Trust Page #5

Synopsis: A suburban family is torn apart when fourteen-year-old Annie (Liana Liberato) meets her first boyfriend online. After months of communicating via online chat and phone, Annie discovers her friend (Chris Henry Coffey) is not who he originally claimed to be. Shocked into disbelief, her parents (Clive Owen and Catherine Keener) are shattered by their daughter's actions and struggle to support her as she comes to terms with what has happened to her once innocent life.
Genre: Crime, Drama, Thriller
Director(s): David Schwimmer
Production: Millenium Entertainment
  1 win & 3 nominations.
 
IMDB:
6.9
Metacritic:
60
Rotten Tomatoes:
78%
R
Year:
2010
106 min
$117,623
Website
1,071 Views


investigation.

I'd completely lose

Annie's trust.

Now, I do have

some good news.

The lab was able to extract

enough DNA for a profile.

We're gonna run it through

CODIS, the national database

and if there's a hit

we should know

within a week or two

at the most.

Hey, I'll be right back.

I gotta call in.

Lynn.

Will, what are you

doing here?

I just came

from seeing Tate.

What's wrong?

You're not gonna

believe this.

What? What

is this?

Read it.

What is it?

Just read it.

"l can't stop

thinking about it."

"You inside me.

I get wet when I picture it."

Okay, stop.

Our daughter

wrote this.

Annie.

"How big are you?

I bet you taste good."

Will, stop it.

"l wanna see it

right now."

Stop it,

Jesus God!

I mean, she's 14.

Where the hell did she learn this?

She's 14, she didn't

make this happen!

Yeah, but we're gonna have

to talk to her about this.

- You are not gonna talk to her.

- But look at it!

Our daughter sounds like

a f***ing porn star!

You cannot confront

her about this.

- I'm gonna kill him.

- No.

I swear to God,

I'm gonna find

this animal and I'm

gonna f***ing kill him!

Stop it!

Oh, my God.

You're acting crazy, Will.

No, you're not gonna--

You're not gonna read this.

Just leave it alone.

Give it to me.

I'll see you tonight.

Now I need you to bring

that back to me right now, Will.

I'll get it back

to you tomorrow.

You do know it's

a federal crime, right?

I just think I

have a right to know

who my daughter's

talking to.

No, no, no. You are interfering

with the investigation.

You've betrayed your

daughter's trust to me.

She doesn't need to know.

You're not letting me

do my job, Mr. Cameron.

I need you to bring them

back to me right now, Will.

Yeah, I will.

I'll get it back to you.

Right--

Oh, you son of a b*tch.

Hey, stranger.

This is something, huh?

Oh, yeah, it's great. I feel 80.

Mojito?

I'm fine, thanks.

Hey, great party, man.

Will, come here!

Will. Are you

all right?

No, I'm, I'm, I'm

just feeling, I'm--

S-- Sorry.

Will? Will!

I heard the door.

That was me.

I, I couldn't sleep.

I took a drive.

Well, you scared me.

Will, you scared me.

Sorry.

All right, so,

are you coming up?

In a bit.

What are you doing?

Nothing.

Is this you?

Are you, are you

Sad Little Girl?

What are you doing?

You're posing

as a teenage girl

to chat with men

on line, seriously?

That's what they do.

They showed me.

Oh, my God.

It's a way

of drawing them out.

Good night.

I spoke to Pete today.

He's coming home

for Halloween.

Well, he said he would try.

He's got a lot of work.

But, and he sounds

good. Happy.

You didn't tell

him, did you?

No. But I--

Don't, okay?

Oh, about what?

What?

Remember what we talked

about upstairs, sweetie

about Annie

being hurt?

I'm serious, okay?

Okay.

How 'bout we go to the

movies this weekend?

Is there anything

you wanna see?

Nothing you'd

be interested in.

Well, try me.

I may surprise you.

Yeah, right.

What does that mean?

Why are you being so mean to me?

What did I do?

I'm not being mean.

Katie, am I being mean?

No.

How 'bout we go on a

bike ride this weekend?

Well, yeah.

Uh, can we also go along the lake?

Yeah. And we can go to that

favorite rock that you like.

Cool.

Great.

You know, you don

'I have to do this, honey.

Yeah, I know.

Well, call me if you

need anything, okay?

Honey? Give me a kiss.

I love you.

See you later.

Okay.

You're gonna have

to talk to me sometime.

I'm really sorry,

Annie, okay?

I didn't know

what else to do.

Annie?

You're sorry?

Yeah.

Do you realize

what you did?

You f***ed up everything.

Charlie, my parents, everything.

I was scared, okay?

No. It's not okay.

I kept every

secret of yours.

Annie, you're my best friend

and I was worried about you.

"Was." I was

your best friend.

Do me a favor and never

talk to me again.

Annie.

Annie!

That was f***ing embarrassing

at the big launch party.

Oh, yeah, I know,

I'm sorry.

It was just some personal stuff.

It was nothing.

You're sure?

Because you've been kind

of MIA around here lately.

There just could not be a

worse time to be distracted

while I really need

your head in the game.

What, you don't think

I'm giving a 100 %, Coach?

Well, you tell me.

I put this on your desk a week ago.

Mel's been waiting since Monday

for you to sign off on this.

Well, tell him, then, fine.

Run with it.

You haven't even looked

at it, have you?

What the hell's

going on?

It's Annie.

She was sexually assaulted.

What?

Oh, my God.

I had no idea, Will.

She's fine.

I mean, she wasn't, but she's okay.

They catch the guy?

They're looking for him.

They started with the

crime scene in the motel.

Jesus. She

was kidnapped?

No, she-- She sort

of knew the guy.

I-- I don't understand.

It was someone

she met online

someone she'd been

talking to for a while.

Oh, I thought you meant she was

like attacked, you know. I--

You scared the sh*t

out of me.

She was raped.

She's 14.

The guy's in his 30s.

I know, I know.

It's just that I was picturing--

Well, you don't wanna know

what I was picturing.

Could have been

much worse.

Hey, can I come in?

I guess. What's up?

How was school?

Okay.

Was it weird seeing

your friends again?

It was fine, Dad.

Did you see Gail today?

No, tomorrow.

How, how's that going?

Great. I'm cured.

Still no contact

from "Charlie"?

I hate when you do that.

Say his name like that.

It's not his

real name, is it?

What do you want, Dad?

Has there been

any contact?

No.

None at all?

What, you don't

believe me?

You wanna check

my phone?

Would you have

a problem with that?

Yeah, I would.

Why, if there's

nothing to hide

why would that

be a problem?

You're unbelievable.

What?

Take it.

What's your problem?

What is my problem?

My problem is you lied to me, sweetheart.

From the second that you knew he

wasn't 15, you should have told me

and you didn't.

You lied.

Why didn't you come and

talk to me or your mother

and say what was going on?

When you found out

for the first time, what--

What were you thinking?

You didn't know then that

something was wrong?

When you, you met him in the mall

and saw him for the first time

what do you do, you don't call me?

You don't run away?

You get in a car with him?

it's like rule number one.

You know, I'm trying

to understa--

Please just leave me alone.

But talk to me. I--

You're just pissed

you didn't know.

No, that's not--

No, everything

would've been fine

if everyone would've

just chilled out.

- What are you talking about?

- Charlie and me.

Are you out

of your mind?

You're the crazy one!

Checking my phone,

bringing out sickos

on the web.

I'm trying

to find the scumbag!

He's not like that!

You don't even know him!

My God, you're protecting him.

The guy raped you.

And you're protecting him.

He didn't rape me!

Get out, get out of my

f***ing room right now!

I hate you. Get out!

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Andy Bellin

Andy Bellin is a director and screenwriter, whose credits include the 2013 film Lovelace and the 2011 Clive Owen film Trust. He is the son of model Countess Christina Bellin and plastic surgeon Dr. Howard Bellin. more…

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Submitted on August 05, 2018

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