Udayananu Tharam Page #5

Synopsis: Thanks to a script stolen from assistant director Udayabhanu, Rajappan Thengummoodu becomes superstar Saroj Kumar overnight. Udayan is left heart-broken but fate comes in the form of Babykuttan who wants to produce a movie with Udayan in the director's seat. And when Superstar Saroj Kumar starts working in the film, things looked to be in the right track. But when the project nears completion, Saroj walks out from the project due to an ego clash with Udayan. Now Udayan must shoot the rest of the movie without the knowledge of Saroj leading the movie to an exciting climax.
Genre: Comedy
Director(s): Roshan Andrews
 
IMDB:
7.9
Year:
2005
4,061 Views


Then ask the astrologers

to direct the film.

But the film will be a utter

flop if Mr. Pratap..

...doesn't direct it, the

astrologers said it.

Balan Pillai, if the

film is to do well..

...all the aspects should

be looked into.

And you all have no sense.

Please compromise for once.

Truly speaking..

...I've brought cheque

to pay him the advance.

Let me pay it before the time

runs out. - Balan Pillai..

Udhayan, you were in

Kerala, isn't it?

I went to meet producer

Baby Kuttan.

He liked my screenplay

very much.

But Prasad Chandran

is very busy.

Baby Kuttan is ready to

start the film anytime.

Is that busy Prasad Chandran.

He is busy with couple of films.

I'll have to press him again.

Do you know something? Do

you know who is the hero..

...of director Mr. Pratapan's

new film? Our Rajappan!

Rajappan?

- Yes.

Rajappan in Mr. Pratapan's

film? - Yes.

How did that happen?

Normally, Mr. Pratapan doesn't

make such mistakes.

You are right. I didn't

believe it.

But that is true. Rajappan

got the advance.

He has taken a room

on rent nearby.

And Pachallan Bhasi

is training him.

Oh God! What am I hearing?

Anyway poor fellow, let him

survive. All right then. - Fine.

If you've come to see Rajappan

he is busy doing Shirsh-asan.

I am Rajappan's friend

Udhayabhanu.

I am Pachallan Bhasi and

I am training Rajappan.

I'll wait till he finishes

the Shirsa-asan.

No, no, after Shirsh-asan,

he'll be doing Padma-asan.

After that Kukud-as an.

Then Sarvanga-asan.

Then Mayur-asan and in

the end Shava-asan.

Then he'll begin his

actual training.

And it's a very tough training.

I'll tell you in details.

This is Shringaram.

This is Karunam.

Veeram.

Roudram.

Hasyam.

Bhayanakam.

Bhirvasam

Albutam and Shantam.

And there are other four,

which I've invented.

There is a lot to be taught

and time is very short.

So now, no friend or enemy

is allowed to disturb him.

You may go now.

What's this? You are doing Shava-asan

directly from Shirsh-asan.

I'll do the rest of

the Asans afterward.

Who knocked the door?

- He said some name.

And said he is your friend.

Something like Udhayan.. Bhanu..

I said you are doing Asans

and closed the doors.

Then don't waste time lets

start the training.

Do you know how Rasan comes?

It doesn't come, but

we have to make it.

All right, then how to make it?

I don' know exactly, but

still I can tell you.

First we should boil the lentils.

A tomato can be used.

Then black pepper and

asafoetida is to be added.

Then oil is to be heated and

green leaves and onions..

...are to be fried in

it along with garlic.

There is no need to take

that much trouble.

You'll get the powder for

making Rasam in the shop!

Yes, we can get it.

Mister, I am talking

about Navrasam!

He is simply stupid!

This is Srirangam.

Do it.

This is not the way I've shown.

You are doing the act of the

cow releasing the cow-dung.

Do it the way I did.

Why are you shaking your body

while doing Sringaram?

What is written in Natya Shastra?

- That.. that..

What Bharatmuni said

in Natya Shastra?

What you know about

Bharatmuni and Natya Shastra?

This is Kabayil. Virugal.

You should concentrate

on your eyes.

Your eyes should express

everything.

So with out shaking your body..

...show me the Navrasam

with your face.

Come here.

This is Karunam.

Do it like this.

It cannot be done so easily

as my master could.

You should kindly

give me some time.

Brother Bhaskaran! Brother

Bhaskaran! - Yes.

What's the matter? Did you

find any climax again?

No brother Bhaskaran, Baby

Kuttan is coming here.

He just called me.

Gopi Kuttan?

- It's not Gopi Kuttan.

It's Baby Kuttan, the

producer of my film.

He has come. We've to discuss

a lot of things.

So I don't have

time to make tea.

So you should make tea for us.

He is not aware of this place.

So I am going to pick him up.

- OK.

This is not the right

place for a director..

...whose film is going

to be a hit.

People should see my movie.

Place is not a problem for me.

I stay over there. Come.

I've to attend a marriage

of a family friend.

I've to take a print of my last film

Prasad lab and sent it to Dubai.

And before that I want

to amend my mistake.

Mistake? - Why, haven't you

heard this word before?

Yes mistake. - What mistake

did Baby Kuttan do?

Come, I'll tell you.

Don't think that just directors

can make dramas.

A producer can..

Brother Bhaskaran, this

is the one I said..

Yes I understood.. Gopi Kuttan!

- What?

Baby Kuttan.

He stays in the neighbourhood.

When friends visit, Brother

Bhaskaran prepares tea.

Don't think that he

is a tea-maker.

Brother Bhaskaran, we've

to discuss something.

Yes, I understood, I understood.

So what were you telling?

A producer..

Yes, a producer listened

to the story.

He liked it and

decided to do it.

But didn't pay the advance.

That's a mistake, isn't it?

It's not that I forgot. But

we've to see the time too, isn't it?

Now take this.

Baby Kuttan, between us there..

Friendship is different

and films are different.

Now take this.

It's a new film directed

by Mr. Pratapan.

I am just coming back

from the Pooja.

Weren't you aware

of it, Mr. Udhayan?

Your friend Rajappan is

the hero of the film.

And I am the heroine.

Mr. Udhayan, the story

is excellent.

He is a new fellow. And his

name is something like Ajay.

I don't know him. Mr. Udhayan,

where are you now?

I am out since morning.

I've to find a couple

of houses to shoot.

For which film? - That Madhu,

I was about to tell you.

Baby Kuttan liked the

screen-play very much which I wrote.

And after waiting

for long time..

...work on my first film

is going to start.

Is it true? Oh great news!

Sister Laxmi, Mr. Udhayan is

going to direct a film. - Is it?

I don't have any shoot

till afternoon.

Mr. Udhayan, where are you now?

I am in the Ambedkar

Housing Colony.

Stop! Stop!

- What to stop?

Stop it!

- I am nearby.

You are where in

Ambedkar Colony?

Just turn around.

- But where?

Can't you see my car?

So you called me from the car.

- Yes.

The daughter of my make-up

man is not well.

I am going to meet her.

I never knew we were so close.

Didn't they call Mr. Udhayan

for the Pooja?

No, I was not aware of it.

Moreover, who'll call a asst.

director for the Pooja?

Rajappan could've called you.

- He might have forgotten.

I feel really sorry for

Mr. Pratapan has made him hero.

He is not a problem.

Many times he was awarded..

...for the best actor

in his school days.

No, I've seen his small roles

in a couple of films.

He'll express only if he

is given electric shock.

Won't you allow me to act

in your film? - That..

Think it over. Mr. Udhayan,

get into the car.

I'll tell you the story

of Mr. Pratapan.

It's a wonderful story.

Madhu, I am really very busy.

I've to do lot of things.

I'll see you later. I'll call you.

- You are lying.

Sure, I'll call you

Rate this script:3.6 / 9 votes

Sreenivasan

Sreenivasan (born 6 April 1956) is an Indian film actor, screenwriter, director and producer who works in Malayalam films.Sreenivasan has starred in over 200 films. He is most popular for his comedy oriented performances. Sreenivasan wrote the screenplay for films such as Odaruthammava Aalariyam (1984), Sanmanassullavarkku Samadhanam (1986), Gandhinagar 2nd Street (1986), Nadodikkattu (1987), Pattanapravesham (1988), Varavelpu (1989), Thalayanamanthram (1990), Sandesam (1991), Midhunam (1993), Mazhayethum Munpe (1995), Azhakiya Ravanan (1996), Ayal Kadha Ezhuthukayanu (1998), Udayananu Tharam (2005), and Katha Parayumpol (2007) among others. He has won two Kerala State Film Awards for Best Screenplay, for Sandesam and Mazhayethum Munpe. As a writer and actor he has frequently collaborated with directors such as Priyadarshan, Sathyan Anthikad and Kamal. As a filmmaker, he scripted and directed Vadakkunokkiyanthram (1989) and Chinthavishtayaya Shyamala (1998). While Vadakkunokkiyanthram won the Kerala State Film Award for Best Film, Chinthavishtayaya Shyamala won the National Film Award for Best Film on Other Social Issues and Best Popular Film Award at the 29th Kerala State Film Awards. He co-produced Katha Parayumpol (2007) and Thattathin Marayathu (2012) under the banner Lumiere Film Company, along with actor Mukesh. more…

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