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Wes Craven’s New Nightmare Page #22
- Year:
- 1994
- 368 Views
But then he looks up and reacts.
AND IN HIS POV WE SEE
the night sky. A giant bank of clouds, moving, twisting,
changing into a huge, DARK FIGURE in a wide-brimmed hat,
peering out from behind the clouds in frightening silhouette.
It looks down on him with glowing, leering eyes. And then
the huge steel claws poke through the very fabric of the
night, rendering it asunder as the light of the full moon
catches in their wicked curves.
Without another choice, Dylan turns and runs into traffic.
Instantly, there's a BLARE OF AIRHORNS and semi-tractor
trailer is screaming down on him. Momentarily blinded by its
headlights, Dylan barely manages to dance sideways enough,
and the truck misses him by inches! But this puts Dylan
directly in the path of a SPEEDING CAR coming up in the next
lane. He freezes, the car swerves and screams around him so
close his clothes are ruffled by the wind!
ON HEATHER:
hearing the BRAKES AND HORNS. She convulses in horror and
lets out a scream of her own. Then redoubles her efforts,
clawing her way over the fence and up the hill!
WITH DYLAN:
staggering for the median strip, three howling lanes away!
WITH HEATHER:
topping the embankment.
IN HER POV:
seeing in horror her son, missed and missed again by inches,
unable to cross the last two lanes.
CUTTING WITH DYLAN
as a huge CLAWED HAND stabs into FRAME, plucking him up and
swinging him with merciless sport, in and out of the path of
oncoming cars!
BACK TO HEATHER:
about to start after him, then, to her amazement, SEEING
DYLAN:
no claw visible whatsoever, just lifting into the air against
all laws of physics, nearly dashed to oblivion time and time
again.
HEATHER (cont'd)
Freddy! You bastard! Take me!
And she runs straight for him!
A TANKER TRUCK:
slams on all brakes, hews sideways. Heather sees it coming,
turns and runs for her life. But it's coming too fast.
She dives, tucks and looks up just in time to see the whole
massive tanker sweep right over her head! Cars are slewing
every which way, but she stumbles back up and presses on.
Her terror surpassed only by her utter resolve to get to
DYLAN:
the blade of the claw cuts clear through his PJ's. He drops
hard. He jumps up and darts through a gap in the median
fence.
HEATHER:
leaps for her life as a station wagon blurs past her without
even seeing her. Then she looks up to see a second car,
brakes smoking and screaming, coming right at her! She's too
paralyzed by fear to move, and the car hits her just before
it stops, knocking her flying. A moment later the freeway on
her side grinds to a halt.
Already people are out of their cars and running to her aid.
But on the other side of the median strip, the brakes are
still SCREAMING!
WITH DYLAN:
looking back to his mother's side. Then seeing dozens and
dozens of FREDDYS suddenly peering at him over the brink of
the median wall. Dylan turns and runs, and somehow, by
absolute miracle, makes it to the far side, plunging down the
embankment!
WITH HEATHER:
dazed, but fighting her way up. She pulls away from the
helping arms and staggers after her son!
EXT. HEATHER'S STREET - NIGHT
Heather stumbles and limps down the street, bloodied and
bruised, but moving. She stops in front of her house.
The front door is open. She runs in
INT. KITCHEN/DEN
HEATHER:
Dylan!!!
She listens, hears something, then sees the shadow of a man
ease out from the dark kitchen! She gives a scream and
shrinks back. Then sees it's
JOHN SAXON:
JOHN SAXON:
Holy...
HEATHER:
Where's Dylan?! Have you seen him?
JOHN SAXON:
Relax, Nancy. Relax!
He points. Heather, not knowing what the hell's going on
with him using Nancy's name, turns and looks:
DYLAN:
toddling out of his room, holding his guard dinosaur, Rex.
The child's eyes are still glazed, and he's definitely not
awake, but he's singing softly...
DYLAN:
One two, Freddy's coming...Freddy's
coming...
Heather races over and hugs him. So hard Saxon's afraid
she'll hurt the kid.
JOHN SAXON:
What in the world happened?
Heather just hugs Dylan, trying not to cry.
HEATHER:
I know how Chase really died.
JOHN SAXON:
What are you talking about?
HEATHER:
Fred Krueger did it.
JOHN SAXON:
Yeah, sure.
Heather looks at Dylan.
HEATHER:
You saw him, didn't you, Dylan!?
DYLAN:
(in deep trance)
Coming for you...
Saxon gently pulls Heather away.
JOHN SAXON:
Hey, come outside a minute. I need to
talk to you.
He pulls her up and marches her towards the front door.
HEATHER:
Dylan!
Dylan, sucking his thumb now, has turned to stare back at his
bedroom, apparently not hearing her.
JOHN SAXON:
Jesus, what the hell's going on, Nancy?
heather looks at him, dazed. Saxon pulls her outside and
closes the door.
EXT. HEATHER'S FRONT YARD
Something is different. Heather registers it subconsciously
the moment they're through the door, but she's too focused on
Saxon's strange misnomer for her...
HEATHER:
John, why are you calling me Nancy?
Saxon looks at her.
JOHN SAXON:
Why are you calling me John?
She glances back at the house, trying to see Dylan. Can't.
She looks back at Saxon, and reacts in shock!
He's staring back at her from in front of an UNMARKED POLICE
CAR with its magnetic dome light flashing. Those of us with
a good memory might even realize that it's the identical car
that LT. THOMPSON drove in NIGHTMARE I. And even more mind-
boggling, he's now dressed in the wardrobe of Lt. Thompson
from the same film!
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