Underneath Page #6

Synopsis: Michael Chambers returns home to celebrate his mother's marriage. Michael had been ousted from his home town due to his gambling indiscretions and had left his wife to deal with the mess he created. He now must reassimilate back into the town, renew his relationships with his family and friends (and enemies) and, most of all, seek out his ex-wife to woo her again. In the process, he obtains a job working with his mother's new husband as an armored car driver. He almost seems the perfect prodigal son as he finds his niche back in the community and his way back into his ex's heart. His troubles surmount when he and his wife are caught in the act by her hoodlum boyfriend/fiancé. To get out of this predicament, Michael must concoct a plan to heist of a payroll being carried by his armored car company.
Genre: Crime, Thriller
Director(s): Steven Soderbergh
Production: MCA Universal Home Video
  1 nomination.
 
IMDB:
6.2
Metacritic:
69
Rotten Tomatoes:
59%
R
Year:
1995
99 min
106 Views


Let's say she is on the level.

She double-crossed Tommy Dundee,|and she's waiting for you.

You think Tommy Dundee is gonna|let you get away with that?

You better hope she double-crossed you|and that her and Tommy are laughing,

because if she's not|with him right now,

somebody's gonna make their|way in here to check on you.

And they won't be interested|in your full recovery.

I suppose I could|protect you,

stake somebody outside|the door.

But since you're|such a hero,

I convinced my boss you|wouldn't need protection.

Who'd want to hurt|the man of the hour?

The pillar of courage?

Hell, people want to|shake your hand.

Couple uniforms downstairs to keep away|the press and the well-wishers, sure.

But somebody|outside the door?

What's the point?

- It's all your fault.|- Right!

- Oh, if you'd left her alone.|- No. If you had left her alone!

What is it with you?

Thank God|you're bedridden.

I wouldn't be able to stomach|the hypocrisy of you showing up|to Ed's funeral...

and standing next to our mother.

Mr. Chambers, how are you?|What can I help you with?

Could you adjust these pillows?|My neck is really getting stiff.

Of course.

Well, part of the problem|is you've got your bed...

tilted too far forward.|Let me take you down...

No, no, no!|I really like it this way.

- But...|- It's just the pillow. The angle's fine.

- If you could just adjust the pillows.|- All right.

- How's that?|- Fine, thank you.

I was about to see you anyway.|It's time for your pill.

That's all right.|I really don't need it.

Well, I think you'll find it|very difficult to sleep without it.

It's okay. Maybe a little later.|I really feel okay.

Well, you don't look okay.

No, really.|I'll have it later.

If you say so.

Say... Could you tell me who|that gentleman is waiting out there?

Why is he here?

Oh, that's Mr. Rodman.

His sister was in a traffic accident|last night and hasn't woken up yet.

Maybe he'd like to come in|and talk to me?

I don't know.|I can certainly ask,

although visiting hours|are nearly over.

Could you ask? I'd really,|really appreciate it.

Of course.

Leave the door open!

- Why, Mr. Rodman said|he'd be happy to talk with you.|- Thank you.

Uh, Mr. Rodman?

Mr. Chambers.

- Howdy.|- Hello.

Uh, she said you just wanted|to talk about...

Yeah, l-l-l...|Please, sit down.

I-I-I, uh, I just|sorta came alive...

and felt like talking.

With my luck, all my|visitors were already gone.

I'd reckon you'd|get a lot of visitors.

- Why do you say that?|- You're famous, ain't ya?

Yeah. Well.

Oh, boy.

What's that? Your pills?

Yeah.

- That's a pain pill, ain't it?|- Yeah.

That'll make you sleep.

- You better take it, hadn't you?|- No. I'm fine.

Okay.

So, who, uh...|What you got in there, spare shoes?

- What's that?|- In your coat.

Oh, I gotta carry that|for my job.

They're obnoxious as hell, but...

I'm in real estate, and|I really don't have a choice.

They're convenient.

So, where'd you|say you work?

Oh, I didn't.|Uh, Don Sembera Realty.

Oh. How long you|been there?

About six years.

You must know|Jeanette Scott.

Yeah. Yeah, sure.

Jeanette.

Yeah, she sold me|a house once.

- Is that right?|- Yeah.

Small world.

Who are you?

I don't know.|Who do you want me to be?

Who are you?|Did Tommy send you?

Buddy, I don't know|who you're talking about. Tommy?

I don't know any Jeanette Scott.|I made that up.

Thank you. I-I didn't know|who you were talkin' about either.

I didn't know... I didn't recognize|that name. I was tryin' to be agreeable.

Trying to be agreeable!|Tommy Dundee sent you here to kill me!

I'll leave. I was tryin'|to be nice. I'm sorry.

I mean, goddamn you. Goddamn you.|My sister's layin' down there,

and I don't know|if she'll get up again.

- There's other people in here|got problems.|- Wait.

Wait, I'm sorry.

I'm sorry.|Please forgive me. I'm...

I'm... I guess|I'm a little spooked.

Half the time l...|l...

- I don't know what I'm saying.|- I know, I don't usually talk|like that either, but...

you catch me off guard|like that...

She told me you wanted me|to come in here and talk.

- I know. I'm sorry.|- I wanted to talk too.

P-P-Please sit down again.

I'm sorry.

So, uh, tell me about your job.

Do you like it?

I got a good job.

The market...

basically sucks right now, but...

It's... Unless you're buying.

Uh, you weren't thinking|about buying, were you?

Somebody's gettin' sleepy|over there.

Sorry.

Uh, I'm gonna let you sleep.

- No, no, please.|- I'm gonna get out of here.

- No. Can't do it.|- Uh, could you do me a favor?

Just a small favor.

A favor?

Yeah, I'd really|appreciate it. Really.

It ain't a sponge bath, is it?

That was good.

If you could, uh,

just wait here until|I've gotten a little nap?

Just sit here with me for a while|until I've slept good.

I'd like to, but...|I got my sister down there.

Please. L...

I just need a little sleep.

- Okay. Just for a little bit, okay?|- Thank you.

I'm just so, uh...

I'm just gonna sit|over here, okay?

It's time to go.

What's he payin' you?

Ten?|Twenty-five?

I'll give you|a hundred.

You know I've got it.

You know I do.

Rachel.

I don't know how it happened when you|were a kid, or who you learned it from.

But you have very strange|ideas about... sharing.

All our negotiating,|20 percent, 50 percent,

that's playground bullshit.

A fair share|is whatever you can take.

And I'm taking everything.

Oh, Jesus Christ,|Howard!

You're not gonna bleed|like this are you?

Rachel.

Rachel.

Rachel.

Rachel!

Please.

Are you f***ing|kidding me?

Are you f***ing kidding me?

You have made a mistake.

I will deal with you|and your mistake in a moment. You...

You don't have any choice.|You have to shoot me.

But I don't think you will.

Oh. I can't get up.

If you could just...|give me a hand...

When you left, there was|something I didn't understand.

You didn't just leave me,|you left...

everybody.

Everything.

It made me feel very...

interchangeable.

But now I understand the appeal|of just walking away.

There's something very powerful|about being absent.

I think you did the right thing|when you left.

But you shouldn't have|come back.

Rachel.|Rachel, please.

Michael.

Right?

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Steven Soderbergh

Steven Andrew Soderbergh (/ˈsoʊdərbɜːrɡ/; born January 14, 1963) is an American film producer, director, screenwriter, cinematographer and editor. His indie drama Sex, Lies, and Videotape (1989) won the Palme d'Or at the Cannes Film Festival, and became a worldwide commercial success, making the then-26-year-old Soderbergh the youngest director to win the festival's top award. more…

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Submitted on August 05, 2018

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