Up in the Air Page #3
RYAN (V.O.)
Sad? Not really. We’re a busy bunch.
I’m peaceful. I’m in my element here.
I suppose I’m a sort of mutation, a
new species. I live between the
margins of my itineraries.
Ryan and the Businessman reach a point that separates -
CONNECTING FLIGHTS go left / LONG TERM PARKING goes right.
They share an awkward smile with a nod, then head in their
separate directions.
INT. BROOKS BROTHERS, DALLAS FORT WORTH AIRPORT - DAY
Ryan is checking out TIES when his cell phone rings. He
checks the I.D.- UNAVAILABLE. He weighs it for a second.
RYAN:
(picks up)
Hello?
KARA (O.C.)
Hi Ryan.
INTERCUT WITH:
INT. KARA’S KITCHEN - NIGHT
Kara is Ryan’s sister. Her home overflows with books, photos,
family collectables, and kid’s artwork.
14.
RYAN (V.O.)
Every family has one person who is
the glue. The one who keeps the
genealogy in check. That’s my
sister Kara - The glue.
It just so happens that Kara is GLUING her daughter’s school
project mobile together.
RYAN:
Hey Kara.
KARA:
How are you holding up?
RYAN:
Just fine. You? The kids?
KARA:
(lying)
Missy’s outstanding. Matthew made
varsity. How’s the road?
Ryan exits the store and we realize we are in...
INT. CONCOURSE, DALLAS FORT WORTH AIRPORT - DAY
Ryan hops onto a PEOPLE MOVER.
RYAN:
Couldn’t be better.
KARA:
That’s good. So, Ryan?
RYAN:
(cautious)
Yeah?
KARA:
I didn’t even want to have to ask you
for this, because I know how you are
about... doing things for others...
Ryan rolls his eyes.
KARA (CONT’D)
But we’re coming in on three weeks
to go for Julie’s wedding and
there’s something we could really
use your help on.
15.
RYAN:
Yeah.
KARA:
We’ve been sending people these kits
so they can print out photos of Julie
and Jim on cardboard, and take photos
of them in interesting places kind of
like that gnome in the French movie.
RYAN:
Why?
KARA:
(sighs)
Because it’s Julie’s wedding... and she
thinks it’s fun. Does it matter why?
RYAN:
How is Julie?
KARA:
Would you call her? She thinks
Disappeared. You’re awfully
isolated, the way you live.
RYAN:
Isolated? I’m surrounded.
KARA:
Your assistant told me you’re going
to be in Vegas.
RYAN:
Did he?
KARA:
Can you get a photo of the cut-out
in front of the Luxor Pyramid?
RYAN:
That place is a sh*t hole. No one
stays there.
KARA:
Jesus, Ryan, I’m not asking you to check
in. Can you just take a stupid photo?
RYAN:
I’m going to try my best.
KARA:
Well, thank you for trying your best.
16.
INT. BAR LOUNGE - HOUSTON HILTON - EVENING
Ryan sits at one of the couch & table set-ups. He’s going
over some paperwork. He notices an attractive professionally
dressed woman, ALEX, sifting through her purse. She sets a
pair of car keys with a MAESTRO TAG on the table.
RYAN:
You’re satisfied with Maestro?
ALEX:
Yeah, I am.
RYAN:
They’re stingy with their miles. I
like Hertz.
ALEX:
Hertz keeps its vehicles too long.
If a car’s over twenty-thousand
miles, I won’t drive it.
Ryan is intrigued.
RYAN:
Maestro doesn’t instant check out.
I like to park and go.
ALEX:
Hertz doesn’t guarantee Navigation.
RYAN:
Funny, you don’t seem like a girl
who needs directions.
ALEX:
I hate asking for directions.
That’s why I get a Nav.
RYAN:
The new outfit, Colonial, isn’t bad.
ALEX:
Is that a joke?
After a beat.
RYAN:
Yes.
ALEX:
Their kiosk placement is a joke.
17.
RYAN:
Never have available upgrades.
ALEX:
(passionate)
It’s basically a fleet of sh*t
boxes - Don’t know how they’re
still in business.
RYAN:
(I love you)
I’m Ryan.
ALEX:
Alex.
RYAN:
So are you going to join me?
She breaks into a smile.
JUMP CUT TO:
INT. BAR LOUNGE - HOUSTON HILTON - LATER THAT EVENING
Empty glasses litter the table. Ryan and Alex have taken over
a couch and have the contents of their wallets spread out -
All MEMBERSHIP CARDS.
RYAN:
(grabs one of Alex’s cards)
Maplewood Card? How dare you bring
that into this palace.
ALEX:
better food - But the Maplewood
gives out warm cookies at check in.
RYAN:
They got you with the cookies?
ALEX:
I’m a sucker for simulated
hospitality.
RYAN:
There’s actually an industry term
for that. It’s a mixture of faux
and homey. It’s faumey.
Alex grabs Ryan’s AMERICAN CONCIERGE KEY CARD.
18.
ALEX:
Oh my God. I’ve heard about these,
but never seen one in person. Is
this a...?
RYAN:
Concierge Key. Yeah.
ALEX:
I love the weight.
RYAN:
Graphite. I was pretty excited the
day that puppy came in.
ALEX:
I’ll say. I put up pretty
pedestrian numbers. Sixty thou a
year, domestic.
RYAN:
(trying)
That’s not bad.
ALEX:
Don’t patronize me. What’s your total?
RYAN:
That’s a personal question.
ALEX:
Oh please...
RYAN:
(playful)
I hardly know you.
ALEX:
Show some hubris. Impress me.
(suggestive)
I bet it’s huge.
RYAN:
You have no idea.
ALEX:
Come on...
(holds her hands eight
inches apart)
Is it this big?
(extends a few inches)
... this big?
19.
RYAN:
Let’s just say I’ve got a number in
mind and I haven’t hit it yet.
Alex smiles, fair enough. Admires the CONCIERGE KEY CARD.
ALEX:
This is pretty f***ing sexy.
RYAN:
I hope it doesn’t cheapen our
relationship.
ALEX:
We’re two people who get turned on
by elite status. We may have to
settle for cheap.
RYAN:
There’s nothing cheap about
loyalty.
Alex looks into Ryan’s eyes and gives him unspoken permission
to take her right there and then.
Ryan and Alex walk down a curved corridor, suppressing
laughter. There’s no adult way to go back to somebody’s
hotel room. Once at the door, Ryan tries his KEY CARD, but
it doesn’t work.
He reaches into his pocket and comes up with five other key
cards from recent trips.
RYAN:
I really have to start throwing
these out.
He tries a couple.
ALEX:
We can always use that room with
the ice machine.
Ryan chuckles. He finds the right key and opens the door.
INT. RYAN’S SUITE, HOUSTON HILTON - LATER THAT NIGHT
Everything is scattered from a marathon F***. Ryan and Alex
are laying on the bed, sprawled out on their backs like
murder victims.
20.
RYAN:
Good call on the towel rack.
ALEX:
Thanks. I liked how you burritoed
me in the sofa cushions.
RYAN:
I was improvising.
ALEX:
Too bad we didn’t make it to the
closet.
RYAN:
We got to do this again.
JUMP CUT TO:
RYAN:
I’m in Newark on the 12th, Madesto
on the 13th, Oklahoma City on the
15th.
ALEX:
Any Southwest? I’m swinging through
Albuquerque the week of the 16th?
RYAN:
No, but I’ll be in Florida by the 20th.
ALEX:
Miami?
RYAN:
Ft. Lauderdale.
ALEX:
That’s nothing.
RYAN:
Forty minutes.
They simultaneously type each other into their calendars.
ALEX:
I should probably go back to my
room so I can wake up in my bed.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Up in the Air" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/up_in_the_air_311>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In