White Squall Page #2
- PG-13
- Year:
- 1996
- 129 min
- 755 Views
TOD:
Well Ricky boy, spear gun or no,
it's sweet to be back in the world
of rum and honey.
RICK:
I gotta admit I never thought you'd
be back after the great "Bowsprit
Affair".
TOD:
Me and Skipper had a meeting of the
minds.
CHARLIE:
How's that?
TOD:
I begged.
CHUCK:
(warming a little)
What the "Bowsprit Affair"?
RICK:
Well, Romeo here was on harbor watch
and managed to sweet talk one of the
local girls to have a go in the
bowsprit.
TOD:
Not just any 'local' girl.
RICK:
The 'local' mayor's 'local'
daughter.
Tod smiles, reminiscing.
CHARLIE:
Thing is, the net in the basket
isn't very comfortable, so Tod-o
wraps them up in the jib. After the
deed was done...
RICK:
He says they did the deed...
TOD:
Trust me, we did the deed.
CHARLIE:
After the "alleged" deed was done,
they fell asleep. Big Daddy Lawford
comes on deck at four bells and
TOD:
Believe me, I needed the rest...
CHARLIE:
He gets the whole crew on deck, gets
us on the halyard, and orders the
old "heave ho...".
RICK:
Up goes the jib and out roll Tod-o
and the mayor's daughter, naked as
pilot whales...
CHARLIE:
(to Tod)
I don't know who was more surprised,
you or Big Daddy.
TOD:
To tell you the truth, I think it
was her father.
At the top of a hill, the harbor comes into view.
RICK:
Well gentlemen, there she is.
The cab stops. Besides many colorful fishing boats, is
the ALBATROSS. At ninety-two feet, she dwarfs everything
in the harbor. Her white hull glows like ivory and her
twin masts and yard arms tower above her deck.
Breathtaking.
CHARLIE:
Home sweet hell on the water.
EXT. DOCK - DAY
The boys pile out of the taxi. What seemed like a
pristine ship from the hill looks like a rust bucket up
close. The white paint is streaked and barnacles cover
the hull. Looks of disappointment.
CHUCK:
What happened to it?
A voice from behind turns Chuck.
BILL:
She cleans up. We'll have her ship
This is BILL BUTLER, 15, removed, the youngest of the crew
and... first mate. Bill gives Chuck a friendly slap on
the back and climbs aboard. He is greeted by a Viking
giant of a man, LAWFORD, 37, and bearded, the ship's
English professor.
Puffing on a huge Havana cigar, he stares coolly down at
Tod and the others. He speaks with the voice of Moses.
LAWFORD:
"That this same child of honor and
renown, This gallant Hotspur, this
all praised knight, And your
unthought-of Harry chance to meet.
For every honor sitting on his helm,
Would they were multitudes, and on
my head. My shames redoubled! For
the time will come...
Chuck feels something and looks up where he meets the
intense stare of a man standing between the deck cabins.
Their eyes lock.
LAWFORD:
... That I shall make this northern
youth exchange, his glorious deeds
for my indignities."
Then, the man is gone. Haunting. Only Chuck has seen
him. Tod smiles back at Lawford impishly.
TOD:
Would you be addressing me, sir?
LAWFORD:
I would.
RICK:
What's that supposed to mean?
LAWFORD:
(beat)
Henry the IV part I Act I Scene ii.
I suggest you read it.
Lawford sneers and walks away. It's all a show.
CHARLIE:
It means Shakespeare. B-o-r-i-n-g.
BILL:
It means if he catches anybody
basket-napping on watch this
passage, he's gonna use their lizard
for 'cuda' bait.
RICK:
(lightly)
Well that's a hell of a how-do-you-
do.
BILL:
Drop your gear, go below and pick
yourself some bunks.
Chuck and the others climb aboard.
Chuck makes his way down the companionway into the main
cabin. Other crew members are already unpacking.
The sleeping arrangement is Pullman-style with two rows of
bunks on each side of the cabin. In the middle of the
room is a gimbaled table. This is where the crew will eat
and study.
RICK:
Listen up. This is Chuck Gieg.
Among the crew -- feature ROBIN WEATHERS, 16, a cherub
with soft puffy cheeks and TERRY LAPCHICK, 17, skinny and
rodent-like.
Robin approaches with a hand extended. He carries a 8x10
photo of a young man in a football uniform.
ROBIN:
I'm Robin.
Chuck regards the photo.
ROBIN:
(flat)
That's my brother. He's dead.
Apprehensively Chuck shakes and retreats to a lower bunk.
Robin tacks up the picture above his bunk. Terry unpacks
in front of one of the lower berths.
A loud "THUD!" turns everyone around. A duffel bag lies
at the bottom of the companionway. A large imposing
figure climbs into the cabin.
This is JOHN GOODALL, 17, over six feet, big and broad.
His hair is slicked back "Dean" style and wears a full
day's growth of bread on his face. Compared to the
others, he looks all man. Everybody clears from his path.
He stops in front of the lower, center bunk (Terry's bunk)
and drops his bag.
JOHN:
I'll take this one.
TERRY:
You probably didn't notice, but this
bunk has been taken.
John just glares at him, then dumps all of Terry's things
onto the blanket on the bunk, gathers it up and tosses it
into the remaining upper berth. Terry watches,
intimidated.
JOHN:
Anybody gotta problem with that?
RICK:
(beat)
Absolutely not.
John climbs into his bunk and closes his eyes. Bill
enters, followed by several adults.
DR. ALICE SHELDRAKE, 30, smart, attractive and tough, is
ship's surgeon and Skipper's wife. Lawford appears with
GEORGE PASCAL, 30's from Brazil, dark, and fit.
BILL:
Alright, listen up. This is Dr.
Alice Sheldrake.
The guys stumble over only half listening.
ALICE:
I'm ship's surgeon. I'm in charge
of aches, pains, biology, math and
science.
BILL:
George Pascal here is ship's cook.
GEORGE:
If you want to keep all your
fingers, stay the hell out of my
galley unless you're invited.
BILL:
Some of you already know Mr.
Lawford.
LAWFORD:
I have been charged with the dubious
task of insuring your literary
education.
Lawford puts a hand on Bill's shoulder.
LAWFORD:
Bill Butler is your first mate. But
don't let his size fool you.
Bill gives a half reluctant wave.
MIKE:
So when the hell do we get to meet
El Capitan?
Snickering.
TERRY:
(aside)
Maybe he's getting his wooden leg
waxed.
Laughter. A sound stops the laughter. Almost on cue, the
sound of slow methodical footsteps, pace the deck above
them. Then a shadow falls across the skylight, blocking
the light. Ominous. They all notice and look up.
LAWFORD:
(mysterious)
You'll meet him. Soon enough.
Dawn glows orange in the skylights above the cabin. The
only sound is the heavy, even breathing of slumber.
Suddenly, a booming voice rumbles down the companionway.
LAWFORD (O.S.)
Arise, Arise, Arise...
Chuck wakes, disoriented. Terry bolts upright and hits
his head on the low ceiling. Ouch.
Tod, Rick and Charlie are up instantly. Lawford's voice
echoes through the ship.
LAWFORD (O.S.)
Exultation is the going/ Of an
inland soul to sea/ Past the houses/
Past the headlands/ Into deep
Eternity/ Bred as we, among the
mountains/ Can the sailor
understand/ the divine intoxication/
of the first league out from land?
(pause)
But I suppose we'll answer that
question soon enough gentlemen.
Soon enough.
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"White Squall" Scripts.com. STANDS4 LLC, 2024. Web. 7 Nov. 2024. <https://www.scripts.com/script/white_squall_973>.
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