Underneath Page #5

Synopsis: Michael Chambers returns home to celebrate his mother's marriage. Michael had been ousted from his home town due to his gambling indiscretions and had left his wife to deal with the mess he created. He now must reassimilate back into the town, renew his relationships with his family and friends (and enemies) and, most of all, seek out his ex-wife to woo her again. In the process, he obtains a job working with his mother's new husband as an armored car driver. He almost seems the perfect prodigal son as he finds his niche back in the community and his way back into his ex's heart. His troubles surmount when he and his wife are caught in the act by her hoodlum boyfriend/fiancé. To get out of this predicament, Michael must concoct a plan to heist of a payroll being carried by his armored car company.
Genre: Crime, Thriller
Director(s): Steven Soderbergh
Production: MCA Universal Home Video
  1 nomination.
 
IMDB:
6.2
Metacritic:
69
Rotten Tomatoes:
59%
R
Year:
1995
99 min
106 Views


Trucks complete their runs by 4:00.

Trucks complete their runs by 4:00.

The money's wrapped|and verified by 6:00.

The truck has to be|at the bank by 6:30,

or the company pays the interest|on missing the day.

So the entire facility is geared towards|getting every dollar on that truck.

This is how it works.|When we get into the bank,

there are loading docks|in the secured delivery area.

You go in, just after we arrive,|in a van,

posing as a legitimate vendor using the|4-digit access code which I'll provide.

- And then you scoop it up.|- How do you make sure|you're the driver?

I check. If I'm not assigned,|I go to the driver...

and tell him|I need the extra hours.

- And he just gives them to you?|- I can be pretty persuasive.

Hmm. If it goes smoothly,|they'll know somebody was on the inside.

- They're gonna put heat on you.|- I just keep denying it.|There's nothing they can do.

- They're gonna put heat on you.|- I just keep denying it.|There's nothing they can do.

All right, this is how we'll handle it.|I know this guy, a broker.

I don't know his name,|and I don't want to know his name,

because he is serious.

You think I can exert pressure?|This guy scares the sh*t out of me.

But this is what he does...|He organizes jobs.

He's got some high-level day gig|with an insurance company or something,

so he knows all the ways to|beat the cops and the ops.

That's why nobody knows him|by name or face.

I call him up and tell him everything|about what we're doing.

And then he puts the whole|thing together.

He hires the men from out of town.|You won't know them.

They will not know you.|They'll just do the job,

and then they will drop|at a predetermined time...

to a predetermined person|at a predetermined place.

That's good.|Who handles the drop?

We'll use one of my guys.

- I want somebody I know.|- Gee, that's tough, Michael!|I want somebody I know!

- What about her?|- "What about her" what?

He wants you to hold|the money.

And if I say no?

- Then it's off.|- You're holdin' the money. When?

- The sooner the better.|- One more thing.|I'm not taking a short count.

The broker alone takes 20 percent|on any job he crews.

It's a two-way split.|You can cut your half any way you like.

I'd rather eat airline food.

Can you do it without me?

- Well, Michael, you know I can't.|- Then it's 50-50.

- I don't like it.|- When you see all that|cash, you'll like it.

So what's the total|for the day?

About a million three.

Hello?

- Hello?|- When you pass Brazos...

- Who is this?|- Shut up.

When you pass Brazos|going down Fifth Street,

you'll see a man wearing|a yellow suit and sunglasses.

If our end is going according to plan,|he'll take off his sunglasses.

If your end is going|according to plan,

you signal him by lifting your fingers|off the wheel for one second.

If you don't lift your fingers,|we will assume you want to abort.

Wh-What if...

Thanks for calling.

Are you sure we should|go through with this?

You could say they|wouldn't switch you...

No, no, we're very close now.|We have to follow it through.

It's gonna be fine.

This time tomorrow,|the hard part will be over.

God, I hope so.

Once you get the drop, drive|straight to Whispering Pines.

Don't stop for anything.

It may take me a couple of days.|They'll be asking questions.

We'll have to let things|cool off.

I can't wait for this|whole thing to be over.

Watch it!

Jesus!

Sorry.

Whenever you're ready,|Michael.

Yeah.

- Cash or coins first?|- Ed, I hate to ask you this,|but could I stay with the truck?

- How come?|- Well, there's a woman|in the bank I'd prefer not...

- Ohh, a woman. |- No problem. Thanks.

Susan!|Hey, hey, how are you?

Good.

Stay there!

Ed, get down!

Are you awake?

I don't know.

I might...|I might be dreaming.

I might be dreaming.

You're going|to be fine.

They say you'll recover completely.

Mmm.

Everyone is very proud of you.

Proud?

For trying to stop the robbery.

I'm...

I'm really sorry you couldn't save Ed.

I know you tried.

I know you tried.

I'm tired, so tired.

Michael.

Michael, if you can|understand me, just nod.

I-I can understand.

I want to let you know that|Perennial Armored Car...

- is very proud of your performance.|- Very proud.

And even though you've only been|with the company a short time,

we want to make very sure|that you don't worry about the|financial side of your illness.

As a matter of fact,|when the time comes,

we'd like very much to do|an in-depth profile of you|for Armored Transport Now!

I think I told you it's read|by everyone in the industry.

- Don't forget about Mr. Fox.|- Oh, yes, Mr. Fox,

the founder of Perennial|and a wonderful man,

would like to meet you and have|his photograph taken with you...

to accompany the article.

When the time comes,|of course.

When the time comes.

I said, is there something|I should know?

Ah, you're all right.

Yeah. Yeah.|How about you?

I can't tell.

Michael.|Michael.

They've been|asking questions.

The police and your brother.

My brother.

I think they want something.

And I don't think what they want|is good for you.

I told you.

Those things never meet.

Yeah, you told me.

I told you.

I told you.|I told you.

No, you didn't,|Mr. Chambers.

- I'm sorry?|- I want you to describe what happened...

from the moment you entered|the delivery bay of Grand Texas Bank...

until you lost|consciousness.

I... I-I pulled up.

I pulled into the dock.

- Dock number one.|- Yes, number one.

I-I-I a-and Ed.

I, uh, I turned the engine off,

and, and Ed...

Oh, they killed him.|Didn't they kill him?

Yes.

Maybe, uh,|maybe we should come back.

You fake bastard.

You think you got everybody fooled.

You think because the job|was sloppy and people got shot,

nobody thinks you were in.

It won't wash.

I'm gonna bring you down.

Not because you got Ed killed,

although that would be plenty|reason enough.

But because I think|you're worthless.

You've always|been worthless.

You were nonexistent|as a brother to me.

You didn't lift a finger|to prop Mom up after Dad died.

You've skated along on your looks|and charm, just like a woman,

leaving everybody else|to clean up after you.

Well, I'm gonna|clean up, all right,

and I'm starting|with you.

Get out.

- You're an accessory to murder.|- No, you don't know|what you're talking about.

- You were the inside man;|we both know it.|- You've got nothing.

I've got a bank employee you seduced|to obtain a vendor I.D. Number.

Uh-huh.

How did it happen?|They come to you?

Trap you into it?|Was it her?

What kind of sh*t did she tell you?|Did she make you promises?

Tell you Tommy was mean to her,|you two should run away together?

Or did she get you in a compromising|situation? You only had one way out.

Was it like that?

You really think|she's waiting for you?

You think you're safe from the bears,|locked in your log cabin,

bolts on the door?

Well...

You just locked yourself inside with|another bunch of grizzlies. Here's how.

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Steven Soderbergh

Steven Andrew Soderbergh (/ˈsoʊdərbɜːrɡ/; born January 14, 1963) is an American film producer, director, screenwriter, cinematographer and editor. His indie drama Sex, Lies, and Videotape (1989) won the Palme d'Or at the Cannes Film Festival, and became a worldwide commercial success, making the then-26-year-old Soderbergh the youngest director to win the festival's top award. more…

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Submitted on August 05, 2018

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