Wes Craven’s Page #14
- Year:
- 1994
- 40 Views
Heather JOLTS as if prodded with an electric wire, twists
around and stares wide-eyed at
NOTHING. OUR WIDE ANGLE FROM DIRECTLY ABOVE SHOWS twisted
blankets, nothing more.
Chilled, Heather pulls the sheet around her. Then pulls it
back open. Realizes it's cut into ribbons along its entire
length.
She jumps out of bed, breath caught in her throat. Then
there's a METALLIC SCRRRIIIIITCH from the kitchen.
DYLAN (O.S.)
(distant)
One two, Freddy's coming for you. Three
four, better lock your door...
INT. STAIRWELL/DEN/KITCHEN - NIGHT
Heather appears at the foot of the stairs, heart in her
throat. Twenty feet away, advancing slowly from the kitchen,
Dylan is chanting the old refrain
DYLAN:
Five six, grab your crucifix...
Heather starts for him.
REVERSE ANGLE PAST DYLAN TO HEATHER, and from this vantage
point, we can see the cluster of steak knives he's taped to
his fingers, making a serious-looking claw, hidden behind his
back. Heather shakes her head, almost to him.
HEATHER:
Sweetie, don't sing that...
She reaches for him, and he strikes like lightning, slashing,
barely missing. Advances again, breath coming in little
asthmatic rasps. Heather backs away.
DYLAN:
Seven eight, better stay up late!
She bangs up against a wall, he's too near for her to dodge
away. They grapple, the boy suddenly with the strength of a
feral animal. He raises the blades, hissing at her
DYLAN (cont'd)
Nine ten!
Heather lurches backwards as he strikes, and
INT. CHASE AND HEATHER'S BEDROOM - DAWN
CRASH! she falls out of bed, now truly awake.
DYLAN (O.S.)
Never sleep again.
Pad, pad, pad.
INT. DEN - DAWN
Heather enters, limping. Looks. Sees her child circling in
the center of the room before the lit TV, crying softly...
DYLAN:
Never sleep again, never sleep again...
And scattered all around him on the floor are the filthy
pages of letters.
HEATHER:
Dylan...
Then she stops, staring more closely at the letters on the
carpet. For the first time she sees that using the single
letter from each page, Dylan has spelled out:
A*N*S*W*E*R
T*H*E
P*H*O*N*E
Then the phone RINGS.
Heather stares at Dylan, stunned. The phone RINGS again, and
without even thinking about it, she picks it up.
HEATHER (cont'd)
Yes?
FREDDY (FILTER)
I touched him.
Before she can react the telephone suddenly thrusts a long,
fleshy tongue into her mouth in an appallingly obscene lick.
She flails backwards, flinging it away, and as she does,
Dylan lets out a piercing scream and falls gasping on his
side, legs kicking like an animal struck by a car.
Heather grabs him and runs for the door.
EYES, PEERING FROM BEHIND THE FLARE OF LIGHT
CLOSER STILL ON DYLAN'S EYES - WIDE - UNBLINKING.
DOCTOR HEFNER, a tall, powerful looking woman in her 40's and
Chief of Pediatric Medicine, clicks off the light and looks
at Heather.
DR. HEFNER
Any history of epilepsy in your family?
HEATHER:
No.
DR. HEFNER
Diabetes?
HEATHER:
No.
DR. HEFNER
Was there any trigger event? A trauma,
shock or...
(looks at her more carefully)
You haven't shown him any of the films
you make, have you? The horror stuff?
HEATHER:
(not sure she imagined it or
not)
No...
Hefner nods, scowling.
DR. HEFNER
Good. I'm convinced they can tip an
unstable child over the edge.
Heather swallows, hardly able to find her voice.
HEATHER:
Unstable? Dylan's not unstable, he's...
just...upset.
The doctor's looks at her, as if wondering if Heather's
competent enough to handle a painful truth. Then she just
scrawls something on a prescription sheet.
DR. HEFNER
We'll run a battery of tests and know in
a few days.
Heather looks at Dylan, eyes haunted by a terrible
vulnerability.
Dylan is stone silent. No evil behavior. Just exhausted and
withdrawn, like some small creature escaped from a predator
by the skin of his teeth, now just following core instinct:
stay in hiding. Do not make a sound.
HEATHER:
Does he have to stay here over night?
DR. HEFNER
Absolutely.
HALLWAY OUTSIDE DYLAN'S ROOM
She holds Heather's eye and speaks low, so Dylan can't hear.
DR. HEFNER (cont'd)
Anything more happen we should know
about?
Heather tenses ever-so-slightly.
HEATHER:
Like what?
DR. HEFNER
Sometimes what a child says or fantasizes
will give a clue to what ails him. Did
he say anything while he was still lucid?
Heather looks to Dylan. He's looking at her with trusting
eyes.
HEATHER:
(low)
No. Dylan didn't say anything.
She goes into the room. Dr. Hefner watches her carefully. A
nurse walks by and Hefner hands her the X-rays.
NURSE:
What have we here?
DR. HEFNER
(low)
It's too soon to know for sure, but the
early symptoms point towards childhood
schizophrenia.
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