Up in the Air Page #5
27.
NED:
Well, what happens now?
NATALIE:
This is the first step of a process
that will end with you in a new job
that fulfills you.
NED:
Yeah, but, how does it work?
NATALIE:
I want you to take that packet in
front of you.
Ned picks up the packet.
NATALIE (CONT’D)
Review it. All the answers you’re
looking for are inside. Start
filling out the necessary
information and before you know it,
you’ll be on your way to new
opportunities.
Ned starts to peruse the packet with fake interest.
NATALIE (CONT’D)
Now Ned, I’m going to need you to
go back to your desk and start
putting together your things. As a
favor to me, I’d appreciate it if
you didn’t spread the news just
yet. Panic doesn’t help anybody.
NED:
I understand.
NATALIE:
Have a good day, Mr. Laskin and
good luck with your future.
NED:
Thank you.
Ned gets up and goes to leave.
NATALIE:
Give it up for Ned.
People clap and tease him a little.
28.
POWER POINT:
An animation of one monitor becoming multiplemonitors, all tied into a central switch board in the middle
of a map of the country.
NATALIE (CONT’D)
You can start the morning in
Boston, stop in Dallas over lunch
and finish the day in San
Francisco. All for the price of a
T1 line. Our inflated travel budget
is eviscerated by eighty-five
percent... And most importantly to
you guys on the road... No more
Christmases in a hotel in Tulsa...
No more hours lost to weather
delays... You get to come home.
Ryan is in a state of silent panic.
INT. CRAIG GREGORY’S OFFICE, CTC - MOMENTS LATER
RYAN:
Tell me you’re not taking this
seriously.
CRAIG GREGORY:
Yeah, that’s why we brought the
entire company in from the road -
Because we’re not taking this
seriously.
RYAN:
It doesn’t make any sense. It’s...
(searching)
... completely impersonal.
CRAIG GREGORY:
Who am I even talking to?
RYAN:
There’s a methodology to what I do.
A reason why it works.
CRAIG GREGORY:
Ryan, Coke and IBM have been doing
it for years. Just like anything,
there’s a few months of transition,
but everyone settles in.
RYAN:
Who are you taking off the road?
29.
A beat.
CRAIG GREGORY:
You don’t get it. You’re grounded, Ryan.
Everyone is. It’s done.
RYAN:
Okay, what we do here is brutal and
leaves people devastated, but there’s
a dignity to the way I do it.
CRAIG GREGORY:
Stabbing people in the chest
instead of the back?
Ryan rolls his eyes.
Craig’s door opens and Natalie pops her head in.
NATALIE:
You wanted to see me?
Craig goes to wave her off.
RYAN:
Yeah, why don’t you come in.
Natalie is confused but takes the chair next to Ryan.
CRAIG GREGORY:
Great job in there, Nat.
NATALIE:
Thank you. How’s everyone taking it?
Natalie and Ryan hold a look for a second.
RYAN:
(to Natalie)
Look, I appreciate your... zeal. And
you have some good ideas. But you
know nothing of the realities of my
job. Sure, you can set up an iChat...
but you don’t know how people think.
NATALIE:
Actually, I minored in psychology.
CRAIG GREGORY:
Nice.
RYAN:
(to Natalie)
Okay kiddo, fire me.
30.
CRAIG GREGORY:
Ryan, stop it.
RYAN:
She’s going to be doing this on a
regular basis. You don’t want to
know if she can fire somebody?
CRAIG GREGORY:
She just fired Ned.
RYAN:
My dog could fire Ned.
(to Natalie)
Fire me.
CRAIG GREGORY:
Ryan.
NATALIE:
It’s okay, I got this.
Ryan and Natalie turn to face each other.
NATALIE (CONT’D)
Mr. Bingham, I regret to inform you
that your position is no longer
available.
RYAN:
Who the hell are you?
NATALIE:
My name is Miss Keener and I’m here
today to discuss your future.
RYAN:
My future? I don’t know you. The
only person who can fire me is
Craig Gregory.
NATALIE:
Mr. Gregory hired me to handle this
for him.
RYAN:
Handle what? Handle me? Mr. Gregory
hired me and he’s the only one who can
fire me. I’m going to talk to him.
Ryan gets up. Natalie gets up too.
NATALIE:
Mr. Bingham...
31.
RYAN:
You can’t follow me... You’re on a
computer screen. Remember?
NATALIE:
(frustrated)
Ryan...
Ryan sits back down.
RYAN:
Try again. Fire me.
NATALIE:
I just did.
RYAN:
Actually, you didn’t. Now, fire me.
CRAIG GREGORY:
Stop it, Ryan.
NATALIE:
(ignores Craig)
Mr. Bingham, I’m here today to
inform you that your position is no
longer available.
RYAN:
I’m fired?
NATALIE:
Yes, you’re fired.
RYAN:
(aside)
Never say fired.
NATALIE:
You’ve been let go.
RYAN:
Why?
NATALIE:
(breaks the moment)
This is a mythical situation. How
could I possibly know why?
RYAN:
You never know why. Why doesn’t
matter.
32.
NATALIE:
(back on track)
It’s important not to focus on the
“why” and rather to spend your
energy thinking about your future.
RYAN:
I’m going to spend my energy on
suing you if you don’t give me a
reason that you’re firing me.
NATALIE:
Mr. Bingham, the reason is not
important.
RYAN:
Oh, so you’re firing me without
grounds.
(to Craig)
Now, I really have a lawsuit.
CRAIG GREGORY:
Ryan, I think we know what you’re
trying to say...
NATALIE:
(still in character)
Don’t take this personally, Mr.
Bingham.
Ryan stops.
RYAN:
Personally?
(quiet and calm)
This is the most personal situation
you will ever enter. So before you
try to revolutionize my business,
I’d like to know that you actually
know my business.
INT. RYAN’S OFFICE, CTC - DAY
Ryan is staring out his window watching a plane take flight.
Craig enters.
CRAIG GREGORY:
Hell-of-a-way to welcome her to the
team.
33.
RYAN:
Am I the only one who sees that by
automating our own business, we’re
making ourselves irrelevant.
CRAIG GREGORY:
(frankly...)
No... We’re making you irrelevant.
Ryan shoots a look.
CRAIG GREGORY (CONT’D)
Hey, don’t blame me. Blame fuel
costs. Blame insurance premiums.
Blame technology.
(a beat)
Watch yourself, Ryan. You’re too
young to be a dinosaur...
RYAN:
I’m not... I’m not a dinosaur.
CRAIG GREGORY:
I want you to show her the ropes.
RYAN:
What do I know about what happens
around here? Have Ferguson do it.
CRAIG GREGORY:
I’m not talking about here.
A beat as Ryan registers what Craig means: The Road.
RYAN:
No.
CRAIG GREGORY:
Hey, you seem pretty confident that this
girl doesn’t know what she’s doing...
RYAN:
Excuse me. I just don’t think a
MySpace page qualifies you to
rewire an entire company.
CRAIG GREGORY:
Great. Well, here’s your chance.
Show her the magic. Take her
through the paces.
RYAN:
I’m not a f***ing tour guide.
34.
Craig cups one of his hands and places a FOLDED POST-IT
between his fingers like a ship’s sail.
CRAIG GREGORY:
(re:
his hand)This is the boat.
Craig raises his other finger far away.
CRAIG GREGORY (CONT’D)
(re:
his finger)This is you.
A beat of Ryan taking in this ridiculous illustration.
CRAIG GREGORY (CONT’D)
Do you want to be in the boat?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Up in the Air" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/up_in_the_air_311>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In