.com. STANDS4 LLC, 2024. Web. 28 Dec. 2024. <https://www.scripts.com/script/touch_of_pink_22133>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Touch of Pink

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "MacGuffin" in screenwriting?
    A A character's inner monologue
    B A subplot
    C An object or goal that drives the plot
    D A type of camera shot