Toy Story 2 Page #3

Synopsis: While Andy is away at summer camp Woody has been toynapped by Al McWiggin, a greedy collector and proprietor of "Al's Toy Barn"! In this all-out rescue mission, Buzz and his friends Mr. Potato Head, Slinky Dog, Rex and Hamm springs into action to rescue Woody from winding up as a museum piece. They must find a way to save him before he gets sold in Japan forever and they'll never see him again!
Director(s): John Lasseter, Ash Brannon (co-director), Lee Unkrich (co-director)
Production: Buena Vista Pictures
  Nominated for 1 Oscar. Another 20 wins & 26 nominations.
 
IMDB:
7.9
Metacritic:
88
Rotten Tomatoes:
100%
G
Year:
1999
92 min
Website
10,059 Views


Let me take the wheel.

- [ Jumbled Audio ]

- [ Rex ] It's too fast.

- How can you even tell what's on?

- I can tell.

- [ Al Squawks ]

- [ All ] Stop! Back, back, back!

Too late. I'm in the 40s.

Got to go 'round the horn. It's faster.

- [ All ] Back, back! Stop!

- And look for the giant chicken!

Now, Etch!

That's where I need to go.

You can't go, Buzz.

You'll never make it there.

Woody once risked his life to save me.

I couldn't call myself his friend

if I weren't willing to do the same.

So who's with me?

I'm packing you an extra pair of shoes

and your angry eyes just in case.

This is for Woody when you find him.

[ Clears Throat ]

All right, but I don't think

it'll mean the same coming from me.

Mr. Buzz Lightyear,

you just gotta save my pal Woody.

- [ Coughing, Wheezing ]

- I'll do my best, son.

Okay, fellas.

Let's roll.

Geronimo!

You'd think with

all my video game experience,

I'd be feeling more prepared.

[ Screaming ]

The idea is to let go.

We'll be back before Andy gets home.

Don't talk to any toy you don't know!

To Al's Toy Barn and beyond!

[ TV Jessie ] They don't

call this the old abandoned mine

for nothin', Prospector.

I reckon we oughta

get outta here.

[ TV Pete ] Where's my gold?

Hold on. I'll light me a candle.

[ TV Pete ] Where's my gold?

Hold on. I'll light me a candle.

This sure is a fast-burnin' wick.

Blast us to smithereens!

That there's dynamite!

- Holy tarnation.

- I'll call for help.

~Yodel-ay-hee-hoo ~

Hey, critters, go get Sheriff Woody.

Now scurry!

[ TV Woody ] Good job,

Bullseye. I reckon the new

schoolhouse is finally done.

- [ Critters Chittering ]

- What's that?

Jessie and Prospector are trapped

in the old abandoned mine,

and Prospector just lit a stick

of dynamite thinkin' it was a candle,

and now they're about

to be blown to smithereens?

- [ Rabbit ] Mm-hmm.

- Ride like the wind, Bullseye!

You're fannin' the flames, Jessie!

It takes brains to put out that fire.

Yow! My biscuits are burnin'!

[ Announcer ]

Will Woody and Bullseye land to safety?

Can they reach Jessie

and Stinky Pete in time?

Tune in next week for the exciting

conclusion:
"Woody's Finest Hour."

All right! All right! Next tape!

Hey, w-wait.

What happened? What happens next?

- Come on! Let's see the next episode!

- [ Pete ] That's it.

- What?

- The show was canceled after that.

Wait. What about the gold mine and the

cute little critters and the dynamite?

That was a great show!

I mean, why cancel it?

Two words:
Sput-nik.

Once the astronauts went up, children

only wanted to play with space toys.

I know how that feels.

But still, my own show.

- I mean, look at all this stuff!.

- [ Jessie ]Didn't you know?

Why, you're valuable property!

I wish the guys could see this.

Hey-howdy-hey. That's me.

I'm on a yo-yo.

[ Chuckles ]

Oh, hey. Nice teeth.

And yet, still a good-lookin' guy.

Oh, it's a bank! Cool.

Wh-What do you do?

You push the hat, and out co--

Oh, out come bubbles. Clever.

Oh, wow. Hey, what's this thing do?

[ Laughing ] I get it.

"There's a snake in my boot."

Oh, hey, Bullseye.

Go long! Go long! Whoo!

- ~~ [ Distorted Instrumental ]

- A record player!

- I haven't seen one of these in ages.

- ~~ [ Fast-speed Yodeling ]

- ~~ [ Singing Slows ]

- Okay, now. Slow.

- ~~ [ Extra-slow Singing ]

- Oh, that's funny, Bullseye.

Hop on, cowgirl! Think fast!

[ Jessie Gasps ] Oh.

- Not bad.

- ~It's time for Woody's Roundup~

- Whee!

- [ Distorted ]~He's the very best~

[ Fast-speed ]~He's the rootin'-est

tootin'-est cowboy--~~

Look at us!

We're a complete set!

- Now it's on to the museum.

- Museum?

- [ Record Scratching ]

- [ Jessie Screaming ]

- What museum?

- The museum.

We're being sold

to the Konishi Toy Museum in Tokyo.

- That's in Japan!

-Japan? No, no, no, no, no.

I can't go to Japan.

[ Chuckles ]

What do you mean?

I got to get back home to

my owner, Andy. Hey, look, look. See?

- [ Gasps ] He still has an owner.

- Oh, my goodness.

[ Hyperventilating ] No. Can't go.

-I can't do storage again. I just can't!

-Jessie. Jessie.

- I won't go back in the dark!

- What's the matter?

What's wrong with her?

- Well, we've been in storage

for a long time waiting for you.

- [ Continues Hyperventilating ]

- Why me?

- The museum's only interested

in the collection...

if you're in it, Woody.

Without you, we go back into storage.

- It's that simple.

- It's not fair!

How can you do this to us?

Hey, look. I'm sorry,

but this is all a big mistake.

- You see, I was in this yard sale--

- Yard sale?

Why were you in a yard sale

if you have an owner?

Well, I wasn't supposed to be there.

I was trying to save another toy when--

Was it because you're damaged?

Hmm? Did this Andy break you?

Yeah, but-- No, no, no, no, no!

It was-- It was an accident.

- I mean--

- Sounds like he really loves you.

It's not like that, okay?

And I'm not going to any museum!

- Well, I'm not going back into storage!

- [ Door Opening ]

- [ Gasps ]

- [ Pete ]Al's coming!

- [ Gasps ]

- Go! Go on, Jessie. Jessie, look at me.

- Oh, oh, oh.

I promise you'll come out of the box.

Now go! Go!

~~[ Al Humming ]

It's show time!

[ Chuckles ] Oh, money, baby.

Money, money, money.

[ Laughs Evilly ] And now,

the main attraction.

~~ [ Resumes Humming ]

[ Gasps, Screams ]

No! His arm! Where's his arm?

Oh... no. No, no, no, no!

What am I gonna do?

I know. I know.

[ Muttering ] Come on! Come on!

Come on! Pick up the phone!

- [ Man ] Hello?

- It's me. It's Al.

I got an emergency here.

- Well, I'm busy.

- Yes, we're all busy.

Look. It has to be tonight.

- [ Man Responds, Indistinct ]

- All right. All right.

But first thing in the morning.

[ Screams ] It's gone!

I can't believe it!

- My arm is completely gone!

- All right. Come here. Let me see that.

- [ Gasping ]

- Oh, it's just a popped seam,

easily repaired.

- You should consider yourself lucky.

- Lucky?

Are you shrink-wrapped?

I am missing my arm!

Big deal.

Let him go.

I'm sure his precious Andy...

is dying to play with

a one-armed cowboy doll.

Why, Jessie, you know he wouldn't last

an hour on the streets in his condition.

It's a dangerous world

out there for a toy.

[ Owl Hooting ]

[ Gasping ]

[ Chuckles ]

All right.

Nobody look till I get my cork back in.

- Good work, men.

Two blocks down and only 1 9 more to go.

- What?

- [ All ] Nineteen?

- Are we gonna do this all night?

- My parts are killing me.

- Come on, fellas.

Did Woody give up

when Sid had me strapped to a rocket?

- [ All ] No.

- No.

And did he give up when you threw him

out of the back of that moving van?

- Oh, you had to bring that up.

- No, he didn't!

We have a friend in need, and we will

not rest until he's safe in Andy's room!

- ~~[ "Star-Spangled Banner" ]

- Now let's move out!

[ Announcer ]

And that concludes our broadcast day.

[ Static ]

[ Snoring ]

[ Snorting ]

Rate this script:3.4 / 5 votes

John Lasseter

John Alan Lasseter (born January 12, 1957) is an American animator and filmmaker, and former chief creative officer of Pixar Animation Studios, Walt Disney Animation Studios, and the defunct Disneytoon Studios. He was also the Principal Creative Advisor for Walt Disney Imagineering.Lasseter began his career as an animator with The Walt Disney Company. After being fired from Disney for promoting computer animation, he joined Lucasfilm, where he worked on the then-groundbreaking use of CGI animation. The Graphics Group of the Computer Division of Lucasfilm was sold to Steve Jobs and became Pixar in 1986. Lasseter oversaw all of Pixar's films and associated projects as executive producer. In addition, he directed Toy Story (1995), A Bug's Life (1998), Toy Story 2 (1999), Cars (2006), and Cars 2 (2011). From 2006 to 2018, Lasseter also oversaw all of Walt Disney Animation Studios' (and its division Disneytoon Studios') films and associated projects as executive producer. The films he has made have grossed more than $18 billion U.S. dollars, making him one of the most consistently successful filmmakers of all time. Of the seven animated films that have grossed more than $1 billion U.S. dollars, five of them are films executive produced by Lasseter. The films include Toy Story 3 (2010), the first animated film to pass a billion, Frozen (2013), the current highest grossing animated film of all time, as well as Zootopia (2016), Finding Dory (2016) and Incredibles 2 (2018). He has won two Academy Awards, for Best Animated Short Film (for Tin Toy), as well as a Special Achievement Award (for Toy Story).In November 2017, Lasseter took a six-month sabbatical from Pixar and Disney Animation after acknowledging "missteps" in his behavior with employees. According to various news outlets, Lasseter had a history of alleged sexual misconduct towards employees. In June 2018, Disney announced that he would be leaving the company at end of the year, but is taking on a consulting role until then. more…

All John Lasseter scripts | John Lasseter Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Toy Story 2" Scripts.com. STANDS4 LLC, 2024. Web. 27 Dec. 2024. <https://www.scripts.com/script/toy_story_2_22158>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is "subtext" in screenwriting?
    A The underlying meaning behind the dialogue
    B The literal meaning of the dialogue
    C The background music
    D The visual elements of the scene