White Squall Page #3
- PG-13
- Year:
- 1996
- 129 min
- 755 Views
TERRY:
What question?
Chuck tries to assimilate Lawford's words. Robin swings
his feet over the side of his bunk with a tortured look.
John rolls over and pulls his pillow over his head.
ROBIN:
(foggy)
What the hell is going on?
CHUCK:
Maybe it's an air raid.
In crisply pressed shorts and shirt, Bill Butler steps
through the aft bulkhead. He raises a bowswain's whistle
and blows. OOOWWWEEEEOOO!!!! Chuck and Robin grab their
ears. It's a nightmare. Terry jumps and hits his head
again.
BILL:
Roll out sailors! All hands on
deck! Sixty seconds. Sixty
seconds.
He blows the whistle again. This time it brings even John
to his feet, staring down at Bill in a blind rage. Bill
looks up and casually notices him.
BILL:
JOHN:
You blow that thing again I'll shove
it so far up your ass, you're gonna
need dental floss to get it out.
BILL:
Just get on deck.
Bill turns and disappears topside.
EXT. DECK - DAWN
The sun has barely cracked the horizon as the crew
staggers onto the deck, shirtless and shivering.
BILL:
Line up! Single file. Single file.
The crew lines up. John is the last one through the hatch
and he lets us know his boundaries are being pressed.
BILL:
Everybody swims.
The boys are aghast.
LAWFORD:
Don't think people, just go! Go,
Go, Go, Go, Go!!! Swim you win,
stay you pay!!
Rick is the first one through the gunnel door, followed by
Tod and Charlie. They howl and scream as they hit the
water. The rest follow like lemmings. But John stands
defiantly with his arms folded.
BILL:
Now what's the problem, Goodall?
Everybody swims.
The crew are piling back on deck. George stands in the
open galley door. The smell of fresh bacon is
intoxicating.
JOHN:
I don't.
LAWFORD:
You will if you wanna eat. Right
George?
George nods, wielding a butchers knife. The crew stand
shivering, waiting on John.
JOHN:
(to Bill)
You gonna swim for your breakfast?
Bill gives John a long look then strips to his shorts,
swings into the rigging and climbs up to the first yard
arm. He looks down at the water some twenty-five feet
below. It's a long way. Robin turns away.
Lawford booms in a voice that echoes across the harbor.
LAWFORD:
"Down, down beneath the deep, That
oft in triumph bore him, He sleeps a
sound and peaceful sleep, With the
salt waves dashing over him." --
Lord Byron gentlemen.
With that Bill leaps and hits the water with a huge
KERSPLASH! He swims to the boarding ladder, pulls himself
up and gets in John's face.
BILL:
Everybody swims. Now, I've been in
twice. So I guess I'll be eating
your breakfast too.
John considers him, then strips off his shirt. But
instead of walking over to the gunnel door, he jumps into
the ratlines, climbs to the foretop and looks down.
He manages a thin smile then climbs to the second set of
ratlines past the third yard and continues to the top yard
arm -- the topgallant. It's a pissing contest and
everybody knows it.
MIKE:
I got five bucks says he doesn't.
CHRIS:
I got five that says he doesn't
live.
TOD:
I'll take a dollar of that.
ROBIN:
This is crazy!
Robin refuses to watch. The others share a look.
John makes his way along the foot ropes and stands at the
end of the yard. He tosses a look towards Bill but with
no way to back down, he launches into the air. Everyone
gasps as he thunders through the air in a broad swan dive.
Falling, falling, falling...
CHUCK:
Jesus.
ROBIN:
I can't watch this.
John hits the water like a bullet. The crew run to the
side waiting for him to come up. Nothing. Finally, he
breaks the surface. Easy. He climbs up waiting, somehow,
to claim victory.
Suddenly, they all feel it. A presence. He has appeared
silently on top of the Chart House, like a phantom gazing
down at them, back lit by the sun the boys must squint to
see him.
RICHARD SHELDRAKE, (SKIPPER), ageless and windswept,
casually reaches up to a block and tackle with one arm and
glides to the deck. He is powerfully built and bronzed
from the sea and sun. He carriers the burden of command
like a cross. Soft-spoken and remote, he is a man to be
reckoned with. The crew know they are in the presence of
someone larger than life.
BILL:
Skipper on deck!
The crew line up clumsily. Skipper has a gaze that blazes
right through them.
He looks out to sea. Searching, ominous. He waits until
the silence is filled with everyone's attention.
SKIPPER:
You know what's out there? Wind and
wave and rain. Endless glassy pools
that'll hold a sailing ship for
weeks and then spit her out into the
eye of the kind of hurricane. A
blow that could knock the bridge off
a battleship. Reefs and rocks and
sandbars that'll tear the belly from
her and enough fog and night to hide
it all.
He spits into the water. The crew sheepishly throw
glances to the horizon.
SKIPPER:
So look out there... and explain to
me why any man in possession of any
sense at all, would take on the sea
with sail?
Skipper turns his gaze back to the boys. There is a fire
in his eyes. Nobody dare answers.
SKIPPER:
Because there's something else out
there. It beckons in the wind and
sings in the shrouds. Voices.
Whispering...
His ear to the wind.
SKIPPER:
They're voices of men. Calling. Men
you don't even know. Men you can't
even imagine. It's a seed, a wish,
that part of you and I that aches to
be alive, that was banished by
everything we've ever been taught or
told. It's a part of us that can
only be found on mountain tops and
deserts, in the deepest caverns,
smoking battle fields and... across
oceans.
He turns back to the sea, dark.
SKIPPER:
Out there, is where it all waits.
OLDER CHUCK (V.O.)
He was everything I had expected,
part Ahab part Queeg and even Bligh.
He spoke in whispers and answered
all queries with efficiency and
directness. He had gone to sea for
the first time at fifteen, the same
age as Bill Butler. And as he
looked upon us that first day it
must have been as though he were
staring into a mirror.
Skipper manages a sobering look and climbs on top of the
chart house. He pats a small brass sign that is welded to
the main mast and reads the inscription.
SKIPPER:
(reading)
"Where we go one, we go all."
With that, he disappears below. Nobody moves. This is
exactly the kind of man you want around when the sh*t hits
the fan.
TERRY:
This -- is gonna be a long eight
months.
The boys devour a hearty breakfast. Tod is the 'galley
slave' and fills glasses with orange juice.
TOD:
Chow down boys. The milk and eggs
are the first things to go once we
put out.
John enters balancing two plates heaped with food.
RICK:
You know we gotta dumbwaiter for
that.
John looks over to the dumbwaiter mounted in the wall.
RICK:
Not that one. Tod-o here.
The guys groan.
TOD:
Har, har, har...
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"White Squall" Scripts.com. STANDS4 LLC, 2024. Web. 7 Nov. 2024. <https://www.scripts.com/script/white_squall_973>.
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