Udayananu Tharam Page #6

Synopsis: Thanks to a script stolen from assistant director Udayabhanu, Rajappan Thengummoodu becomes superstar Saroj Kumar overnight. Udayan is left heart-broken but fate comes in the form of Babykuttan who wants to produce a movie with Udayan in the director's seat. And when Superstar Saroj Kumar starts working in the film, things looked to be in the right track. But when the project nears completion, Saroj walks out from the project due to an ego clash with Udayan. Now Udayan must shoot the rest of the movie without the knowledge of Saroj leading the movie to an exciting climax.
Genre: Comedy
Director(s): Roshan Andrews
 
IMDB:
7.9
Year:
2005
4,034 Views


in the evening. - OK.

All right Sir.

- Thank you.

Udhayan.

- Sir.

I wanted to know if you

could work with me.

Udhayan, you were in native

place, isn't it?

So Pratapan, don't you know

that Baby Kuttan's..

...next film is going to

be directed by Udhayan.

He has taken the advance too.

Very good, my hearty

congratulation.

Thank you Sir, thank you.

It's very good. You have so

many years of experience.

The directors just having the

experience of one film..

...are making the

producers dance.

Udhayan, you've been in

the films since when?

It's around 10-12 years.

- Oh my goodness!

And now the time has come.

Who has written the screenplay?

You know Sir it's my

wish to make my film.

.It's the hard work

of so many years.

Baby Kuttan liked it and thus..

Very good, very good.

It's very good if the director can write.

And by the way Rajappan and

Udhayan are friends, isn't it?

Yes, I've come to meet Rajappan.

Rajappan is acting as a hero

in this film, isn't it?

Rajappan was here somewhere.

To be honest Udhayan, I don't

think he can do this role.

The screenplay has really

surprised me.

He has written that, I..

- Udhayan!

Come here. Come here.

Who has invited

you to come here?

You left the room without

saying anything.

I came to meet you twice

at your house.

But couldn't meet you

though you were inside.

What mistake did I do to you?

You said that I'll never

a get a good role.

I'll never forget that.

I don't like to even see you.

- Look.. I just joked.

Is this the way to joke?

You stabbed my chest and you

are saying that it is a joke.

Now go from here.

RM:

"Girl! My girl!"

"Do you have the honey of

love on your lips, girl."

"Eyes! That's my eye!"

"Do you have the moonlight

in your eyes, girl"

"Without touching with hands."

"And without seeing."

"The sky is a golden plate."

"I wish to have plate of honey."

"Girl! My girl!"

"Do you have the honey of

love on your lips, girl."

RM:

"You asked for a touch

of the lips."

"And silence is the answer."

"That you asked for a sweet."

"And the sweet answered,

unknowingly."

"Don't ask me anything more."

"Don't ask me anything

more, my dear."

"What's there on your cheeks?"

"Oh my dream beauty."

"Don't tell anybody

what you saw."

"Don't tell anybody

what you heard."

"Don't break the things

that you touch."

"Girl! My girl!"

"Do you have the honey of

love on your lips, girl."

RM:

Udhayan!

Baby Kuttan?

- I am still trembling.

Did you read the film news?

- No, what happened?

Who is this Ajayan?

- Ajayan!

The storywriter of

the Sona films.

I don't know, what's the matter?

Some of the reports and..

..scenes of the film have come in this.

It's the same scene as that

of Udhayan's screenplay.

The same dialogues!- What?

Udhayan, did you give your

story to anyone to read?- No.

Nobody else other than Baby

Kuttan has read that.

No Udhayan, we've been cheated.

I am sure.

But can Pratapan do that?

Come, come.

Sir, I want to talk to you

something important.

Can you come inside?

Udhayan, why your face is so dull?

Sir, I'll tell you.

Greetings.

Oh Sorry!

Rajappan has given us the xerox

copy of the screenplay.

The original is with Udhayan.

Balan Pillai, I told you

that day itself that..

...some well-informed person

has written this.

Udhayan, we are innocent.

I am doing films after taking

loans from wherever I could.

We understand Udhayan's ordeal.

But if you file a case against this..

...I'll be left with no

other way than suicide.

I'll call Rajappan and

prove the truth.

Udhayan, I'll pay you something.

Balan Pillai, don't

talk nonsense.

Now what is there to prove?

I know what kind of man is Udhayan.

- I too know that.

Then we'll give the name of Udhayabhanu..

..for story, screenplay and dialogues, isn't it?

I've not come here for

your money and name.

Don't put the price for my life!

I've toiled very much to

write the screenplay.

So can't I make the film now?

How is that possible now,

Udhayan? - Enough!

I just want to know that.

- Udhayan.

What was noise?

It was my mistake.

Even after knowing that

you are a bad character..

...I allowed you to

stay in my house.

But I never expected this

kind of cheating.

You've not taken my screenplay..

...but you've snatched my life!

Now will you repeat this

to anyone.. move!

Rajappan!

Sit here.

I came to know about it while

shooting in Santhom.

Mr. Udhayan, do you

remember we met..

...on the road..while coming

back from Pooja? - Yes.

That day you didn't wait

to listen the story.

If you had heard it that day..

- Before shooting?

Shooting started after

two weeks of the Pooja.

This cheating wouldn't

have happened..

...If we had known it that day.

Now what's the use of saying

all these things?

But what's the use of beating him?

That's what I asked Udhayan too.

Normally, what do we do when

there is a theft case?

We go to police or to

the court, isn't it?

Brother Bhaskaran, did you do that..

..when your screenplay was lost?

Just whistling by sitting in

the gallery is different..

...and to play a game

is different.

I worked on it for months.

My first film, it was my dream.

Everything has gone.

One should suffer to

understand that pain.

Dear, your father and brother

are coming here.

Come here!

- Leave me!

I've given you enough freedom.

Now I won't allow this.

- I said to leave me! - Come here!

Dinesh, leave her!

- Father, don't talk.

I want to know what

she has got to do..

...with these scoundrels

at night time! Come here!

I won't tolerate it if you

spoil the reputation of the family.

Get in!

I've ended everything.

They didn't even give me the consideration..

..of a human being and tortured me.

I can't live with them anymore.

I left them, but didn't

know where to go.

Madhu, what is all this?

How long should I suffer...

for the mistakes I haven't committed?

They think that we are in love.

Come in.

They didn't ask you

where are you going..

...while leaving the house?

I may go anywhere, but I told

them I'd never come back.

But Madhu, what if they

come here again.

And create a scene like

last night.

I am already fed up with the

gossips written about us..

...In the magazines

without any reason.

Madhu, I am already in trauma.

You want to trouble me more?

Sorry, I didn't think about that.

You know Madhu I am nowhere.

And don't know what to do next.

I am not in position to share

the sorrow of others.

Anyway, they are your

own father and brother.

If you go back, they

will not discard you.

It's better to die then.

Then what are you going to

do now? - I don't know.

I don't know.

Hello, wrong number.

No, don't take.

They'll create problem if

the door is not opened.

Then father, you go and open it.

I can't talk to them on

this shameful topic.

She married that scoundrel,

what can we say on that?

Oh God! Please save

us from the media!

Look, not a single person

will get inside!

You just go out to eat human

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Sreenivasan

Sreenivasan (born 6 April 1956) is an Indian film actor, screenwriter, director and producer who works in Malayalam films.Sreenivasan has starred in over 200 films. He is most popular for his comedy oriented performances. Sreenivasan wrote the screenplay for films such as Odaruthammava Aalariyam (1984), Sanmanassullavarkku Samadhanam (1986), Gandhinagar 2nd Street (1986), Nadodikkattu (1987), Pattanapravesham (1988), Varavelpu (1989), Thalayanamanthram (1990), Sandesam (1991), Midhunam (1993), Mazhayethum Munpe (1995), Azhakiya Ravanan (1996), Ayal Kadha Ezhuthukayanu (1998), Udayananu Tharam (2005), and Katha Parayumpol (2007) among others. He has won two Kerala State Film Awards for Best Screenplay, for Sandesam and Mazhayethum Munpe. As a writer and actor he has frequently collaborated with directors such as Priyadarshan, Sathyan Anthikad and Kamal. As a filmmaker, he scripted and directed Vadakkunokkiyanthram (1989) and Chinthavishtayaya Shyamala (1998). While Vadakkunokkiyanthram won the Kerala State Film Award for Best Film, Chinthavishtayaya Shyamala won the National Film Award for Best Film on Other Social Issues and Best Popular Film Award at the 29th Kerala State Film Awards. He co-produced Katha Parayumpol (2007) and Thattathin Marayathu (2012) under the banner Lumiere Film Company, along with actor Mukesh. more…

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