Very Bad Things Page #17
- R
- Year:
- 1998
- 100 min
- 883 Views
FISHER:
Harry Chaplin. "Cats in the Cradle."
MR. FISHER
Just kills me...
FISHER:
I love you dad.
MR. FISHER
I love you so much it hurts. Me and
your mother marvel at what you have
become. You're going to have a
wonderful journey with this girl. I
feel it deep inside. A wonderful,
magical journey.
(cries again)
And I'm, like I said, just so proud
of how you turned out. (hugs Fisher)
You go out and knock 'em dead Keith.
Knock 'em dead!
Off Fisher we...
CUT TO:
INT. ADAM'S OFFICE
TIGHT ON A Vegas Newspaper Metro Section slammed down on a
desk -- A small article on Tina, the now missing prostitute.
FISHER:
Where did you get that?
MICHAEL:
At the newsstand on 3rd.
ADAM:
(falling apart)
F***ing Boyd. That f***ing idiot.
They're on to us.
MICHAEL:
They're not on to us. I'm gonna call
Boyd.
Michael picks up the phone.
EXT. SOMEBODY'S YARD
TIGHT ON BOYD talking into cell phone.
BOYD:
Oh that's just nothing. That's just
a missing persons thing, that's all.
INTERCUT PHONE CALL
MICHAEL:
You said nobody would miss her.
BOYD:
No. I said nobody knew she was coming
to the hotel.
ADAM:
(grabs phone)
Boyd you idiot, the sh*t's coming
down!
BOYD:
What does that mean?
ADAM:
You got us into this mess.
BOYD:
Oh I did? I think it was your little
rat f*** brother who decided to play
Hamburger Helper with the hooker's
head.
ADAM:
(freaks)
Would you, shush?! These phones aren't
secure!
BOYD:
Lighten up Adam. Show some character.
ADAM:
Don't talk to me about character.
BOYD:
Watch the tone fella.
Fisher realizes he's not breathing.
ADAM:
F*** you Boyd!
BOYD:
Any time fat boy!
Boyd hangs up the phone, looks at his picture on the realty
sign he just pounded into someone's yard. Behind the bizarre
sincere smile we now see the eyes of a maniac. Boyd picks up
the sledge hammer and swings wildly, destroying his sign,
splintering it into kindling.
INT. BAKERY
Fisher and Liz taste different samples of cake and compare
different cake designs with a BAKER.
INT. FLORIST
Surrounded by hundreds of different floral arrangements, Liz
shows a zombied Fisher the flowers she's picked for the
wedding.
INT. LIZ AND FISHER'S NEW HOME
A beautiful country style beach house in Santa Monica. Liz,
Fisher and the realtor, MAGGIE, walk into the charming
kitchen. Fisher seems stresses by the price tag.
LIZ:
I love it. I just love, love, love,
love it.
MAGGIE:
Are you guys gonna fill this place
with kids? You sure got room for
them.
LIZ:
We're in no hurry. I think we'll
take some time to enjoy each other,
enjoy our freedom before we surrender
ourselves to kids.
MAGGIE:
Take your time. I wish I had.
LIZ:
(hugs Fisher)
We will.
MAGGIE:
So where to on the honeymoon?
FISHER:
This is our honeymoon.
LIZ:
After the wedding, which we're paying
for ourselves, and this house...
MAGGIE:
Smart. Smart. Smart. Think big
picture, take your time. I wish I
had.
LIZ:
That's our plan.
MAGGIE:
Well, I just need your signature on
these contracts and a deposit check
so I can get the ball rolling.
Liz looks at Fisher. She really wants the house. He takes
out his checkbook. Liz throws her arms around Fisher, kisses
him.
FISHER:
How much?
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