Unrelated Page #5

Synopsis: Disappointed with her life, forty-something Anna is forced to acknowledge her inner turmoil after arriving at an old friend's holiday home in Tuscany. She becomes distracted by the youthful energy she finds there and feels herself gravitating towards Oakley. Before long Anna realizes that her attraction to the boy may result from her longing to claim something that has been missing from her own life.
Genre: Drama
Director(s): Joanna Hogg
Production: Kino Lorber
  2 wins & 3 nominations.
 
IMDB:
6.5
Metacritic:
74
Rotten Tomatoes:
88%
NOT RATED
Year:
2007
100 min
Website
537 Views


Badge was driving, Oakley should have been driving. Yeah?

I really don't think how I'm the most guilty person.

Just go and think about it. Piss off, go on.

- I'll say sorry to Elisabetta.

- Yeah, you certainly will.

- But, fine, I will.

- Go away, go away.

SIGHS:

- Jeez. Are you all right?

- Mm.

- V...

- It makes me so angry.

They ARE all right, that's the main thing.

I know, but you can't say that to them,

that really what you care about is they could've killed themselves.

- CHARLIE INSIDE HOUSE:

- 'TELL ME WHAT HAPPENED TO THE CAR NOW!

'I will stop this, I will f***ing swipe you, unless you tell me!

' I'll take your f***ing...'

- JACK INSIDE HOUSE:

- 'Dad, listen to me! Don't you f***ing start!

'You don't have a leg to F***ING stand on!

'You haven't got a leg to f***ing stand on!'

'Sit down! Sit down and listen!'

'Right?! Sit down and tell me!

'SIT DOWN!'

'WHEN HAVE YOU EVER GIVEN A F*** ABOUT ME?

'SINCE WHEN HAVE YOU EVER GIVEN A F*** ABOUT ME?'

'I tell you I love you.'

'Since when do you give a sh*t?! What am I responsible for, f***?

'You want to talk about your childhood?'

'No, I don't! That's PRECISELY what I don't want to do.'

- 'Because you want to stay in it!'

- 'I don't give a sh*t!'

- 'You want to stay in your f***ing childhood?'

- 'I don't give a sh*t!'

- 'You won't accept any responsibility.

'You're a young adult now, for F***'s sake!'

- 'Why don't we sit down and talk?

- 'No! What do you f***ing care?'

'I f***ing care. Why do I f***ing care?

'I f***ing care because it's a car being written off

'and because four lives have been put in danger

'because of your F***ING idiocy!'

'You're a f***ing disgrace!'

'You're unworthy!

'I don't want to see you again!'

'If you f***ing hit me, I will f***ing hit you back.

' I am not afraid of you.

'F*** off!'

- JACK SPITS

- Out!

DOOR SLAMS:

CICADAS CHIRP:

I'm so sorry, Tom.

I've got nothing to say to you.

F*** OFF!

CICADAS CHIRP LOUDLY

Hello.

Hello. This is my father-in-law.

EXCITED CHATTER:

THEY ALL TALK OVER EACH OTHER

Look at you! How you've grown!

Look!

Archie? Archie.

Nice to meet you.

- If ever I've got a chance with a girl, I'm really...

- A chance?

You'll never have a chance with a girl!

- What, you've never even got a chance?

- Shut up, man. Shut up!

I'm not talking to you about it.

POLITE CHATTER:

PIANO PLAYS:

- God!

- What's my mum saying? What IS my mum saying?

INAUDIBLE OVER CHATTER

HE PLAYS UPBEAT, LIGHT TUNE

MUSIC CONTINUES:

MUSIC STOPS:

THEY SPEAK IN ITALIAN

SHE RINGS A BELL

EXCITED CHATTER:

Well, about 25 years ago, this place had a terrible robbery

and they stole everything.

And so we had to find furniture to put back in here

and I was given this sofa by a friend of mine

who owned a villa called Villa Feltrinelli on Lake Garda,

where Mussolini had his Republic of Salo after the armistice.

- And, so, this was his personal sofa.

- Goodness!

And because he needed sex ...frequently,

every day, more than every day, erm,

this is probably where he had it.

After that... After that, what was our English commander called?

- Montgomery?

- Montgomery also went there

and I met the gardener who knew them all.

And I actually lay on Mussolini's bed, as well.

- Goodness.

- So, that's where the sofa comes from.

Which was sort of sagging, was it? It is very comfortable.

And in fact, I think you were shown by... Weren't you shown the shell?

- Yeah, sticking in the wall?

- Yes.

- Very curious angle.

Well it was an Allied shell.

So, when I got married, it was a bet, of course,

my father-in-law took me down and said,

"This, I believe, is yours."

So I said, "Most terribly sorry." I didn't know what else to say.

Anna, would you be so kind as to go and tell the young

that they should be thinking about getting their things together?

Not at all. Um, I don't know where they are.

- They went upstairs.

- Did they?

- That's all I know. Yeah.

- They're in the Tower Room, I think.

- Oh.

Right.

- Would you like me to come with you?

- No, that's OK, thank you.

- Are you sure?

Beatricia, that was so delicious, thank you has so, so much.

I must get...

I'd love that recipe, the ham mousse recipe, before we leave.

- It is so easy to do.

- Mmm.

I mean, you throw in a few things and you mix everything.

But, yes, very subtle taste, absolutely gorgeous.

Beatrice's from Bologna.

GENTLE BIRDSONG:

SPEECH INAUDIBLE

We've had nothing but disdain, sarcasm...nothing from that child.

- It's a cover-up, George. He's covering up.

- F*** him, f*** him.

That isn't what I've seen. That isn't what I've seen.

- I have.

- I agree, Charlie. I haven't just seen that.

Yeah, but you're...seeing it from a particular stance all the time.

My stance, yes. That's all I can see it from.

Yeah, but you're not... You're saying, you change your attitude,

I'm not going to change mine.

- I'm too old to change my attitudes.

- You're not, George.

- Oh, come on.

Look at you at the Palio.

You were like a young boy watching that Palio.

You were full of awe and wonder.

- Sure.

- And that's what HE'S like.

I didn't have my supercilious prat of a son

giving me dumb insolence all the time at the Palio.

So it was a bit of a relief. I had quite a good time.

You had a brilliant time. I just think...

- let yourself off the hook, George.

- I've left myself off the hook, actually.

I have let myself off the hook.

I've decided not to care too much about what he does with his life.

He'll be fine, he'll be fine.

Go on, one final ring of fire or something.

Come on, we've got so much booze to get through. We've got sambuca we've got to finish, vodka...

- um, that Cynar stuff. The potent red sh*t.

- OK. I'm going to bed.

- Going to bed?

- Yes.

- What?!

- Yeah.

- Last cigarette.

- Bullshit.

- I don't believe it for a second.

- Finito.

Yeah, whatever you say, man. Keep telling yourself.

- You're going to bed?

- Yeah.

Yeah, I've got to pack stuff.

- Er, pack?

- Mm-hm.

- What?!

- Yeah.

- You're going to pack?

- Yep.

- Mate, you can do that in half-an-hour. Do it in the morning.

- No, no. I've got a lot to do.

Have a good one. See you guys later.

HE LAUGHS:

Have a wild pack(!)

HE LAUGHS:

You know what? I don't really feel like staying up and getting lashed.

I'm going to go help Jack. Night, guys.

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Joanna Hogg

Joanna Hogg (born 20 March 1960) is a British film director and screenwriter. She made her directorial and screenwriting feature film debut in 2007 with Unrelated. more…

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Submitted on August 05, 2018

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