What Just Happened Page #2

Synopsis: A week in the life of Ben, a powerful Hollywood producer, as he juggles negotiations with a studio head so that his newest picture can open at Cannes in two weeks, with a high-strung director who must make edits to the film, with an actor and his agent because the star has arrived on the set of a new picture with a full beard, and with his most recent ex-wife, Kelly, whom he discovers may have a lover. He also notices that his 17-year old daughter, from another marriage, has probably been crying. What's up? Can Ben keep it all together, get the green light from the studio to go to Cannes, move his new picture past the beard crisis, and maybe return to Kelly's good graces?
Genre: Comedy, Drama
Director(s): Barry Levinson
Production: Magnolia Pictures
  1 nomination.
 
IMDB:
5.7
Rotten Tomatoes:
51%
R
Year:
2008
104 min
$1,043,419
Website
390 Views


BEN:
Now?

SOPHIE:
She said it's okay

for you to go in the house...

...instead of using your cell phone.

BEN:
Okay, I'll be right back.

Get in the car

and buckle yourselves up.

SOPHIE:

Okay.

BEN:

Kelly, I said I would do it.

You always say you'll do it,

but you don't.

I know, I'm under siege. I realize I

always say it, but this time it's true.

- For all of us.

- I'll do it, I'll take the kids this weekend.

A grand total of 90 minutes per day

of video and TV.

- Or the kids can't stay over.

- I know.

BEN:
Where's the old sofa chair?

- I'm having it re-covered.

- I miss it.

- You miss the chair?

I love that chair.

I sat in it all the time.

I even remember

how much I paid for it.

Okay, Ben, let's play by the rules.

I thought our last session

went really well, didn't you?

Yeah, but this therapy is called

"How to Learn to Live Apart."

So we can move on gracefully.

Well, I still have feelings.

So do I.

That dark green velvet

was such a good look for that chair.

What? I felt like a change.

[CAR HORN HONKING]

Can I call you?

[SIGHS]

Yeah. Of course.

BEN:

Okay. See you later, guys.

SCOTT:
Hey, Ben.

- Scott.

- So how were the numbers last night?

- Just a number.

SCOTT:
Oh, by the way,

I just finished my script.

BEN:

So, what is it?

Come on, don't play hard to get,

tell me.

I'm not gonna tell you.

I'm not gonna tell you.

BEN:

I'm gonna find out anyway.

SCOTT:
It's about a florist.

- Oh, no.

SCOTT:

It's a rich world.

A flower shop as a background

for ambivalence and deceit.

It's the Rose Bowl Parade meets

The Da Vinci Code. That kind of thing.

- It's not a movie.

- It's not a movie? What is it?

Flowers on the big screen?

I don't think so. Won't work.

- Try Leonard, it might be his thing.

- I already did.

BEN:
You went to Leonard

before you went to me?

He's the coach

of my kids' soccer team.

Scott, come on. Leonard?

What difference does it make

if you're not interested?

Loyalty matters to me.

What did Leonard say?

There were

some very interesting aspects.

What did he say?

- He said it's not a movie.

- There you have it.

SCOTT:
It's too bad about Jack, huh?

- It's rare.

Usually agents kill others,

not themselves.

- Yeah, but out of the blue? I mean...

- It happens, you know.

- Suicide, it happens?

- Stress, it builds up. I'll see you later.

See you later.

MAN [ON STEREO]:

This is Fiercely, cue 4M-2. Take 7.

[INSTRUMENTAL MUSIC PLAYING]

[PHONE RINGS]

BEN:
Cal, talk to me,

what happened at the rehearsal?

CAL:
You're not gonna believe it. Bruce

shows up with a Grizzly Adams beard.

He's got a Grizzly Adams beard?

Yes, and he's a pig.

You want to direct him?

That's not my job.

What do you mean he's a pig?

- He's fat.

- Bruce Willis is overweight?

Overweight,

with a Grizzly Adams beard.

- He's fooling with you.

- The biggest beard you've ever seen.

- Don't worry.

- There's no way to know it's Bruce.

I will see you this afternoon.

I'm at a production meeting right now,

I can't talk. Goodbye.

- Hey.

- Hey.

I think Mom's in the back

if you want to say hi.

Do I have to?

Your eyes are all red.

No. No.

- A little bit.

- Just Just stuff, you know.

If it's boy stuff,

you can always talk to me about it.

I know some things

your mother doesn't know.

- I'm sure you do.

- No, seriously, you can ask me.

- Okay. Yeah.

- Yeah?

Okay. I'll be right back.

BEN:

What's with Zoe?

Oh, girl stuff. I don't know.

Is she dating? Parties or anything? She

doesn't really tell me much.

she just kind of

keeps things to herself.

I think she gets that from you.

I think she tells us about.

as much about what she does as

you would tell me about what you do.

Secrets seem to be

the family hobby.

I think it's in the DNA.

Boy, this place has gone way up.

I wished I still owned it.

Yeah, but you don't.

Gotta go.

- Bye.

- Bye.

- Looking good, Ben.

- You too.

Bye.

ZOE:
You know,

it's not every 17-year-old...

who still has their dad

drive them to school.

I kind of like it.

It makes me feel like a kid.

BEN:
You are a kid, and I'm a lucky guy.

I still get to drive you to school.

Think you'll still pick me up

and drop me off when I go to college?

You bet, if you'll let me.

I don't know,

let's just say it's negotiable.

I'm a good negotiator.

[SCHOOL BELL RINGS]

Will you please stop saying,

"If they don't f*** up my cut.

we may have something

we don't mind putting our names on"?

- I know that.

JEREMY:
Look, mate.

I don't want to get

too lofty or nothing about it.

but I made a film that doesn't wallow

in the cliches of retribution.

I don't want to satisfy

the audience.

- by letting them get even.

- That's true.

- I didn't do that when you hired me.

- That's true.

But let's just say that when those that

put up the money finally see.

the bad guys get away

and the little dog get murdered...

they get concerned.

Look, for my part,

if the dog gets shot in the head, fine.

If the kids all love it and laugh,

even better.

Probably that'll never happen. Kids

You know what's gonna happen.

F***ing hell. Didn't you?

You said to me, that Lou said,

and I quote:

- "It's a good movie"?

- She did, three times.

And that concerns you?

- A bit.

- How's that?

Jeremy, I don't know what "good"

means in South London.

but north of Pico

at a preview screening.

where Lou says "good" three times,

drop your pants.

bite down hard,

this one's gonna hurt.

I'm not buying it, mate. Come on.

I mean, you know...

[SIGHS]

I mean, were you watching

the audience watch the movie?

- Of course I was.

- What was their overall reaction?

Like they took their kids to Disneyland,

watched Mickey Mouse...

douse himself with gasoline

and set himself on fire.

[LAUGHS]

I'm actually all right with that.

It's like, what? What we got?

Like, two weeks to red carpet, right?

The festival took the film because they

want stars. Only saw a 10-minute reel.

The studio could pull it

from the festival with a phone call.

JEREMY:

Now you're overheating, mate.

I don't think so. We're gonna have to

accommodate Lou in some way.

Throw her a bone, something,

or the road could get a bit weird.

JEREMY:
What, you're saying

now you're not gonna protect my cut?

I'm gonna protect your cut.

DAWN:
That's what Ben does.

BEN:
Thank you.

I just want you to understand

the terrain we're about to cross.

- The preview was terrifying.

JEREMY:
All right, look.

Just stand united and we'll prevail.

Yeah, you know.

I'll explain the whole sort of raison

d'etre thing to Lou and she'll listen.

- All right?

- All right. I'm here to support you.

JEREMY:
Look, all I'm saying is, and I

don't mean to flog it, but, you know.

I think you should be proud.

We went out on a limb on this one.

BEN:

I am proud.

JEREMY:
Yeah, well,

it's not just about the money, is it?

BEN:
We already got the money,

now we gotta get the money back.

JEREMY:

Morning, all.

In the end, no director, no stars,

Rate this script:0.0 / 0 votes

Art Linson

Art Linson (born 1942) is an American film producer, director and screenwriter.Linson was born in Chicago, Illinois. He did his undergraduate work at the University of California-Berkeley and graduated from the University of California, Los Angeles law school. Art Linson's producing credits range from such commercial and critical hits as The Untouchables, Heat, Fast Times at Ridgemont High, Fight Club, and Scrooged, to unusual classics such as Melvin and Howard, The Edge, This Boy's Life and Into the Wild. Linson's producer/director collaborations include Brian De Palma, David Mamet and Cameron Crowe. His directorial debut was the 1980 comedy, Where the Buffalo Roam, which was loosely based on stories by Hunter S. Thompson and starred Bill Murray as the writer. His writing credits include two books, What Just Happened? Bitter Hollywood Tales from the Front Line, which was adapted into a film from his original screenplay What Just Happened and starred Robert De Niro, and A Pound of Flesh: Perilous Tales of How to Produce Movies in Hollywood. He is married to British actress Fiona Lewis. For television he is currently executive producer with his son John Linson on Sons of Anarchy. In 2016, Art produced and penned the movie The Comedian directed by Taylor Hackford. The film starred Robert De Niro and Leslie Mann. Also in 2016 Art produced The Outsider, a crime drama film directed by Martin Zandvliet and written by Andrew Baldwin. The film stars Oscar winner Jared Leto and Tadanobu Asano. more…

All Art Linson scripts | Art Linson Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "What Just Happened" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/what_just_happened_23277>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "FADE OUT:" signify in a screenplay?
    A A camera movement
    B A transition between scenes
    C The beginning of the screenplay
    D The end of the screenplay