Welcome To The Jungle Page #8

Synopsis: Two young couples head into the New Guinea wilderness in an effort to find Michael Rockefeller, the heir to the Rockefeller fortune who disappeared in 1961.
Genre: Horror
Director(s): Jonathan Hensleigh
Production: Valhalla Motion Pictures
 
IMDB:
4.5
Year:
2007
83 min
191 Views


Move!

- [ Mikey ] Go, goI

- [ Panting ]

- GoI Go, BijouI

- I'm goingI I'm goingI I'm going as fast as I canI

- GoI

- ShootI

[ Whimpering, Panting ]

MikeyI

[ Squealing ]

MikeyI Mikey?

Mikey. MikeyI

[ Panting ]

- [ Spear Whistles ]

- [ Bijou Grunts ] Oh, sh*t.

[ Gasping, Grunting ]

Mikey.

Mikey. MikeyI

[ Groaning ]

They f***in' shot me.

[ Crying ]

Mikey. Mikey.

You-You're gonna be fine.

You're gonna be fine.

just get up.

Can you talk to me, Mikey?

Say something! What? Oh, f***!

[ Screaming ]

No!

[ Crying ]

No! No!

[ Screaming ]

Mikey!

[ Screaming Continues ] Mikey!

[ Crying ]

[ Mandi ]

Where's my f***ing shoes? Goddamn itI

Thank God they didn't find this one.

Great.

They took the money.

They took the lighter. They took the map!

What?

- That f***ing gorilla ate my food!

- What?

- I can't believe this sh*t.

- What?

- I'm f***ing gonna kill him!

- Mike!

I'm gonna kill you, Mike!

Mike, I'm comin' after you.

-Jesus f***ing Christ!

- No. No, no.

- Grab the camera. I'm makin' a raft.

- Gotta get my pants!

Grab the camera!

I'm makin' a raft. Get the camera.

jesus f***ing-Jesus f***ing Christ!

Keep checking out the banks.

They definitely came through this way.

They can't be too far ahead.

Hold on, sweetie.

- Hold on!

- I'm holding on.

Keep looking out.

Tell me if you see anything.

They can't be far.

Is it their camp?

Now, we got Bi's used cigarettes.

We got gorilla man.

Yeah, we're on the right track.

If they think they're gonna get

all the money, they're wrong!

Comin' after you, Mike.

Come on. Let's go.

It's a pretty nice raft you've made here.

Oh,yeah. Boy Scouts.

It's impressive.

They can't be that far, actually.

just want to get my food back,

maybe take the gun.

Food would be good. No, let them

shoot each other. That would be nice.

- We'll leave two bullets then.

- Exactly.

Hey, it's Bijou's pack.

Ah, this doesn't look good.

It's Mikey's gun.

Take this. I see something.

Colby!

There's more stuff up here.

It's Mikey's pack.

[ Mandi ]

Goddamn it.

- No. F***ing go.

- What?

- Come on, river. Goddamn it.

- They can hear you.

[ Colby ]

Go fasterI

[ Panting ]

- Are they gone yet?

- No, they're following us.

I told you they're on both sides.

- I know. We're on their territory.

- Great.

It's fine. If they were aggressive,

they would have fired already, okay?

just coast through.

Do not look at them.

Thanks. That's comforting.

They're not looking too friendly to me.

[ Colby ]

Sh*t.

Colby.

- Colby.

- F***.

Shh, shh, shh.

Don't. Don't. Don't.

- Sh*t.

- Lookit. They're not aggressive.

We're fine.

What are you talking about?

They haven't fired. We're fine.

Not yet.

[ Mandi Exhales Deeply ]

Oh, f***! It's got blood all over it.

[ Mandi Gasps ]

Oh, shitI [ Cries ]

Oh, Bijou. What the f***?

[ Mandi Gasps ]

There's blood all over the rock.

Oh, f***. It's more blood.

Oh, sh*t.

ColbyI Take this.

- [ Gasps ]

- What? What?

- Don't look!

- Mandi, what? What is it?

[ Crying ]

Oh, God.

[ Colby ]

What the f***?

BijouI

Stay. Stay here.

[ Panting ]

- MandiI Bring the cameraI

- [ Breathing Heavily ]

Mandi, bring it hereI

MandiI

[ Gasping, Gagging ]

They've written something.

I don't know if it's a sign or what.

[ Mandi Gasps, Cries ]

- [ Whimpering, Gasps ]

- [ Colby ] Oh, sh*t.

[ Colby ]

What the f*** is it?

What does it mean? What is that writing?

What? What did they do to you?

- [ Mikey Screams In Distance]

- [ Drums Beating ]

- [ Mikey Screams In Distance]

- [ Drums Beating ]

- [ Colby ] What?

- [ Mandi Sobs ] I can't take this anymoreI

[ Colby ]

Listen. Quiet.

- [ Mikey ] Help meI

- [ Mandi ] What are they doing to him?

- What are they doing to him?

- ShhI

- [ Mikey Screaming ]

- We have to stay here.

Okay. Lookit. Lookit.

- Mandi? Okay. Shh.

- [ Drums Continue]

Quiet. All right. I'm gonna go get

the camera. Go get the camera. Shh.

- Oh, sh*t.

- [ Mikey ] Help meI Help meI

[ Drums Continue]

[ Mikey Screaming ]

- [ Mandi Whimpers ]

- NoI NoI

[ Colby ]

Shh.

- [ Sobs ]

- Shh. Shh. Shh. Shh. Shh.

- They're still there. They're still there. Okay?

- Okay.

They're really close. Quiet.

[ Breathing Heavily ]

We have to wait. We have to wait, okay?

We have to wait here.

Sweetie.

We gotta go, okay?

We've been up all night,

seen nobody for four hours. All right?

We're gonna go up into the woods,

and we're gonna head north to the ocean.

We'll be safe there, okay?

Sh*t.

Oh.

- [ Screaming ]

- What?

- [ Screaming Continues ]

- What is it?

Mandi, what is it?

[ Mandi Screaming, Whimpering ]

What the- Mandi, let's goI

You all right?

You've got your camera back.

It's Mikey's knapsack.

We've got bullets.

This ain't Mikey's.

It's a woman's shoe.

Didn't the missionaries have these jugs?

Yeah.

Oh.

It's the Bible.

This is the missionaries' stuff.

- Mandi, this is blood.

- Oh, God.

OhI

[ Gasps ]

- ColbyI

- What? What?

- What?

- Take it. Take this.

- [ Gasping ]

- What?

- Oh, I ca-I can't do thisI

- Mandi. Oh, fuckI Oh, shitI

- [ Panting ]

- [ Whimpering ]

OhI F***. MandiI MandiI

Oh. Oh, my God. Oh, my God.

- [ Crying ]

- Oh, GodI MandiI

Mandi, come hereI Mandi, let's goI

- MandiI

- [ Crying ]

Shh. It's gonna be fine.

We can't stay here.

- We have to keep moving.

- [ Mikey ] Help meI

Did you hear that?

- [ Mikey ] PleaseI

- It's Mikey.

- Mikey.

- Mandi, come on. Let's go. Mandi. Come on.

- Come on.

- [ Mikey ] Help meI

Oh, f***!

- I don't wanna do this.

- Come on. We gotta do this.

- Oh, sh*t.

- [ Whimpering ]

Mandi, come on. We gotta help him.

We gotta help him, Mandi.

I can't do this.

Mikey. Mikey.

- Oh, f***! Oh!

- [ Screams ] Oh, fuckI

Oh, sh*t!

Oh, Mikey.

Mikey, what happened?

I have to. All right?

Look, I have to do this.

He's never gonna

make it out of here alive.

There's no other way.

- Okay.

- All right?

- Okay, but-

- You wait here.

Okay, but what if they hear it?

Well, he said they've

been gone two hours.

He told me that I have to-

I have to do this for him.

- All right?

- Okay.

just wait here.

- Okay?

- Yeah.

[ Gasps ]

All right. It's over.

Look. Look. Shh. Shh. Look at me.

Look at me. All right?

We're gonna go to the coast,

and we will be fine.

I promise you, we will survive.

All right?

Let's go. Come on.

What? No.

- Come on, sweetie. Keep going. Keep going.

- Huh?

I'm going.Jesus.

- Okay.

- Is that it?

Look.

[ Mandi Sighs ]

OhI

[ Colby ]

The ocean. Oh, the ocean.

- [ Laughing ] That's it. That's it.

- Yeah.

It's a village.

We've walked right into a village.

- Shh.

- [ Gasps ]

Don't move. Don't... move.

Go.

They look friendly. They look friendly.

They look friendly.

Here, take the camera. Take the camera.

I've got it. I've got it.

They seem friendly.

They're not aggressive or anything.

- What do you think?

- Yeah, I know.

They would have done something by now

if they were going to.

We're gonna get out ofhere...

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Jonathan Hensleigh

Jonathan Blair Hensleigh (born February 1959) is an American screenwriter and film director, working primarily in the action-adventure genre, best known for writing films such as Jumanji, Die Hard with a Vengeance, and Armageddon, as well as making his own directorial debut with the 2004 comic book action film The Punisher. more…

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Submitted on August 05, 2018

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