Two for the Seesaw Page #2

Synopsis: Jerry Ryan is wandering aimlessly around New York, having given up his law career in Nebraska when his wife asked for a divorce. He meets up with Gittel Mosca, an impoverished dancer from Greenwich Village, and the two try to straighten out their lives together.
Genre: Drama, Romance
Director(s): Robert Wise
Production: United Artists
  Nominated for 2 Oscars. Another 2 nominations.
 
IMDB:
6.8
Rotten Tomatoes:
60%
APPROVED
Year:
1962
119 min
865 Views


I'm not sure. It bother you talking

about marriage and divorce?

Oh, no.

I was thinking about something else.

How to decide whether

we really want to see a show?

- Cross-examine us, you're the lawyer.

- Please, this is more exotic.

Watch, you have to be a bat

to find your way around.

Some of my best friends are bats.

I'm not entirely stable myself.

- (crash)

- So why didn't you listen?

lt'd make no difference.

Over 60% of accidents occur in the home.

Not including ruptured marriages.

Be safe, be homeless.

Getting run over in the street's better.

Coke, beer or seltzer?

- You?

- Warm milk.

Warm milk? I may be too old for you.

I'll have a sophisticated Coke.

It's got caffeine,

I'll give you a beer, it's more relaxing.

Don't be a nurse. Sorry. I spent twelve

years being treated like a patient.

I was worried about,

coddled, humoured.

- Your wife?

- A great little caretaker called Tess.

I've been cared for till I'm in shreds.

- Coke. Leave the chips to fall.

- OK. You don't sleep so you won't sleep.

Make it a beer.

Let's start all over, Jerry. Coke or beer?

Warm milk. If I'm relaxing,

there's no point in being casual about it.

- What bed you got, you don't sleep?

- A cot from the Salvation Army for $8.

No wonder. Feel that.

Go on, take a feel.

You know what I paid

for the mattress? 59 bucks.

I'd never be without a good bed.

You're in it a third of your life.

- You must lead a very straight-laced life.

- OK. Half.

You get a good bed,

you'll stop walking so much.

Until I stop walking, I can't afford

to make my bedbugs comfortable.

- Vicious circle.

- Bedbugs?!

Among other things, yeah.

Lawyer or no lawyer,

you're not working, Jerry?

Getting unstuck from a piece

of flypaper can be very hard work.

No, no.

I know why I'm drinking this.

Why are you?

- I got an ulcer, in the duodenum.

- Serious?

I thought ulcers in women

went out with the vapours.

Isn't that a man's disease nowadays?

- Well, I got it.

- Which are you, by the way?

The old-fashioned type or the manly,

same rules for me as for you?

Why? What's the difference?

It might influence whether

I drink this and go or stay all night.

You don't exactly lead up to things,

do you?

Who's Mr America? Is that your ex?

Wally wasn't around long enough to snap

a picture. That's Larry, my partner.

Somehow there's less of you here.

Well, ulcers you put on weight.

Supposed to eat six meals a day.

The last haemorrhage, I'd put on 18lbs!

- The last?

- I hope. I've got just so much blood.

- How many have you had?

- Two.

When I never looked healthier, they

operated on me for something different!

Appendicitis. No kidding,

I'm a physical wreck, practically.

Your physique, wrecked though it may be.

That's what's wrong with me.

What's wrong with you?

Nothing wrong with me except

of course our problem.

- Make up our minds.

- About what?

Am I staying over? I appreciate

the invitation but I don't think I'll insist.

I don't get it, Jerry.

First, you can't decide whether to eat

with me, then it's into bed. How come?

Just testing. How will I know

what to think till I hear what I say?

Is that the way you decide everything,

in your head?

It saves a lot of false moves.

How do you decide things?

Not in my head. A couple of false moves

might get you further.

Let's not rush. Let's examine

what we'd be getting into.

Who said yes yet? Is this some new line,

supposed to be putting me in the mood?

- You mean it's not?

- Oh, boy!

All right, try a more conventional

approach, a little soft music.

- Something I've missed.

- (soft music)

- You haven't got a radio, even?

- I haven't got a television set either.

But everybody's got a radio.

You can get a radio for 19.95.

- Jerry, are you broke?

- Why do you ask?

You're a long way from home,

you're not working.

Know anybody you can borrow from?

Only you.

(radio:
up-beat band music)

How much do you need?

You're a very generous girl, Gittel.

Too generous.

You can get bit, feeding stray wolves.

- But you're broke.

- You said that.

Last year I made $30,000.

I got 18 bucks to last me the month,

I'm helping you!

- I'd say you were a born victim.

- Of what?

- Yourself.

- I feel sorry for you. What's so terrible?

- You feel sorry for me?

- Sure.

- Gittel, how old are you?

- 29.

Stop talking like 28.

Start worrying about your own worries.

Things aren't good. A little here and there,

the rest unemployment insurance.

- I got several plans!

- Plans?

This Larry and me,

we're working up a dance recital.

I'm looking for a cheap loft

for a studio for classes...

Why so sore?

'Cause I feel sorry for ya?

I don't think I can afford you.

I'm not ready for a whole human,

complete with weaknesses...

- Who asked ya? Who made an offer?

- I did, but I take it back.

I'm neither ready nor able to be

responsible for anything these days.

Least of all an ingenuous nitwit.

That's why I'm sore. Disappointment.

- What does ingenuous mean? Smart?

- Dumb. Naive.

Oh, I had my own room

in the Village at sixteen!

What to do? To play potsy?

- Be scared for your own reasons.

- So you're a woman of wide experience?

Well, wide is another story.

Do you sleep with Mr America?

Larry? I told you, he's a dancer.

We're good friends and all that

but do you think I'm peculiar?

- Hey, are you?

- Am I what?

Queer.

(he sighs deeply)

Now you've gone too far.

- How long have you been on the wagon?

- A year.

Where you been, in jail?

Let's not get all worked up.

Have a cookie and calm down,

then you'd better go.

Go? Was that the wrong false move?

No, Jerry.

I've an ironclad rule. I wouldn't sleep with

Christopher Columbus on the first date.

You want me to be promiscuous?

Besides, this routine

you've been giving me,

you couldn't have planned it better

to be turned down.

You're testing, how do you like that?

You know who you're testing? Not me.

You wanna find out how you feel.

That's a make?

Why should I sleep with you?

A health cure?

I don't even know what's eating you.

You've my whole life story -

and you, no news at all.

The news is sparse but here it is.

I'd a job, house, marriage and a life.

They all went sour.

Now for the shining present.

I live in a cell costing $31 a month,

hall's full of garbage.

I awake gassed if I don't throw myself

off a bridge the night before.

- I can't afford 19.95 for a radio!

- Sh!

That 30 grand, you said that to show off?

I didn't want to take candy

from a baby. I came east with $500.

I'm trying to live on 3.50 a day.

You spent 16.80 tonight!

- I splurged. My birthday.

- Birthday?

Also, I bought a dollar cigar.

You bought your own birthday present?

- Why didn't you tell me, Jerry?

- Why?

- You'd have given me one?

- Sure.

Thanks, but I'm not hinting for handouts

from lovable crackpot waifs.

Don't say "Go" when signalling "Come".

It's not ladylike.

You haven't been hinting for handouts?

Rate this script:0.0 / 0 votes

Isobel Lennart

Isobel Lennart (May 18, 1915 - January 25, 1971) was an American screenwriter and playwright. A native of Brooklyn, New York, Lennart moved to Hollywood, where she was hired to work in the MGM mail room, a job she lost when she attempted to organize a union. She joined the Communist Party in 1939 but left five years later. Lennart's first script, The Affairs of Martha, an original comedy about the residents of a wealthy community who fear their secrets are about to be revealed in an exposé written by one of their maids, was filmed in 1942 with Spring Byington, Marjorie Main, and Richard Carlson. This was followed in quick succession by A Stranger in Town, Anchors Aweigh, and It Happened in Brooklyn. In 1947, the House Un-American Activities Committee (HUAC) began an investigation into the motion picture industry. Although she was never blacklisted, Lennart, a former member of the Young Communist League, testified to HUAC in 1952 to avoid being blacklisted. She later regretted this decision. Lennart's later screen credits include A Life of Her Own, Love Me or Leave Me, Merry Andrew, The Inn of the Sixth Happiness, Please Don't Eat the Daisies, The Sundowners, and Two for the Seesaw. In 1964, Lennart wrote the book for the Broadway musical Funny Girl, based on the life and career of Fanny Brice and her tempestuous relationship with gambler Nicky Arnstein. It catapulted Barbra Streisand to fame and earned her a Tony Award nomination. In 1968, Lennart wrote the screen adaptation, which won her a Writers Guild of America award for Best Screenplay. It proved to be her last work. Three years later, she was killed in an automobile accident in Hemet, California. Lennart married actor/writer John Harding in Las Vegas, Nevada in 1945. They had two children, Joshua Lennart Harding (December 27, 1947 - August 4, 1971) and Sarah Elizabeth Harding (born November 24, 1951). more…

All Isobel Lennart scripts | Isobel Lennart Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Two for the Seesaw" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/two_for_the_seesaw_22411>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Two for the Seesaw

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the purpose of a "beat sheet" in screenwriting?
    A To provide camera directions
    B To outline major plot points
    C To write character dialogues
    D To describe the setting in detail