Vanity Fair Page #2

Synopsis: The British Empire flowers; exotic India colors English imaginations. Becky Sharp, the orphaned daughter of a painter and a singer, leaves a home for girls to be a governess, armed with pluck, a keen wit, good looks, fluent French, and an eye for social advancement. Society tries its best to keep her from climbing. An episodic narrative follows her for 20 years, through marriage, Napoleonic wars, a child, loyalty to a school friend, the vicissitudes of the family whose daughters she instructed, and attention from a bored marquess who collected her father's paintings. Honesty tempers her schemes. No aristocrat she, nor bourgeois, just spirited, intelligent, and irrepressible.
Genre: Drama
Director(s): Mira Nair
Production: Focus Features
  2 wins & 5 nominations.
 
IMDB:
6.2
Metacritic:
53
Rotten Tomatoes:
51%
PG-13
Year:
2004
141 min
$16,052,032
Website
577 Views


No, I couldn't!

You say you love everything

that comes from India.

Take him.

He is my ambassador.

Hello.

Amelia!

Well?

He called me "dearest" twice,

and he squeezed my hand.

And look.

He gave me his precious bird.

- Well, surely that is a good sign.

- I know! I know!

Feel my heart,

how it beats.

What are you playing at

with the little governess?

- Well, I told her I was...

- Jos. Jos.

You've forgotten

how these things work.

Do you think the fellas

down at the club...

would let their wives

dine with a governess?

Seriously, Jos,

if I'm to marry your sister...

lf?

What are they talking about?

Can you guess?

Yes.

I think I probably can.

Oh, Becky, who knows?

It might turn out to be

a blessing in disguise.

The disguise

is very convincing.

Good luck.

Here. This is for you.

Oh.

It's one of my father's.

I've nothing else to give.

Oh, I couldn't.

Take it.

I want you to have it.

At least I know

it will be safe with you.

Oh, Becky!

Good stuff! Inside!

Off I go then.

Couldn't I pay for a seat inside?

They're all taken.

But don't worry.

I prefer the open air.

Hello, madame.

Hurry along now.!

Bye!

Get it on there.!

Queen's Crawley.!

Yes?

Can you tell Sir Pitt Crawley

that Miss Sharp has arrived.

And bring in my trunk

if you please.

- Miss Sharp?

- Yes, Miss Rebecca Sharp.

Governess to your master's children.

Now, will you kindly let me pass?

Certainly.

As for telling Sir Pitt,

there's no need.

Why not?

You've just told him yourself.

For these and all Thy other gifts

May the Lord make us truly thankful

Amen

Ah.!

You haven't met Lady Crawley,

my dear.

She's the girls' mother.

She's not the mother of my sons.

Is she, Pitt? No.

Pitt's mother, my first wife,

she was the daughter of a lord,

which makes him grander

than all of us put together,

doesn't it, Pitt?

Whatever you say, sir.

Oh, yes. Very grand.

Too grand for me.

But this one ain't.

Her father was an ironmonger,

wasn't he, my lady?

He was, sir.

Yeah.

When shall we discuss

the girls' lessons?

My strengths are music,

drawing and French,

but I can teach them

whatever you wish.

You'll be kind to my girls,

Miss Sharp?

Oh!

Don't worry. I'll treat them

just as sensitively as they deserve.

Hmph.

Hmph.

What is this?

It's, uh,

"Potage de mouton I'Ecossaise. '"

Oh, mutton broth.

What sheep was it, Horrocks?

When did you kill?

One of the black-faced Scots, Sir Pitt.

We killed on Thursday.

Did she squeal?

Didn't she just.

Oh, good.

Always improves the flavor, that.

Oh.

"To be honest, dearest Amelia,

"Sir Pitt is not what you and I

would think a baronet should be.

More ancient stable than ancient fable."

No lights after 11:;00,

you little hussy.

Go to bed in the dark,

unless you'd like me to come in

for your candle every night, hmm?

"All in all, my hopes for the family lie

with Sir Pitt's younger son,

Captain Rawdon Crawley,

who will soon be back from

his regiment. '"

I would like...

to go to Spain.

Je voudrais allez en Spain.

And that's an "E."

"His brother, Mr. Pitt Crawley, meanwhile,

has the charm of an undertaker...

and the humor of a corpse. '"

Uh, Miss Sharp,

I thought you might like to see

my pamphlet on the Chickasaw tribes.

I swear, Mr. Crawley,

you must be a mind reader.

For there is no subject

of more interest to me.

"You'll be happy to hear I've found a way

to make myself indispensable to Sir Pitt.

There is to be a visitor

at Humdrum Hall. '"

Please!

Be careful with that.

"Sir Pitt has a half-sister

as rich as Croesus,

whom, or should I say which,

he adores. '"

No! No, no!

No, no, no, no!

She's organizing those!

Stupid wench!

"And now he is all of a dither

to make the house ready

to receive her. '"

Up! Up, up, up!

A little higher.

"We are quite a party.

"Mr. Pitt's intended,

LadyJane Sheepshanks,

has arrived with her mother,

"the old Countess of Southdown,

whom Sir Pitt detests.

"I promise you, dearest Amelia,

that by the time I have finished,

Hmm.

"The old man will have

a very proper sense of the merits

ofhis latest employee.

I will bring order from chaos

and light from darkness. '"

Quickly now!

Sorry, sir.

By Heaven!

Miss Becky,

we don't deserve you.

Steady now.! Steady.! Steady.!

"They say Miss Crawley

means to leave her fortune

to Captain Rawdon Crawley,

who will accompany her

for thejourney. '"

I see Pitt's intended is among the guests.

They'll be after you to marry next.

Oh, Aunt Tilly, how could I,

when my heart belongs to you?

- Matilda!

- Wicked boy!

Welcome.

Brother.

You know

Lady Southdown, I think,

and her daughter, LadyJane.

Aunt Matilda,

on behalf of the entire Crawley...

Keep your toadying

till I get to a fire.

You can suck up all you wish

once I'm warm.

Well, that's put us in our place.

We may have the titles, Mama,

but Miss Crawley has the money.

Mm, and don't we know it.

Put the trunk inside.!

Now, Miss Becky,

this is my younger son,

Rawdon.

And mind you stay clear

ofhis fluttering lashes.

He breaks hearts

for a hobby, but...

he's a soldier

through and through.

- I'm warned.

- Mm-hmm.

With a little liquor, I can do it.

You must be bored

as a brick down here.

I have your father

and brother for company.

Precisely.

Not a great many laughs

in Miss Crawley, I can tell you.

I seem to remember

anchovy paste is a favorite delicacy

of yours, Aunt Tilly.

But not for do... doggies.

I don't agree.

I suspect she's the quickest wit

in the room.

No, no, no.

I mean my brother, not my aunt.

They used to call him

"Miss Crawley" at Eton.

Go on. Admit it.

He looks a little underweight.

He's the dullest dog

in shoe leather.

Really, Captain Crawley.

Are you trying to steer me

towards an indiscretion?

Why?

Would you like me to?

No man has managed it yet.

- What was that?

- Nothing. A false note.

Allez, Rose, Celia. Dpchez.

Faites vos obeissances a votre tante.

Don't waste your time,

Miss Sharp.

All foreign languages

are ancient Greek to my sisters.

And they always will be

if they're not spoken before them.

I quite agree, Miss Sharp.

What a treat to find someone

cultured in this house.

Vous parlez bien.

Merci.

My mother was French.

A French mother?

Now, that's altogether

too romantic for a governess.

Who was she?

Have you heard

of the Montmorencys?

Who has not?

So, you're an impoverished aristocrat.

Pity.

I had you down for an adventuress.

And are they mutually exclusive?

Oh, please tell me there's something

disreputable in your past.

Well, my father was an artist.

Ah, that's better.

A starving one, I hope.

Absolutely ravenous.

Who's ravenous... besides me?

Horrocks? When's dinner?

Any minute now,

Sir Pitt.

Good.

I'd best excuse myself.

Come along, girls.

- Is Miss Sharp not to dine with us?

- Well, don't ask me. Ask Pitt.

Mm.

Nephew?

I hope she's not banished

in my honor.

You know I am nothing

if not democratic.

It's no great sacrifice

Rate this script:0.0 / 0 votes

Matthew Faulk

All Matthew Faulk scripts | Matthew Faulk Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Vanity Fair" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/vanity_fair_22742>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "character arc"?
    A The backstory of a character
    B The transformation or inner journey of a character
    C The dialogue of a character
    D The physical description of a character